In 2016 the White Helmets were nominated for the Nobel Peace Prize. Justin Timberlake thought they should get it. So did Bear Grylls, Ben Affleck, Michael Palin, Daniel Craig, Rowan Williams, Ridley Scott, George Clooney, Sacha Baron Cohen, Vanessa Redgrave and various other artists, writers, and politicians who put their signatures to the petition on the White Helmets web site.
‘Give it to Syria’s White Helmets’ the Guardian, a media mainstay of the terrorist war on Syria from the beginning, implored the Nobel committee. ‘They embody a spirit of civic resistance.’
The actor George Clooney also identified their essential goodness. ‘In a world full of hate these people put on helmets and run towards violence while everyone else is running away from it,’ he said in London when attending a showing of the glowing documentary the White Helmets made about themselves.
‘Where there is no structure in society they are there to protect. First and foremost they are heroes.’
On their website, the White Helmets describe themselves as ‘former tailors, bakers, teachers and other ordinary Syrians’ who had come together to form the ‘Syria Civil Defence’. In fact, Syria has, and has had since the 1950s, a government civil defense organization of the same name, which operates across the country, unlike the White Helmets, which has operated only in ‘rebel’ held areas.
Furthermore, far from being an organization set up by ‘ordinary Syrians’ who saw a need for ‘civil defense’ and decided to fill it, the White Helmets were not even Syrian in origin but the brainchild of a former British intelligence officer. Furthermore, again, they were never financially independent, as they claimed, but were funded from the beginning by the same governments making war on Syria through armed proxies tied to their intelligence services. They were a carefully constructed arm of this war.
The White Helmets were a sustained lie from the start. They were deliberately packaged to give the corporate media the images it wanted, dominated by the White Helmet hero scurrying across a rubble-strewn foreground with a dusty, crying child in his arms. In the background, out of sight but figuratively represented in the wailing of children and the bodies on the street were the architects of these horrors, the ‘regime’ in Damascus and the dictator sitting in his palace.
It was not long before holes began to appear in the narrative. These rescues were not genuine but were being staged for media consumption. Journalists Vanessa Beeley and Eva Bartlett were the first to pick holes in the narrative and the more they picked the more the holes widened, to the point where it was clear that the White Helmets were a scam of the first order.
But they were a scam the governments making war on Syria wanted their people to believe and a scam that the corporate media perpetuated, when the most cursory research would have revealed the lies.
The White Helmets were not just working in ‘rebel-held’ areas, a media euphemism for civilian districts taken over by the most violent terrorist groups on the face of the earth. They were an extension of these groups. They boasted of their affinities on their Facebook pages. They hated the Syrian government with the same fervor as the takfiris. They also reviled the Alawi, the Shia, Christians and Sunni Muslims who fell short of the takfiris’ exacting standards.
Many White Helmets doubled up as ‘first responders’ and takfiri gunmen. They operated completely under the instructions of the takfiris. They took away the bodies of the newly executed for burial and staged chemical weapons attacks as required. As evidence gathered by Russian researchers indicates, they were also involved in the harvesting of body organs from the bodies of wounded civilians.
These activities were all funded by the ‘liberal democracies,’ including the UK, the US, the EU and individual EU governments, including Denmark and Germany, nominally committed to fighting terrorism around the world.
By 2017 the British Foreign Office alone had paid the White Helmets an acknowledged $80 million. Outside money had even come from the Jo Cox Foundation, set up in memory of the British Labor politician, murdered in 2016, to work for a ‘fairer, kinder and more tolerant world.’
The contradictions in western attitudes were exemplified when Raed Saleh, the head of the White Helmets, and the recipient of millions of dollars in US aid, travelled to the US in 2016 to receive a humanitarian award and was turned back at Dulles International Airport in Washington.
Although the Department of Homeland Security never makes its reasons public, Saleh was clearly on a security/terrorist watch list. He had been allowed into the country before but this time he was turned away.
Waiting to greet him, the well-meaning but naïve members of the InterAction NGO alliance donned white helmets in his absence. Unfortunately, they are not likely to see the White Helmets being outed anywhere in the US media.
The Russian Foundation for the Study of Democracy recently compiled evidence based on extensive interviews in Syria with hundreds of witnesses, including former White Helmets and takfiri fighters, physicians and civilians living in areas that had been taken over by takfiri groups.
The interviews indicated that many of the White Helmets were not volunteers as claimed. In East Aleppo men were imprisoned and given time to decide whether to join Jabhat al Nusra or the White Helmets. It had to be one or the other. There was no third option unless saying ‘no’ to both and facing execution can be considered an option.
For some, joining the White Helmets was the only means of survival for themselves and their families but once inside the organization, everyone knew orders had to be obeyed whatever they were.
These orders came from the takfiri groups. A member of Jaysh al Islam’s internal security services told Russian researchers that instructions were delivered to the White Helmets by phone or personal messenger but either way, they were under the full control of Jaysh al Islam.
After eastern Ghouta was taken over by the takfiris it was divided into four sectors. The White Helmets in the district were integrated with the takfiri group assigned responsibility for each sector.
Along with faked chemical weapons attacks, setting up faked ‘regime’ bombings in line with instructions from the takfiri groups was a specialty of the White Helmets media unit. Witnesses gave evidence of bodies being brought from the morgue and the wounded from the hospital in preparation for faked attacks. Wrecked cars would be dragged to the site. The stage having been set with the apparent consequences of a ‘regime’ bombing, tyres and trash would be set on fire and the cameras would begin to roll.
In Douma, the White Helmets constructed barriers, dug trenches and tunnels, and transported fighters, weapons, and ammunition to the front lines. According to witness evidence, they were permanently engaged in preparing battle positions for the takfiris. White Helmet or ‘rebel’ media rooms or centers kept the global corporate media supplied with a steady flow of lies which were eagerly lapped up, no questions asked. The lies included the faked 2018 chemical weapons attack in Douma.
Theft was a common perquisite of being a White Helmet. Money and gold would be stolen from houses and jewelry stripped from the living – usually women – as well as the dead. Senior White Helmet figures enriched themselves, one in Douma buying cars and summer houses.
In the districts, they occupied the takfiris and the White Helmets shared office space. They took over schools and kindergartens. Under the threat of death, teachers in eastern Ghouta were told to send their students to religious schools. Students at the Gaza school in Aleppo were told to seek their education at the mosque.
The most heinous of White Helmet activities was the harvesting of body organs. Statements made to the Russian researchers indicated that organs were being removed in Turkey for transplantation into the bodies of wounded fighters and that the White Helmets and takfiri groups such as Ahrar al-Sham acted as an integrated team throughout the whole process.
The Russian researchers heard extensive prima facie evidence of the wounded being taken away for treatment by the White Helmets and being returned as corpses stripped of their body parts. A doctor in Aleppo gave evidence relating to a driver in Aleppo who weighed about 70 kgs when taken away and about 30-45 kgs when his corpse was returned. He had been cut from his throat to his stomach.
‘The skin almost touched his back,’ the doctor said. ‘I touched him with my hand and understood that there were clearly no organs left.’
In Aleppo the mother of a boy whose organs had been removed was only allowed to see his head and neck. An injured girl was taken to Turkey for ‘treatment’ and her body returned three days later with her internal organs missing. Even a person with a minor injury would be taken away and returned with the stomach cut open and the organs removed. It was understood, according to witnesses, that people taken away for medical treatment by the White Helmets often did not come back alive.
In July, 2018, 429 members of the White Helmets were smuggled out of Syria across the occupied Golan Heights and moved immediately to Jordan. The transfer was facilitated by the government of Israel which had armed the takfiris and given hospital care to their wounded since the beginning of the war. It had also helped and protected them by attacking Syrian military installations and now it was saving their White Helmet enablers from the retribution of the Syrian state and people.
From Jordan, the White Helmets were dispersed among the countries whose governments had supported them. They were quickly whisked away into a life of anonymity, supported by the British, European or American taxpayer. No one would know where they were or who they were so no critical questions could be asked. The truth was being buried with them.
This is a shocking story, of government criminality and media irresponsibility, of which the lies fed to the world about the White Helmets is only part.
The Russian report is a significant addition to the enormous body of prime facie evidence about the real nature of the White Helmets but as anything coming out of Russia is instantly dismissed as ‘fake news’ the corporate media already has a licensed reason to ignore this report.
The caravan of celebrities who moved quickly to capture some of the limelight created by the White Helmets, without asking any questions about what they were actually supporting, without caring as long as some of the spotlight fell on them, will move on in their narcissistic, feckless fashion.
The truth must have dawned on George Clooney by now. Certainly, it would be surprising to see him going ahead with his feature film on the White Helmets unless he intends to show what they were really like behind the lies he and many others swallowed. That’s the story that certainly needs to be told.
On the face of it, Baron Cohen’s The Dictator is a horrid film. It is vulgar, it isn’t funny and if it has five good jokes in it, they appear in the two minute official trailer. In short, save your time and money – unless of course, you are interested in Jewish identity politics and neurosis.
Similar to Cohen’s previous work, The Dictator is, once again, a glimpse into Cohen’s own tribal morbidity. After all, the person and the spirit behind this embarrassing comedy is a proud self-loving character who never misses an opportunity to express his intimate affinity to his people, their unique comic talent and their beloved Jewish state. But let’s face it, Cohen isn’t alone, after all, he has created The Dictator together with a Hollywood studio. So, it’s reasonable to say that what we see here is just one more Hollywood-orchestrated effort to vilify the Arab, the Muslim and the Orient.
I guess that Arab rulers, regimes and politics are an ideal subject for a satirical take, still, one may wonder what exactly does Sacha Baron Cohen know about the Arab World? As far as the film can tell, not much. Instead, Cohen projects his own Zionist and tribal symptoms onto the people of Arabia and their leaders.
In the film, Cohen plays General Hafez Aladeen, the Arab ruler of the oil-rich North African rogue state Wadiya. On the face of it, he is the satirical version ofSaddam HusseinandMuammar Gaddafi, but in reality, Aladeen’s actions are no less than a vast amplification of the crimes committed by Israel and its war criminals such as Shimon Peres, Ehud Olmert and Tzipi Livni.
When Baron Cohen ridicules the Arab Dictators who obsessively seek WMD and nuclear weapons he should bear in mind that it is actually his beloved Jewish state that has, since the 1950s, been pushing the entire region into a nuclear race. It is his Israeli brothers and sisters who express every too often their lethal enthusiasm to destroy Iran and other regional entities. When Baron Cohen mocks the Arab rulers who murder their opponents and kill kids, women and elders, he once again projects Israeli symptoms because it is actually the Jewish state that so often engages in systematic mass murder and war crimes on a colossal scale. Someone should remind Cohen that the pictures of white phosphorus pouring over UN shelters were taken in Gaza, not in Saddam’s Baghdad, Homs (Sirya) or imaginary Wadiya. When Sacha Baron Cohen presents the Arab leader as a savage rapist he may want to remind himself that Moshe Katzav, who was, until recently, the President of the Jewish State is now locked behind bars after being sentenced for rape. It is therefore far from coincidence that when Cohen attempts to bond with his protagonist Dictator Aladeen, he actually speaks in his mother tongue, Hebrew. Cohen speaks Hebrew because Aladeen is not an Arab dictator, he is actually an Israeli patriot like Cohen himself.
But let’s try to transcend ourselves beyond Baron Cohen’s projections and confess: as much as Cohen’s new film is lame, Cohen, himself is far from being a fool. In fact, he has managed to bring to light a few interesting and astute political insights. For example, towards the end of the film Dictator Aladeen produces a remarkable speech at the UN in favour of dictatorship. In front of the delegations, Aladeen draws a pretty profound list of unintended parallels between the USA and dictatorship. Delivering a sharp political criticism by means of comedy deserves respect.
Another provocative insight is delivered through the character of Zoey (Anna Farris), a devout feminist and a human right activist. Zoey runs a multi-ethnic eco-friendly grocery store in Brooklyn. She is the ultimate solidarity campaigner and this time she rallies against Aladeen and his regime. While Zoey invades the street demonstrating against Aladeen’s brutality, Aladeen’s Chief of Staff Tamir (Ben Kingsley) plots against his ruler inside the UN building. He sells out his country’s assets to oil tycoons and world leaders. The cinematic meaning of it all is clear- the bond between the so-called Left and the imperial powers has been established. Zoey, the lefty progressive seems to work towards the exact same goal as the leading corrupted capitalist expansionist forces. They all want to bring the Aladeen regime to an end. I guess that many of those who monitor solidarity activism and discourse would agree with Cohen’s readings. After all, it was feminists and women’s rights groups that, in the 1990s, prepared the ground for the War against Terror and the invasion of Afghanistan. The Left was also very reluctant to support the democratically elected Hamas. I guess that a Leftist, thrown into a room together with Dershowitz and Bin Laden, would probably attempt to bond first with Dershowitz.
But Zoey isn’t just a progressive solidarity and human rights activist. As the plot progresses, Aladeen and Zoey fall for each other. Towards the end of the film ‘solidarity activist’ Zoey and Dictator Aladeen get married. This is when Dictator Aladeen and the rest of us find out that Zoey is actually a Jew. From a cinematic perspective, the Jew, the human rights campaigner and the solidarity activist leader are all one. This amusing reading is unfortunately consistent with the reality of the solidarity movement. Those who monitor Jewish Left activism detect a relentless effort among some Jewish campaigners to tribally hijack and even Zionize the discourse of solidarity, human rights and marginal politics. However, from a Judaic perspective, Zoey, the new wife of Dictator Aladeen is nothing short of an incarnation of Biblical Queen Esther. Like Esther, Zoey has managed to infiltrate into the corridors of a lucrative foreign power.
I guess that with AIPAC controlling American foreign policy and 80% of Tory MPs being CFI (Conservative Friends of Israel) members, a Jewish queen of a fictional Wadiya is almost exotic.
In a recent Taki’s Magazine piece aptly entitled “The Not-so-Great Dictator,” Kathy Shaidle observes:
As for Baron Cohen: Before the Academy relented and let him to go to the Oscars in dictator drag after all, he put out an unfunny video denouncing the “Academy of Motion Pictures Arts and Zionists.” It was supposed to be another example of the comedian’s fearless “guerrilla” humor. No one tells daredevil satirist Sacha Baron Cohen what to do—except maybe Paramount Pictures, whose logo is ever-so-faintly visible in the lower right corner of every frame.
Does this mean—gasp!—that Baron Cohen, Paramount, and the Academy cooked up the whole “controversy” from the beginning to publicize a movie that the star wasn’t “allowed” to publicize?
Why, it almost sounds like a conspiracy.
It reminds me of Jeff Gates’ observation in the must-watch “The Hate Mongers Among Us” about the “controversy” surrounding Michael Moore’s 2004 film on the motives for the war on Iraq:
Fahrenheit 911 was produced by Miramax, a Disney subsidiary. Miramax co-chairman Harvey Weinstein loudly claimed that Disney reneged on its promise to distribute Moore’s film. Disney chief executive Michael Eisner objected—just as loudly.
The high profile sparing between these two Hollywood titans dragged on for months in mainstream media. By the time the film was released, the interest generated by this “dispute” ensured that Moore’s film opened on a record number of screens for a “documentary.”
At virtually no cost, that public relations ploy helped ensure an international audience for a film that discredited not only the U.S. but also the office of the president. In its practical effect, the Moore film helped ensure there was virtually no mention of how key Zionist goals were advanced by this war—in plain sight.
As Michael Caine might say, not a lot of people know that Michael Moore’s agent is Ari Emanuel. Ariel “Ari” Zev Emanuel is the brother of former Israel Defense Forces volunteer Rahm Israel Emanuel and son of Dr. Benjamin M. Emanuel, a former member of the terrorist Irgun organization who famously commented on Obama’s appointment of his son as White House Chief of Staff, “Obviously he’ll influence the president to be pro-Israel. Why wouldn’t he? What is he, an Arab? He’s not going to be mopping floors at the White House.”
The son of an Israeli mother, Sacha Baron Cohen first acted with the Habonim Dror Jewish Labour Zionist youth movement and took part in Machon L’Madrichei Chutz La’Aretz (“Institute for Youth Leaders from Abroad”), an Israeli programme founded by the World Zionist Organization “to train a cadre of Zionist youth leaders who would go back to their home countries and work in the Jewish community to pass on Zionist values and promote immigration to Israel.”
In retrospect it can be seen that the 1967 war, the Six Days War, was the turning point in the relationship between the Zionist state of Israel and the Jews of the world (the majority of Jews who prefer to live not in Israel but as citizens of many other nations). Until the 1967 war, and with the exception of a minority of who were politically active, most non-Israeli Jews did not have – how can I put it? – a great empathy with Zionism’s child. Israel was there and, in the sub-consciousness, a refuge of last resort; but the Jewish nationalism it represented had not generated the overtly enthusiastic support of the Jews of the world. The Jews of Israel were in their chosen place and the Jews of the world were in their chosen places. There was not, so to speak, a great feeling of togetherness. At a point David Ben-Gurion, Israel’s founding father and first prime minister, was so disillusioned by the indifference of world Jewry that he went public with his criticism – not enough Jews were coming to live in Israel.
So how and why did the 1967 war transform the relationship between the Jews of the world and Israel? … continue
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