South African Musical Solidarity for Palestine: The Mavrix
By Doc Jazz | December 7, 2012
The Mavrix, a South African band, are known for their solidarity with the Palestinian cause. Their musical message reached all the way into the hearts of the Palestinians of Gaza and received international acclaim, when they released their well-known music video “The New Black”, which also featured Palestinian Oud player Mohammed Omar from Gaza.
The music video that features the song from the album “Pura Vida”, draws parallels between South African apartheid and Israeli apartheid and the current occupation of Palestine. The band’s inclination to solidarity with Palestine against apartheid and oppression is also expressed on this album in the songs “Palestinian as One”, and a song written by founding member Jeremy Karodia called “Burnt Humus”, for his friend in Gaza, Haidar Eid.
Responding to the recent Israeli atrocities against the people of Gaza of last month, The Mavrix have made ‘Palestinian as One’ available for free download. You can listen to the song here, and download it. You can also watch this music video based on this song, that was not made by the Mavrix, but by a Youtube user using their song and combining it with pictures of worldwide pro-Palestine solidarity.
This unique South African band combines purity of sound and composition with a powerful and penetrating message.
History
The roots of The Mavrix go back to the 1980′s and the struggle against apartheid in South Africa. The founding members, composers/musicians, Jeremy Karodia and Ayub Mayet, floated in and out of their roles as activists and artists, artists and activists, finally settling as activist artists writing music that reflected life in apartheid South Africa. During that period, The Mavrix consisted of Karodia on guitar/vocals and Mayet on vocals.
After the birth of a new South African democracy in 1994, The Mavrix evolved by adding new songs and music to their repertoire with the addition of new musicians, Shahzaadee Karodia on violin, Ketan Parshotham on tabla and Reshma Lalla on santoor to accompany Karodia’s guitar and Mayet’s vocals.
Styled in Western Folk and fused with African and North Indian rhythms and melodies, the band recorded their first album, “Guantanamo Bay”, in 2004 as a response to the growing phenomenon of global poverty, political detentions, drug abuse, domestic violence, child abuse and occupation/invasion and war. The album fused Western instruments with Indian and African instruments. Reza Khota on guitar, Godfrey Mgcina on African percussion and Marc Duby on bass played as session musicians on the cd.
Guantanamo Bay
The title song, “Guantanamo Bay”, was written to highlight the parallels between the United States’ infamous Guantanamo Bay prison and apartheid South Africa’s own political detention camp, Robben Island, on which most of the liberation movement’s political leaders including Nelson Mandela, were incarcerated. Other songs such as “Promised Land” highlighted the invasion of Iraq and the occupation of Palestine.
In 2007 the band began writing new songs and had a change in personnel. With Parshotham and Lalla having left the band, Ravi Naidoo on vocals, Corvin Brady on violin and Pravesh Vallabh on tabla joined the group. The Mavrix began work on a new album called “Pura Vida”.
True to the sound of their first cd, “Guantanamo Bay”, released in 2004/2005, the new album reflects the band’s diverse brand of fusing African, Indian classical and Western musical styles in the “folk/rock” genre. The 14 songs are just as diverse in lyrical content as the variety of instrumentation on the album.
The album features an array of talented and versatile local and international musicians who accompanied the band to create an album embellished by multiple instruments and musical arrangements. Johannesburg based Denny Lalouette and Gregs Moonsammy on bass, Pahlad Singh on accordion, Kreasan Moodley on harmonium, a string trio featuring Ruby Ngoasheng on viola, Kagiso Molete on violin and Sizekello Shuba on cello, Wian Joubert on percussion, Durban based santoor player, Ashwin Morar and Palestinian Oud player, Mohamed Omar helped create a unique style that The Mavrix have become known for.
Pura Vida
Whilst The Mavrix compose songs passionately about global issues that affect communities in their day to day lives, the band have also written and composed songs on the “Pura Vida” album about spirituality and romance. Songs such as the title track, “Pura Vida” and “Legend”, expose a spiritual feel in musical arrangement and content. “Chapatti Girl”, “Angel” and “This house ain’t cold no more” are compositions that reflect the “non activist” side of the band.
“Pura Vida”, in Spanish, means pure life and after 28 years of performing, composing and writing music based on struggle and human interests, the album title reflects the band’s commitment towards global justice and world peace.
December 9, 2012 Posted by aletho | Ethnic Cleansing, Racism, Zionism, Solidarity and Activism, Timeless or most popular, Video, War Crimes | Gaza, Mohammed Omar, South Africa | Leave a comment
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From the Archives
Ronald Reagan’s Torture
By Robert Parry | Consortium News | September 8, 2009
The 2004 CIA Inspector General’s report, released in August 2009, referenced as “background” to the Bush-era abuses the spy agency’s “intermittent involvement in the interrogation of individuals whose interests are opposed to those of the United States.” The report noted “a resurgence in interest” in teaching those techniques in the early 1980s “to foster foreign liaison relationships.”
The report said, “because of political sensitivities,” the CIA’s top brass in the 1980s “forbade Agency officers from using the word ‘interrogation” and substituted the phrase “human resources exploitation” [HRE] in training programs for allied intelligence agencies.
The euphemism aside, the reality of these interrogation techniques remained brutal, with the CIA Inspector General conducting a 1984 investigation of alleged “misconduct on the part of two Agency officers who were involved in interrogations and the death of one individual,” the report said (although the details were redacted in the version released to the public).
In 1984, the CIA also was hit with a scandal over what became known as an “assassination manual” prepared by agency personnel for the Nicaraguan Contras, a rebel group sponsored by the Reagan administration with the goal of ousting Nicaragua’s leftist Sandinista government.
Despite those two problems, the questionable training programs apparently continued for another two years. The 2004 IG report states that “in 1986, the Agency ended the HRE training program because of allegations of human rights abuses in Latin America.”
While the report’s references to this earlier era of torture are brief – and the abuses are little-remembered features of Ronald Reagan’s glorified presidency – there have been other glimpses into how Reagan unleashed this earlier “dark side” on the peasants, workers and students of Central America. … continue
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