Of course, I’m being completely facetious. The only speech that is acceptable here is state approved speech- And Canada hates freedom, anywhere. Anywhere at all. That’s why Canada is a NATO member, killing people globally, particularly in the Middle East/Asia area in order to redraw borders for their latest insane episode of playing global overlord alongside the US and the UK. Canadians need to wake up to the reality.
But not Dieudonne. A comedian.No blood or torture or mass death on his hands.
As mentioned in my earlier post, Will Free Speech Loving Canada allow Dieudonne to Perform at His Sold Out Shows?, the Jewish Lobby, you know the one that doesn’t exist and is powerless, here in Canada, had Dieudonne in their sights… They were locked and loaded, looking for another kill. Another trophy for their collection of rights denied to the non Judiac masses.
Canadian border services agents in Montreal sent comedian Dieudonné M’bala M’bala back to France.
It also came in the wake of more than two weeks of pressure on Ottawa by Jewish groups to keep Dieudonné from entering Canada
Early news items regarding Dieudonne’s Canadian visit were very clear, very clear, that it was the ‘usual suspects’ that were gunning for the comedian. The media marched in lockstep and the dumbed down masses believe that this man is a “criminal” Any law can be made to turn anyone into a ‘criminal’ ya bunch of dunderheads!
So, I shake my head in disgust at the level of control a small minority of persons exerts on everyone else in this nation.
I laugh at a Mayor who says “When you promote hatred, you promote social division,” speaking of the comedian Dieudonne, but not about the Jewish lobby here in Canada.
– A lobby that stomps regularly on the rights of others. – Those who had chose to see Dieudonne were deprived of their right to be entertained as they saw fit
– A lobby that cries wolf far too often. Dieudonne being just the most recent case
– A lobby that has the ear of (or a lot of dirt on) way too many politicians in this country.
– A lobby that promotes hatred and division by demonizing/smearing others the lobby does not approve of
-A lobby whose very existence is for the express purpose of social division. Looking after the interests of the followers of Judaism and their interests ONLY- That is social division Denis Coderre!!!
When the interests of one group supersede and/or impede on the interests of everyone else, that is socially divisive.
Paris – Popular French humorist Dieudonné Mbala Mbala has been convicted and fined 30,000 euros for “supporting terrorism speech” in a decision which many say exemplifies the often discriminatory and two-tiered nature of France’s legal system.
Following the recent terrorist attacks in France, Dieudonné, as he is widely known, posted on Facebook that “Je me sens Charlie Coulibaly” (I feel like Charlie Coulibaly), an apparent reworking of the global “Je suis Charlie” campaign. Coulibaly refers to Amedy Coulibaly, the terrorist responsible for four deaths at a Kosher supermarket in Paris.
The court rejected Dieudonné’s claim that he is a satirist in the same vein as Charlie Hebdo, the French weekly which has sparked worldwide protests on multiple occasions by publishing sacrilegious pictures of Prophet Mohammed.
Both Dieudonné and Charlie Hebdo defend their actions by saying they insult any and all religions, ethnicities and politicians, with plenty of evidence available on the Internet to support their claims.
While Charlie Hebdo has been exonerated for its previous cartoons of Prophet Mohammed, as well as for insulting former French President Nicolas Sarkozy and the neo-fascist National Front Party, Dieudonné has been repeatedly fined for remarks deemed to incite racial hatred and anti-Semitism, both of which are explicitly banned by French law. Dieudonné and his entourage have been taken to court some 80 times in recent years, and just this week Dieudonné was convicted and forced to pay a fine of 4,000 euros for calling current Prime Minster Manuel Valls a “Mussolini with half Down’s Syndrome”.
Many claim that the lack of a law to ban Islamophobic speeches or the insulting of Islam reflects a state-sanctioned double-standard, and there is little political support apparent to create such laws. That has led to widespread complaints from France’s Muslim community, estimated at 5 to 10 percent of the overall population.
Where Dieudonné and Charlie Hebdo differ greatly is in their favored target: For more than a decade Charlie Hebdo has been openly anti-Palestinian and Islamophobic, while Dieudonné is openly anti-Zionist. Many also believe that Dieudonné satirizes France’s politicians much more forcefully, as Charlie Hebdo’s editors have increased their ties to the conservative UMP party in recent years.
This helps explain Dieudonné’s vast popularity among the youth, Muslim and immigrant communities, as reflected by the hundreds of Dieudonné supporters present at the Palais de Justice in Paris.
“Dieudonné is the same as Charlie Hebdo, except that Dieudonné attacks our society’s ‘untouchables’,” said Enzo Columba, 23, outside Dieudonné’s trial. “In France, you can attack the Blacks, the Arabs, the Muslims, but not the ‘untouchables’, and that’s why Dieudonné is treated differently by the media and the law,’” said Columba.
“He is so popular because he is like us: He is the son of immigrants, he grew up around Paris, and, like so many French youth, he is anti-Zionist,” added Columba.
France has not released updated arrest totals for “supporting terrorism speech” since January 20, when 117 arrests were acknowledged. People have been accused, tried, convicted and sentenced to multi-year prison terms in just 3 days, causing widespread accusations of “hysteria” and “witch-hunts”.
Among the convicted have been alcoholics, homeless people and the mentally ill. Critics contend that the wave of arrests is intended to have a “chilling effect” on all criticism of the government’s policies, as well as to intimidate the Muslim community.
“I’m here to support the liberty of expression, like we had in the past,” said Madame Lamarque, an interested citizen who also awaited the verdict outside the courtroom.
“I think we are losing this freedom, and I don’t understand why,” said Lamarque. “I do not think Dieudonné has been treated like other humorists.”
France made global news this week when an 8-year-old boy was interrogated for 30 minutes by police for allegedly making remarks supporting terrorism. Ahmed, whose last name has not been released, could not even explain what “terrorism” was, and his teachers and school principal have been sharply criticized for involving the police.
“The manner in which this was handled and became so overblown is totally unbelievable,” the head of the French Communist Party, Pierre Laurent, told Press TV.
“We cannot expose a child of 8 years to such a trauma,” said Laurent. “It’s the opposite of the mission of education: To care for and protect children, not to place them under the media’s glare and render them fodder for the public’s judgment.”
Ahmed is in the third grade in the southeastern city of Nice, an affluent region which is also a stronghold of the neo-fascist National Front party.
Paris – The campaign by the French government, mass media and influential organizations to silence the Franco-Cameroonese humorist Dieudonné M’Bala M’Bala continues to expose a radical split in perception within the French population. The official “mobilization” against the standup comedian, first called for by Interior Minister Manuel Valls at a ruling Socialist Party gathering last summer, portrays the entertainer as a dangerous anti-Semitic rabble rouser, whose “quenelle”* gesture is interpreted as a “Nazi salute in reverse”.
For his fans and supporters, those accusations are false and absurd.
The most significant result of the Dieudonné uproar so far is probably the dawning realization, among more and more people, that the “Shoah”, or Holocaust, functions as the semi-official State Religion of France.
On RTL television last January 10, the well-known nonconformist commentator Eric Zemmour (who happens to be Jewish) observed that it was “grotesque and ridiculous” to associate Dieudonné with the Third Reich. Zemmour described Dieudonné as a product of the French left’s multiculturalism. “It’s the left that has taught us since May ’68 that it is prohibited to prohibit, that we must shock the bourgeois. It is the left that has turned the Shoah into the supreme religion of the Republic…”
Zemmour suggested that Dieudonné was provoking “the respectable left-wing bourgeoisie” and that he “reproaches Jews for wanting to conserve the monopoly of suffering and steal primacy in suffering from descendants of slavery”.
There is more than that at stake. Reminders of the Shoah serve indirectly to justify France’s increasingly pro-Israel foreign policy in the Middle East. Dieudonné opposed the war against Libya enough to go there to show his solidarity with the country being bombed by NATO.
Dieudonné began his career as a militant anti-racist. Instead of apologizing for his 2003 sketch mocking an “extreme Zionist settler”, Dieudonné retorted by gradually extending his sphere of humor to cover the Shoah. The campaign against him can be seen as an effort to restore the sacred character of the Shoah by enforcing repression of a contemporary form of blasphemy.
To confirm this impression, on January 9 an “historic” agreement was reached between the Paris Prosecutor’s Office and the French Shoah Memorial that any teenager found guilty of anti-Semitism may be sentenced to undergo a course of “sensitivity to the extermination of the Jews”. Studying genocide is supposed to teach them “republican values of tolerance and respect for others”.
This is perhaps exactly what they don’t need. The Prosecutor’s Office may be unaware of all the young people who are saying that they have had too much, rather than not enough, Shoah education.
An atypical article in Le Monde of January 8 cited opinions anyone can easily hear from French youth, but which are usually ignored. After interviewing ten left-leaning, middle class spectators who denied any anti-Semitism, Soren Seelow quoted Nico, a 22-year-old left-voting law student at the Sorbonne, who adores Dieudonné for “liberating” laughter in what he considers a stuffy conformist society of “good thoughts”. As for the Shoah, Nico complained that “they’ve been telling us about it since elementary school. When I was 12, I saw a film with bulldozers pushing bodies into ditches. We are subjected to a guilt-inducing morality from the earliest age.”
In addition to history courses, teachers organize commemorations of the Shoah and trips to Auschwitz. Media reminders of the Shoah are almost daily. Unique in French history, the so-called Gayssot law provides that any statement denying or minimizing the Shoah can be prosecuted and even lead to prison.
Scores of messages received from French citizens in response to my earlier article as well as private conversations make it clear to me that reminders of the Shoah are widely experienced by people born decades after the defeat of Nazism as invitations to feel guilty or at least uncomfortable for crimes they did not commit. Like many demands for solemnity, the Shoah can be felt as a subject that imposes uneasy silence. Laughter is then felt as liberation.
But for others, such laughter can only be an abomination.
Dieudonné has been fined 8,000 euros for his song “Shoananas”, and further such condemnations are in the offing. Such lawsuits, brought primarily by LICRA (Ligue internationale contre le racisme et l’antisémitisme), also aim to wipe him out financially.
“Hatred”
One line in the chorus against Dieudonné is that he is “no longer a comedian” but has turned his shows into “anti-Semitic political meetings” which spread “hatred”. Even the distant New Yorker magazine has accused the humorist of making a career out of peddling “hatred”. This raises images of terrible things happening that are totally remote from a Dieudonné show or its consequences.
There was no atmosphere of hatred among the thousands of fans left holding their tickets when Dieudonné’s January 9 show in Nantes was banned at the last minute by France’s highest administrative authority, the Conseil d’Etat. Nobody was complaining of being deprived of a “Nazi rally”. Nobody thought of causing harm to anyone. All said they had come to enjoy the show. They represented a normal cross-section of French youth, largely well-educated middle class. The show was banned on the grounds of “immaterial disturbance of public order”. The disappointed crowd dispersed peacefully. Dieudonné’s shows have never led to any public disorder.
But there is no mistaking the virulent hatred against Dieudonné.
Philippe Tesson, a prominent editor, announced during a recent radio interview that he would “profoundly rejoice” at seeing Dieudonné executed by a firing squad. “He is a filthy beast, so get rid of him!” he exclaimed.
The internet Rabbi Rav Haim Dynovisz, in the course of a theology lesson, acknowledged that Darwin’s theory of evolution, which he rejects, had been proved by Dieudonné to apply to “certain” people, who must have descended from gorillas.
Two 17-year-olds have been permanently expelled from their high school for having made the quenelle gesture, on grounds of “crimes against humanity”. The Franco-Israeli web magazine JSSNews is busily investigating the identities of persons making the quenelle sign in order to try to get them fired from their jobs, boasting that it will “add to unemployment in France”.
The owners of the small Paris theater, “La Main d’Or”, rented by Dieudonné on a lease running until 2019, recently rushed back from Israel expressing their intention to use a technicality to end his lease and throw him out.
The worst thing Dieudonné has ever said during his performances, so far as I am aware, was a personal insult against the radio announcer Patrick Cohen. Cohen has insistently urged that persons he calls “sick brains” such as Dieudonné or Tariq Ramadan be banned from television appearances. In late December, French television (which otherwise has kept Dieudonné off the airwaves) recorded Dieudonné saying that “when I hear Patrick Cohen talking, I think to myself, you know, the gas chambers… Too bad…”
With the anti-Dieudonné campaign already well underway, this offensive comment was seized upon as if it were typical of Dieudonné’s shows. It was an excessively crude reaction by Dieudonné to virulent personal attacks against himself.
Irreverence is a staple for standup comics, like it or not. And Dieudonné’s references to the Holocaust, or Shoah, all fall into the category of irreverence.
On matters other than the Shoah, there is no shortage of irreverence in France.
Traditional religions, as well as prominent individuals, are regularly caricatured in a manner so scatological as to make the quenelle look prudish. In October, 2011, Paris police intervened against traditional Catholics who sought to interrupt a play which included (the apparent) pouring of excrement over the face of Jesus. The political-media establishment vigorously defended the play, unconcerned that it was perceived by some people as “offensive”.
Recently, France gave a big welcome to the Ukrainian group calling itself “Femen”, young women who seem to have studied Gene Sharp’s doctrines of provocation, and use their bare breasts as (ambiguous) statements. These women were rapidly granted residence papers (so hard to get for many immigrant workers) and allowed to set up shop in the midst of the main Muslim neighborhood in Paris, where they immediately attempted to try (unsuccessfully) to provoke the incredulous residents. The blonde Femen leader was even chosen to portray the symbol of the Republic, Marianne, on the current French postage stamp, although she does not speak French.
Last December 20, these “new feminists” invaded the Church of the Madeleine near the Elysée Palace in Paris, acted out “the abortion of Jesus” and then pissed on the high altar. There were no cries of indignation from the French government. The Catholic Church is complaining, but such complaints have a feeble echo in France today.
Why the Shoah Must Be Sacred
When Dieudonné sings lightly of the Shoah, he is believed by some to be denying the Holocaust and calling for its repetition (a contradictory proposition, upon reflection). The sacred nature of the Shoah is defended by the argument that keeping alive the memory of the Holocaust is essential to prevent it from “happening again”. By suggesting the possibility of repetition, it keeps fear alive.
This argument is generally accepted as a sort of law of nature. We must keep commemorating genocide to prevent it from happening again. But is there really any evidence to support this argument?
Nothing proves that repeated reminders of an immense historic event that happened in the past prevent it from happening again. History doesn’t work that way. As for the Shoah, gas chambers and all, it is quite preposterous to imagine that it could happen again considering all the factors that made it happen in the first place. Hitler had a project to confirm the role of Germans as the master “Aryan” race in Europe, and hated the Jews as a dangerous rival elite. Who now has such a project? Certainly not a Franco-African humorist! Hitler is not coming back, nor is Napoleon Bonaparte, nor is Attila the Hun.
Constantly recalling the Shoah, in articles, movies, news items, as well as at school, far from preventing anything, can create a morbid fascination with “identities”. It fosters “victim rivalries”. This fascination can lead to unanticipated results. Some 330 schools in Paris bear plaques commemorating the Jewish children who were deported to Nazi concentration camps. How do little Jewish children today react to that? Do they find it reassuring?
This may be useful to the State of Israel, which is currently undertaking a three-year program to encourage more of France’s 600,000 Jews to leave France and go to Israel. In 2013, the number of Aliyah from France rose to more than 3,000, a trend attributed by the European Jewish Press to the “French Jewish community’s increasingly Zionistic mentality, particularly among young French Jews, and a manifestation of efforts by the Jewish Agency, the Israel government, and other non-profits to cultivate Jewish identity in France.”
“If this year we have seen Aliyah from France go from under 2,000 to more than 3,000, I look forward to seeing that number grow to 6,000 and beyond in the near future, as we connect ever more young people to Jewish life and to Israel,” declared Natan Sharansky, Chairman of the Executive of the Jewish Agency for Israel. Surely, one way to encourage Aliyah is to scare Jews with the threat of anti-Semitism, and claiming that Dieudonné’s numerous fans are Nazis in disguise is a good way to do this.
But as for Jews who want to live in France, is it really healthy to keep reminding Jewish children that, if they are not wary, their fellow citizens might one day want to herd them onto freight trains and ship them all to Auschwitz? I have heard people saying privately that this permanent reminder is close to child abuse.
Someone who thinks that way is Jonathan Moadab, a 25-year-old independent journalist who was interviewed by Soren Seelow. Moadab is both anti-Zionist and a practicing Jew. As a child he was taken to tour Auschwitz. He told Seelow that that living with that “victim indoctrination” had engendered a sort of “pre-traumatic stress syndrome”.
“Dieudonné’s jokes about the Shoah, like his song Shoananas, are not aimed at the Shoah itself,” he says, “but at the exploitation of the Holocaust described by the American political writer Norman Finkelstein.”
On January 22, on his web site Agence Info Libre, Jonathan Moadab openly called for “separating the State from the Holocaust religion”. Moadab cites professor Yeshayahu Leibowitz as the first to point out the many ways in which the Holocaust has become the new Jewish religion. If that is so, everyone has the right to practice the religion of the Shoah. But should it be the official religion of France?
French politicians never cease celebrating the “laicité”, the secularism, of the French Republic. Interior Minister Manuel Valls, who proclaims his own devotion to Israel, because his wife is Jewish, recently called the Shoah the “sanctuary that cannot be profaned”. Moadab concludes that if the Shoah is a sanctuary, then the Holocaust is a religion, and the Republic is not secular.
Changes are taking place in the attitude of young people in France. This change is not due to Dieudonné. It is due to the passage of time. The Holocaust became the religion of the West at a time when the generation after World War II was in the mood to blame their parents. Now we are with the grandchildren, or great-grandchildren, of those who lived through that period, and they want to look ahead. No law can stop this.
*As described in my earlier article, the “quenelle” is a vulgar gesture roughly meaning “up yours”, with one hand placed at the top of the other arm stretched down to signify “how far up” this is to be. Using the name of a French dumpling, Dieudonné started using this gesture in a wholly different context years ago, as an expression of defiance, incredulity or indifference.
If the quenelle is loosely defined as an anti establishment salute, one may wonder why Jews are offended by it and regard it as an ‘anti-Semitic’ gesture? Is it because many Jews actually identify with ‘the establishment’? And how do we explain the fact that the French government is happy to compromise the most elementary liberties just to appease the French Jewish Lobby (Crif)?
The truth is devastating – Palestine is here and the French people are the Palestinians Du Jour…
France is the middle of a sweeping popular movement sparked by Dieudonné and symbolized by la Quennelle, a movement that has united young and old, white and black, men and women, the middle class and the unemployed, extreme Left, center and Right, many Muslims, Christians and even a couple of Jews.
It is an anti-establishment revolt but also one specifically directed at the Jewish power that rules the French establishment and has destroyed individual freedoms long cherished by the French, like freedom of speech. The French appear to have had enough of forced indoctrination into the worship of the Holocaust (a topic Dieudonné has dared to ridicule in his comedy sketches), of laws throwing historians in prison for daring to question the official Holocaust narrative, of the foreign policy of France being conducted according to the dictates of CRIF (the French equivalent of AIPAC).
It is a peaceful revolt, employing a gesture, not words, in a state muzzled by anti-free speech laws, one that mocks Power and says, “We are no longer afraid of you.” It is precisely that message that has sent the French Israeli Firsters into a hysterical panic: that “they” are no longer afraid and that a single spark was sufficient to unite all segments of society that JP had worked for so long to atomize and set against each other.
The measure of their panic is given by the preposterous, Orwellian ways in which they propose to silence and punish Dieudonné. The French Interior Minister, Mon. Valls (the same one who declared that through his wife he is eternally tied to Israel) has instructed (he prefers the word “advised”) the mayors of all French towns to forbid any performances of Dieudonné anywhere, in any venue. “You will never work in this country again!” Another contemplated measure is to form a joint commission of no less than three ministeries: Interior, Justice and Economy, to find modalities of punishing Dieudonné in all possible ways: depriving him of liberty, ruining him finnacially. He already owes close to 100,00 Euros in fines for offending speech.
Now in the middle of all this popular revolt, a progressive voice that despite its French accent sounds so very familiar, speaks out… against Dieudonné! It is Jean-Claude LeFort, President of the Association France Palestine Solidarité (AFPS):
“Pour quiconque suit objectivement les faits, les gestes et les propos de Dieudonné, la chose ne peut prêter à aucun doute possible : son antisémitisme est patent. Il n’est pas acceptable. Le racisme, redisons-le avec force, n’est pas une opinion mais un délit. Nous le condamnons par principe, absolu et non discutable, mais aussi par nécessité politique : il nuit terriblement à la cause du peuple palestinien dont Dieudonné fait mine de se réclamer.
Ses propos ont été condamnés par la justice à de nombreuses reprises. Et la loi doit s’appliquer sans la moindre mansuétude.”
French is a beautiful language but abject groveling sounds as foul as it does in English.
In free translation, with emphasis added:
“To those who follow events objectively, the gestures and statements of Dieudonné leave no doubt: they arepatently anti-semitic. It is unacceptable. Racism, let is restate it strongly, is not an opinion but a felony. We condemn it by principle, absolute and undebatable, but also by political necessity: it harms terribly the cause of the Palestinian people which Dieudonné claims to support.”
His statements have been condemned by judicial authorities many times. And the law must be applied in full force.”
Not making the “fight against anti-semitism” a priority of the Palestinian solidarity, I am sure, would “harm terribly the cause” of AFPS’ funding. Who’s your daddy, Jean-Claude?
AFPS, like their English-speaking brethren, “give no quarter” to “anti-semites,” and they support punishing them “sans la moindre mansuétude!”
Paris – French mainstream media and politicians are starting off the New Year with a shared resolution for 2014: permanently muzzle a Franco-African comedian who is getting to be too popular among young people.
In between Christmas and New Year’s Eve, no less than the President of the Republic, François Hollande, while visiting Saudi Arabia on (very big) business, said his government must find a way to ban performances by the comedian Dieudonné M’Bala M’Bala, as called for by French Interior Minister, Manuel Valls.
The leader of the conservative opposition party, UMP, Jean-François Copé, immediately chimed in with his “total support” for silencing the unmanageable entertainer.
In the unanimous media chorus, the weekly Nouvel Observateur editorialized that Dieudonné is “already dead”, washed up, finished. Editors publicly disputed whether it was a better tactic to try to jail him for “incitement to racial hatred”, close his shows on grounds of a potential “threat to public order”, or put pressure on municipalities by threatening cultural subsidies with cuts if they allow him to perform.
The goal of national police boss Manuel Valls is clear, but the powers that be are groping for the method.
The dismissive cliché heard repeatedly is that “nobody laughs at Dieudonné any more”.
In reality, the opposite is true. And that is the problem. On his recent tour of French cities, videos show large, packed theaters roaring with laughter at their favorite humorist. He has popularized a simple gesture, which he calls the “quenelle”. It is being imitated by young people all over France. It simply and obviously means, we are fed up.
To invent a pretext for destroying Dieudonné, the leading Jewish organizations CRIF (Conseil Représentatif des Institutions Juives de France, the French AIPAC) and LICRA (Ligue internationale contre le racisme et l’antisémitisme, which enjoys special privileges under French law) have come up with a fantasy to brand Dieudonné and his followers as “Nazis”. The quenelle is all too obviously a vulgar gesture roughly meaning “up yours”, with one hand placed at the top of the other arm pointing down to signify “how far up” this is to be.
But for the CRIF and LICRA, the quenelle is “a Nazi salute in reverse”. (You can never be too “vigilant” when looking for the hidden Hitler.)
As someone has remarked, a “Nazi salute in reverse” might as well be considered anti-Nazi. If indeed it had anything to do with Heil Hitler. Which it clearly does not.
But world media are taking up this claim, at least pointing out that “some consider the quenelle to be a Nazi salute in reverse”. Never mind that those who use it have no doubt about what it means: F— the system!
But to what extent are the CRIF and LICRA “the system”?
France needs all the laughter it can get
French industry is vanishing, with factory shutdowns week after week. Taxes on low income citizens are going up, to save the banks and the euro. Disillusion with the European Union is growing. EU rules exclude any serious effort to improve the French economy. Meanwhile, politicians on the left and the right continue their empty speeches, full of clichés about “human rights” – largely as an excuse to go to war in the Middle East or rant against China and Russia. The approval rating of President Hollande has sunk to 15%. However people vote, they get the same policies, made in EU.
Why then are the ruling politicians focusing their wrath on “the most talented humorist of his generation” (as his colleagues acknowledge, even when denouncing him)?
The short answer is probably that Dieudonné’s surging popularity among young people illustrates a growing generation gap. Dieudonné has turned laughter against the entire political establishment. This has led to a torrent of abuse and vows to shut down his shows, ruin him financially and even put him in jail. The abuse also provides a setting for physical attacks against him. A few days ago, his assistant Jacky Sigaux was physically attacked in broad daylight by several masked men in front of the city hall of the 19th arrondissement – just opposite the Buttes Chaumont Park. He has lodged a complaint.
But how much protection is to be expected from a government whose Interior Minister, Manuel Valls – in charge of police – has vowed to seek ways to silence Dieudonné?
The story is significant but is almost certain to be badly reported outside France – just as it is badly reported inside France, the source of almost all foreign reports. In translation, a bit of garbling and falsehoods add to the confusion.
Why Do They Hate Him?
Dieudonné M’Bala M’Bala was born in a Paris suburb nearly 48 years ago. His mother was white, from Brittany, his father was African, from Cameroun. This should make him a poster child for the “multiculturalism” the ideologically dominant left claims to promote. And during the first part of his career, teaming up with his Jewish friend, Elie Simoun, he was just that: campaigning against racism, focusing his criticism on the National Front and even running for office against an NF candidate in the dormitory town of Dreux, some sixty miles West of Paris, where he lives. Like the best humorists, Dieudonné always targeted current events, with a warmth and dignity unusual in the profession. His career flourished, he played in movies, was a guest on television, branched out on his own. A great observer, he excels at relatively subtle imitations of various personality types and ethnic groups from Africans to Chinese.
Ten years ago, on December 1, 2003, as guest on a TV show appropriately called “You Can’t Please Everybody”, dedicated to current events, Dieudonné came on stage roughly disguised as “a convert to Zionist extremism” advising others to get ahead by “joining the American-Israeli Axis of Good”. This was in the first year of the US assault on Iraq, which France’s refusal to join had led Washington to rechristen what it calls “French fries” (Belgian, actually) as “Freedom fries”. A relatively mild attack on George W. Bush’s “Axis of Evil” seemed totally in the mood of the times. The sketch ended with a brief salute, “Isra-heil”. This was far from being vintage Dieudonné, but nevertheless, the popular humorist was at the time enthusiastically embraced by other performers while the studio audience gave him a standing ovation.
Then the protests started coming in, especially concerning the final gesture seen as likening Israel to Nazi Germany.
“Anti-Semitism!” was the cry, although the target was Israel (and the United States as allies in the Middle East). Calls multiplied to ban his shows, to sue him, to destroy his career. Dieudonné attempted to justify his sketch as not targeting Jews as such, but, unlike others before him, would not apologize for an offense he did not believe he had committed. Why no protests from Africans he had made fun of? Or Muslims? Or Chinese? Why should a single community react with such fury?
Thus began a decade of escalation. LICRA began a long series of lawsuits against him (“incitement to racial hatred”), at first losing, but keeping up the pressure. Instead of backing down, Dieudonné went farther in his criticism of “Zionism” after each attack. Meanwhile, Dieudonné was gradually excluded from television appearances and treated as a pariah by mainstream media. It is only the recent internet profusion of images showing young people making the quenelle sign that has moved the establishment to conclude that a direct attack would be more effective than trying to ignore him.
The Ideological Background
To begin to understand the meaning of the Dieudonné affair, it is necessary to grasp the ideological context. For reasons too complex to review here, the French left – the left that once was primarily concerned with the welfare of the working class, with social equality, opposition to aggressive war, freedom of speech – has virtually collapsed. The right has won the decisive economic battle, with the triumph of policies favoring monetary stability and the interests of international investment capital (“neo-liberalism”). As a consolation prize, the left enjoys a certain ideological dominance, based on anti-racism, anti-nationalism and devotion to the European Union – even to the hypothetical “social Europe” that daily recedes into the cemetery of lost dreams. In fact, this ideology fits perfectly with a globalization geared to the requirements of international finance capital.
In the absence of any serious socio-economic left, France has sunk into a sort of “Identity Politics”, which both praises multiculturalism and reacts vehemently against “communitarianism”, that is, the assertion of any unwelcome ethnic particularisms. But some ethnic particularisms are less welcome than others. The Muslim veil was first banned in schools, and demands to ban it in adult society grow. The naqib and burka, while rare, have been legally banned. Disputes erupt over Halal foods in cafeterias, prayers in the street, while cartoons regularly lampoon Islam. Whatever one may think of this, the fight against communitarianism can be seen by some as directed against one particular community. Meanwhile, French leaders have been leading the cry for wars in Muslim countries from Libya to Syria, while insisting on devotion to Israel.
Meanwhile, another community is the object of constant solicitude. In the last twenty years, while religious faith and political commitment have declined drastically, the Holocaust, called the Shoah in France, has gradually become a sort of State Religion. Schools commemorate the Shoah annually, it increasingly dominates historical consciousness, which in other areas is declining along with many humanistic studies. In particular, of all the events in France’s long history, the only one protected by law is the Shoah. The so-called Gayssot Law bans any questioning of the history of the Shoah, an altogether unprecedented interference with freedom of speech. Moreover, certain organizations, such as LICRA, have been granted the privilege of suing individuals on the basis of “incitement to racial hatred” (very broadly and unevenly interpreted) with the possibility of collecting damages on behalf of the “injured community”. In practice, these laws are used primarily to prosecute alleged “anti-Semitism” or “negationism” concerning the Shoah. Even though they frequently are thrown out of court, such lawsuits constitute harassment and intimidation. France is the rare country where the BDS (Boycott, Divestment, Sanctions) movement against Israeli settlement practices can also be attacked as “incitement to racial hatred”.
The violence-prone Jewish Defense League, outlawed in the United States and even in Israel, is known for smashing book shops or beating up isolated, even elderly, individuals. When identified, flight to Israel is a good way out. The victims of the JDL fail to inspire anything close to the massive public indignation aroused when a Jewish person falls victim to wanton violence. Meanwhile, politicians flock to the annual dinner of the CRIF with the same zeal that in the United States they flock to the dinner of AIPAC – not so much for campaign funds as to demonstrate their correct sentiments.
France has the largest Jewish population in Western Europe, which actually largely escaped the deportation during German occupation that expelled Jewish immigrants to concentration camps. In addition to an old, established Jewish population, there are many newcomers from North Africa. All this adds up to a very dynamic, successful population, numerous in the more visible and popular professions (journalism, show business, as well as science and medicine, among others).
Of all French parties, the Socialist Party (especially via the Israeli Labor Party of Shimon Peres in the Socialist International) has the closest historic ties with Israel. In the 1950s, when France was fighting against the Algerian national liberation movement, the French government (via Peres) contributed to the Israeli project of building nuclear weapons. Today it is not the Labor Party that rules Israel, but the far right. Hollande’s recent cozy trip to Benjamin Netanyahu showed that the rightward drift of policy in Israel has done nothing to strain relations – which seem closer than ever.
Yet this Jewish community is very small compared to the large number of Arab immigrants from North Africa or black immigrants from France’s former colonies in Africa. Several years ago, a leading Socialist Party intellectual, Pascal Boniface, cautiously warned party leaders that their heavy bias in favor of the Jewish community could eventually cause electoral problems. This statement in a political assessment document caused an uproar which nearly cost him his career.
But the fact remains: it is not hard for French people of Arab or African background to feel that the “communitarianism” that really has clout is the Jewish community.
The Political Uses of the Holocaust
Norman Finkelstein showed some time ago that the Holocaust can be exploited for less than noble purposes: such as extorting funds from Swiss banks. However, in France the situation is very different. No doubt, constant reminders of the Shoah serve as a sort of protection for Israel from the hostility aroused by its treatment of the Palestinians. But the religion of the Holocaust has another, deeper political impact with no direct relation to the fate of the Jews.
More than anything else, Auschwitz has been interpreted as the symbol of what nationalism leads to. Reference to Auschwitz has served to give a bad conscience to Europe, and notably to the French, considering that their relatively small role in the matter was the result of military defeat and occupation by Nazi Germany. Bernard-Henri Lévy, the writer whose influence has grown to grotesque proportions in recent years (he led President Sarkozy into war against Libya), began his career as ideologue by claiming that “fascism” is the genuine “French ideology”. Guilt, guilt, guilt. By placing Auschwitz as the most significant event of recent history, various writers and speakers justify by default the growing power of the European Union as necessary replacement for Europe’s inherently “bad” nations. Never again Auschwitz! Dissolve the nation-states into a technical bureaucracy, free of the emotional influence of citizens who might vote incorrectly. Do you feel French? Or German? You should feel guilty about it – because of Auschwitz.
Europeans are less and less enthusiastic about the EU as it ruins their economies and robs them of all democratic power over the economy. They can vote for gay marriage, but not for the slightest Keynesian measure, much less socialism. Nevertheless, guilt about the past is supposed to keep them loyal to the European dream.
Dieudonné’s fans, judging from photographs, appear to be predominantly young men, fewer women, mostly between the ages of twenty and thirty. They were born two full generations after the end of World War II. They have spent their lives hearing about the Shoah. Over 300 Paris schools bear a plaque commemorating the tragic fate of Jewish children deported to Nazi concentration camps. What can be the effect of all this? For many who were born long after these terrible events, it seems that everyone is supposed to feel guilty – if not for what they didn’t do, for what they supposedly might do if they had a chance.
When Dieudonné transformed an old semi-racist “tropical” song, Chaud Cacao, into Shoah Ananas, the tune is taken up en masse by Dieudonné fans. I venture to think that they are not making fun of the real Shoah, but rather of the constant reminders of events that are supposed to make them feel guilty, insignificant and powerless. Much of this generation is sick of hearing about the period 1933-1945, while their own future is dim.
Nobody Knows When to Stop
Last Sunday, a famous football player of Afro-Belgian origin, Nicolas Anelka, who plays in the UK, made a quenelle sign after scoring a goal – in solidarity with his friend Dieudonné M’Bala M’Bala. With this simple and basically insignificant gesture, the uproar soared to new heights.
In the French parliament, Meyer Habib represents “overseas French” – some 4,000 Israelis of French origin. On Monday he twittered: “Anelka’s quenelle is intolerable! I will introduce a bill to punish this new Nazi salute practiced by anti-Semites.”
France has adopted laws to “punish anti-Semitism”. The result is the opposite. Such measures simply tend to confirm the old notion that “the Jews run the country” and contribute to growing anti-Semitism. When French youth see a Franco-Israeli attempt to outlaw a simple gesture, when the Jewish community moves to ban their favorite humorist, anti-Semitism can only grow even more rapidly.
Yet in this escalation, the relationship of forces is very uneven. A humorist has words as his weapons, and fans who may disperse when the going gets rough. On the other side is the dominant ideology, and the power of the State.
In this sort of clash, civic peace depends on the wisdom of those with most power to show restraint. If they fail to do so, this can be a game with no winners.
About a week ago both the New York Times and the Wall Street Journal devoted considerable space to the coverage of “Parade,” the revival of a 1998 Broadway musical on the 1915 killing of Leo Frank, a Jewish factory manager in Atlanta, Georgia, arguably the most famous lynching in American history.
Frank had been convicted and sentenced to death for the rape and murder of a young girl in his employ and the Anti-Defamation League (ADL) was founded in an effort to save his life. After numerous legal appeals failed, the state’s governor eventually commuted Frank’s sentence and a group of outraged citizens responded by hanging Frank. The incident was portrayed in both the musical and the associated media coverage as a particularly horrifying example of American anti-Semitism.
Micaela Diamond and Ben Platt in “Parade” at the Bernard B. Jacobs Theater
However, the actual facts of that case were quite different than that and in 2018 I’d discussed them at considerable length as part of a longer article. Given the recently renewed spotlight on the issue and the fascinating implications of the true story, I’ve decided to extract and republish my analysis in hopes of bringing it to wider current attention. … continue
This site is provided as a research and reference tool. Although we make every reasonable effort to ensure that the information and data provided at this site are useful, accurate, and current, we cannot guarantee that the information and data provided here will be error-free. By using this site, you assume all responsibility for and risk arising from your use of and reliance upon the contents of this site.
This site and the information available through it do not, and are not intended to constitute legal advice. Should you require legal advice, you should consult your own attorney.
Nothing within this site or linked to by this site constitutes investment advice or medical advice.
Materials accessible from or added to this site by third parties, such as comments posted, are strictly the responsibility of the third party who added such materials or made them accessible and we neither endorse nor undertake to control, monitor, edit or assume responsibility for any such third-party material.
The posting of stories, commentaries, reports, documents and links (embedded or otherwise) on this site does not in any way, shape or form, implied or otherwise, necessarily express or suggest endorsement or support of any of such posted material or parts therein.
The word “alleged” is deemed to occur before the word “fraud.” Since the rule of law still applies. To peasants, at least.
Fair Use
This site contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to advance understanding of environmental, political, human rights, economic, democracy, scientific, and social justice issues, etc. We believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes. For more info go to: http://www.law.cornell.edu/uscode/17/107.shtml. If you wish to use copyrighted material from this site for purposes of your own that go beyond ‘fair use’, you must obtain permission from the copyright owner.
DMCA Contact
This is information for anyone that wishes to challenge our “fair use” of copyrighted material.
If you are a legal copyright holder or a designated agent for such and you believe that content residing on or accessible through our website infringes a copyright and falls outside the boundaries of “Fair Use”, please send a notice of infringement by contacting atheonews@gmail.com.
We will respond and take necessary action immediately.
If notice is given of an alleged copyright violation we will act expeditiously to remove or disable access to the material(s) in question.
All 3rd party material posted on this website is copyright the respective owners / authors. Aletho News makes no claim of copyright on such material.