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Reflections on the Chabloz Case

I’ll sing my way to court in high heels and a frock
Give the press a winning smile from inside the dock…
      Alison Chabloz song, Find me guilty

By Nick Kollerstrom PhD | Occidental Review | January 26, 2018

Mr Gideon Falter, 34, who runs the Campaign Against Antisemitism (CAAS) was the chief witness for the Crown Prosecution service’s (CPS) against the British minstrel Alison Chabloz. On January 10th at Marylebone Magistrate’s Court we heard him swear the oath, to tell the truth, the whole truth and nothing but the truth. He then proceeded to give the court various hearsay conjectures, about what effect Ms Chabloz’ songs might be exerting, upon unspecified persons.

He averred for example that they were ‘spreading anti-semitic hatred’ and were ‘inciting to racial hatred.’ The Court was not given evidence for this,[1] nor advised where or in whom these emotions were being generated. Should he not have called witnesses to testify in support of these conjectures, or better still a psychologist to affirm that they were or had been generated?

The Court was advised of one offensive performance by Ms Chabloz, where she sang her songs ‘(((Survivors))) and ‘Nemo’s anti-Semitic Universe’ namely the London Forum in   2016 (September 24th). A problem here could be the signs of mirth and riotous applause in response to the songs: did this really show what Mr Falter had been alleging, or if not, what did?

She was recently introduced as ‘The brilliant comedienne and singer/songwriter Alison Chabloz,’ by Richie Allen, on his popular radio show (18 January).

The point of satire, is that it makes people laugh. Britain has a long tradition of satire from William Hogarth in the 18th century to Private Eye in the present time. Its future is surely at stake in this trial.

In October of 2017 she was arrested and jailed (or, ‘held in custody’) for 48 hours, for posting a video of herself singing a song. This had allegedly broken her ‘bail conditions’. As Ms Chabloz observed, “As far as I am aware, I am the only artist in modern British history to have been jailed for the heinous crime of composing and singing satirical songs which I uploaded to the Internet.”

We live in a society where just about any sacred belief is liable to be satirised for entertainment value, and those being satirised have not generally sought recourse to legal action. When punk-rock bands savagely mocked the Royal family for example, no-one prosecuted them.

Alison Chabloz

The present case was being brought under the Communications Act of 2003. A degree of public support is said to exist for its controversial section 127,[2] by people fed up with online bullying. For example, a racially motivated tweet relating to a footballer was prosecuted under it. But many have objected to its catch-all character,[3] and the DPP has stated in 2102, that its section 127 ‘should not be seen as a carte blanche for prosecuting content which, however upsetting to some, would normally fall within guarantees of freedom of expression in a democratic society,’ and that freedom of expression should include the right to say things that ‘offend, shock or disturb the state or any sector of the population.’

Last year, at least nine people a day were being arrested in the UK on such dubious grounds. Annoying someone or causing distress has never been viewed as a crime — until now. The Communications Act was basically designed for the media.[4] In contrast, songs posted up on the Web are only heard by persons who choose to listen. One exercises that choice by clicking the ‘play’ button. Ms Chabloz has not ‘communicated’ anything in the sense defined by that Act.

Normally, if a Youtube video is found to be disturbing, a complaint is put through to Youtube, rather than the person who has uploaded it. Now Ms Chabloz’ songs have either been deleted or given protective warnings by Youtube, which further complicates the question, of how and to whom she is supposed to be causing offence.

The Defence lawyer Adrian Davies had suggested at an earlier hearing that his client’s songs might be ‘offensive’ but not ‘grossly offensive,’ and that remark was reiterated by the judge in the present hearing. That is surely so: it’s not as if they were snuff movies, or featured depraved or perverted acts, or personally defamed anyone living — except for one person, Irene Zisblatt who claims that she swallowed diamonds while she was at Auschwitz. The court discussed her case, with Mr Davies pointing out that the official Yad Vashem Holocaust centre in Israel had cast doubt upon the veracity of Ms Zisblatt’s story in her book The Fifth Diamond. It features of course ze evil Nazis ripping babies in half, making lampshades out of human skin, etc. Was this not a legitimate target for satire, Mr Davis asked the Court?

Some have commented that British politics would hardly be able to function if a distinction was liable to be made between ‘offensive’ and ‘grossly offensive.’ How is the law supposed to discern such a thing?

Others have wondered if it is really appropriate for the CAAS to be registered as a charity, i.e., a tax-exempt NGO, which goes around suing people. The CPS had not wanted to take this case, but was pressured by the CAAS to do so. That applies both to the pending case of British ‘nationalist’ Jez Turner as well as Ms Chabloz: in both cases the CPS had no inclination to prosecute, but arm-twisting by the CAA made them do it. In fact, the CAA works for a foreign power: its first action upon being founded in 2014 was to intimidate the Trycicle Theatre in Cricklewood so they gave up their BDS policy on Israeli goods. Why should a group specialising in legal intimidation be awarded tax-exempt charity status?

The second witness after Mr Faulter was Stephen Silverman, the CAA’s ‘Director of Investigations and Enforcement.’ Under examination he confirmed that the online character ‘Nemo’ who had been persistently trolling Ms Chabloz, was none other than Stephen Applebaum, the CAAS’s ‘senior volunteer.’ For the last two years she had received some quite intense twitter threats and curses from this character — thus on her website ‘Nemo’ declared: ‘Even if you are acquitted, we will still go after you.’ Earlier, in the first court hearing of this case in December 2016, Mr Silverman admitted that he had been tweeting as ‘Bedlam Jones’ who had likewise been making quite intimidating comments.

So, this is a case that could work a lot better the other way round, with Alison as the innocent injured party and CAA personnel as guilty of harassment and victimisation. Clearly, the CAA needs to be stripped of its charity status.  As a general comment, one can either post envenomed tweets against someone or sue them, but it may be inadvisable to try both.

The case is adjourned until March 7th.

[1] As her lawyer A.D advised the Court, the ‘personal emotional reaction’ of Mr Gideon Falter was ‘entirely irrelevant’ to the case

[2] Section 137: A person is guilty of an offence if he— (a)sends by means of a public electronic communications network,  message or other matter that is grossly offensive or of an indecent, obscene or menacing character;

[3] Figures obtained by The Times through the Freedom of Information Act reveal that 3,395 people across 29 forces were arrested last year under section 127 of the Communications Act 2003, which makes it illegal to intentionally “cause annoyance, inconvenience or needless anxiety to another”, in 2016′

[4] It aimed ‘to make provision about the regulation of the provision of electronic communications networks and services … to make provision about the regulation of broadcasting and of the provision of television and radio services, etc.

January 28, 2018 - Posted by aletho | Civil Liberties, Timeless or most popular | Campaign Against Antisemitism, Human rights, Stephen Applebaum, UK