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The 10-Year Pandemic Plan

THE PLAN – The WHO plans for 10 years of pandemics from 2020 to 2030

More information, and to see all the documents featured in THE PLAN.


By Dr. Joseph Mercola | May 21, 2022

As the dust begins to settle from the COVID-19 pandemic, it’s easier to look back with clarity on the unprecedented events that have taken place over the last two years. Thousands of medical doctors and scientists now believe that the pandemic was planned and used to install a world dictatorship. Further, it’s unlikely to be the last.

The World Health Organization, in fact, has planned for 10 years of infectious diseases from 2020 to 2030, as revealed by WHO virologist Marion Koopmans in “The Plan,” featured above. When asked whether chances are high that there will be a second pandemic, she responds (translated from Dutch), “Yes, this has been in the WHO’s 10-year plan for some time. That plan says that there will be a major infectious disease crisis. Well, this was year one.”1

How could they know that an infectious disease crisis is imminent in the next decade? A series of shocking evidence reveals that this may have been the plan all along — a plan that hasn’t been hidden. On the contrary, it’s been stated openly for years that a pandemic was coming, setting the stage for widespread acceptance and compliance around the globe.

Proof the Pandemic Was Planned?

The WHO virologist’s acknowledgement that the agency has a plan for 10 years of ongoing pandemics mirrors a statement by Bill Gates that COVID-19 was “pandemic one” and “pandemic two” is coming. “We’ll have to prepare for the next one. That will get attention this time,” he says — while smiling.2

It’s important to understand that Bill Gates is WHO’s No. 1 funder, contributing more to WHO’s $4.84 billion biennial budget3 than any member-state government, via multiple avenues including the Bill & Melinda Gates Foundation as well as GAVI, which was founded by the Gates Foundation in partnership with WHO, the World Bank and various vaccine manufacturers.

In short, Bill Gates is essentially the owner of WHO, and WHO’s 10-year pandemic plan is also Gates’ plan. As noted by Stop World Control:4

“In the globalist view, mankind as a whole must submit to the ‘World’ Health Organization, without them ever asking our opinion or even consulting with other medical experts. In fact, every medical expert speaking out against their decisions is censored.”

Other world leaders are also on board. England’s Prince Charles, for instance, has publicly stated, “There will be more and more pandemics, if we don’t do ‘the great reset’ now.”5

Millions of COVID-19 Test Kits Sold — in 2017 and 2018

It’s difficult to ignore the numerous announcements, both subtle and overt, that a pandemic was coming, which occurred in the years and months leading up to 2020. Data from World Integrated Trade Solution (WITS) shows COVID-19 test kits were imported by different countries in 2017 and 2018. “Let this sink in for a second: Literally hundreds of millions of COVID-19 test kits were exported and imported, all over the world, during 2017 and 2018,” Stop World Control explains.6

The data was posted September 5, 2020, on social media and it went viral. The next day, WITS swapped “COVID-19 test kits” with “medical test kits,” but the Internet Archive Wayback Machine still has an image of the original.7 Meanwhile, in 2017, Anthony Fauci somehow knew that an outbreak was coming. In fact, he all but guaranteed it, stating:8

“There is no question there is going to be a challenge for the coming administration in the area of infectious diseases. There will be a surprise outbreak. There’s no doubt in anyone’s mind about this.”

Gates also stated publicly in 2018 that a global pandemic was imminent, likely within the next decade, while Melinda Gates went so far as to state that an engineered virus in the coming years was humanity’s greatest threat.9

Then there’s the often-overlooked fact that the Johns Hopkins Center for Health Security, the World Economic Forum and the Bill & Melinda Gates Foundation sponsored a novel coronavirus pandemic preparedness exercise shortly before the pandemic started.

The event, which took place October 18, 2019, in New York, was called Event 201, and it included a detailed simulation of a coronavirus outbreak with a predicted global death toll of 65 million people within a span of 18 months.10 December 19, 2019, shortly after the event, Gates tweeted, “I’m particularly excited about what the next year could mean for one of the best buys in global health: vaccines.”11

Moderna Had COVID-19 Shots in 2019

Here’s another unsettling fact: December 12, 2019, Moderna, together with the National Institute of Allergy and Infectious Diseases (NIAID), sent mRNA coronavirus vaccine candidates to the University of North Carolina at Chapel Hill12 — again, that’s before the pandemic started. The confidential documents were revealed by The Daily Expose, which reported:13

“What did Moderna [and NIAID] know that we didn’t? In 2019 there was not any singular coronavirus posing a threat to humanity which would warrant a vaccine, and evidence suggests there hasn’t been a singular coronavirus posing a threat to humanity throughout 2020 and 2021 either.”

Going back further, in 2010, The Rockefeller Foundation released a report titled “Scenarios for the Future of Technology and International Development,” which uses scenario planning to explore ways that technology and growth/development and government might play out over the coming decades. One of the scenarios they detailed was a pandemic with some eerie similarities to COVID-19:14

“In 2012, the pandemic that the world had been anticipating for years finally hit … The pandemic … had a deadly effect on economies: international mobility of both people and goods screeched to a halt, debilitating industries like tourism and breaking global supply chains. Even locally, normally bustling shops and of office buildings sat empty for months, devoid of both employees and customers.”

The scenario suggests that China fared far better than the U.S., due to its government’s “quick imposition and enforcement of mandatory quarantine for all citizens, as well as its instant and near-hermetic sealing off of all borders, saved millions of lives, stopping the spread of the virus far earlier than in other countries and enabling a swifter post-pandemic recovery.”

As the pandemic continues, “national leaders around the world flexed their authority and imposed airtight rules and restrictions, from the mandatory wearing of face masks to body-temperature checks at the entries to communal spaces like train stations and supermarkets.”

The increased authoritarian control and oversight of citizens continued even after the pandemic ended, and was welcomed at first in exchange for “greater safety and stability.”

Pandemic Propaganda Has Been Ongoing for Years

So-called “predictive programming” prepares the public for future events via entertainment. In the 2003 series “Dead Zone,” a coronavirus pandemic is featured with chloroquine emerging as the cure. “V for Vendetta” is another example. This 2006 movie features the rise of dictatorship and fear-based propaganda due to a virus. Curiously, the film is set in 2020 as “an uncompromising vision of the future.”

In 2012, a comic book titled “Infected,” produced by the European Union for distribution among their employees only, also depicted a virus originating in a Chinese lab that sets stage for worldwide tyranny, described as the “one health approach.”15

Even the Summer Olympics in 2012 included the scenario of a pandemic — complete with nurses and hospital beds — in its opening show.16 Even in the months leading up to the pandemic, additional red flags were raised. Among them:17

  • Months before the pandemic, a panel discussed the need for “a global disruptive event to make the world willing to accept experimental vaccines”
  • In August 2019, Australia published a management plan for a pandemic18
  • Six months before the pandemic, the Global Vaccination Summit prepared to vaccinate the entire world
  • In September 2019, WHO instructed all governments to prepare for an imminent pandemic due to a “rapidly spreading lethal respiratory pathogen”19

And in 2022, a group of international lawyers, experts and scientists is now trying to spread the word that the COVID-19 pandemic is a criminal operation intended to increase control and establish a world dictatorship:20

“The power structures colluded to stage a pandemic that they had been planning for years … To this end, they deliberately created mass panic through false statements of fact and a socially engineered psychological operation whose messages they conveyed through the corporate media.

The purpose of this mass panic was to persuade the population to agree to experimental so-called “vaccinations” (which they are not). These have been proven to be neither effective nor safe, but extremely dangerous and even lethal.”

Thousands Standing Up Against the Tyranny

At this point, signs that an all-encompassing global totalitarian plan is being quietly put together, piece by piece, are all around us. The Rockefeller Foundation released a “National COVID-19 Testing Action Plan” that calls for the use of a digital “patient identification number” to track all Americans after testing them for COVID-19,21 and multibillionaire criminals are working to impose worldwide tyranny. As noted by Stop World Control:22

“Total world domination has been a diabolical desire of many powerful leaders throughout world history. Just think of the notorious world empires of Rome, Great Britain, the Persians, the Russians, and so on.

This perverse passion has never left the corrupt hearts of humanity, but the means to achieve this goal have changed. Instead of invading nations with tanks and bazookas, they now enslave humanity using the force of fear. Once they can create enough panic, they can present the ‘solution’. This solution, however, means removing our freedoms and submitting us to their control.

The main players in globalism are the United Nations, the World Economic Forum, the World Health Organization, the European Union, the International Monetary Fund, the World Bank, and particularly the many private banks that basically control the world already. These visible entities are, however, just a facade that hides the true powers, which are the many ‘Secret Societies.’”

Thousands have opened their eyes to the truth, however, and are making progress in sharing it with the world. This includes, among many others:

  • America’s Frontline Doctors
  • World Doctors Alliance
  • World Freedom Directory
  • Doctors for COVID Ethics
  • Great Barrington Declaration
  • World Freedom Alliance

If you want to be a part of positive change, know that there is hope — and it starts with information. With every fact you share with your inner circle, the knowledge grows and, with it, optimism for the future. A simple yet profound notion to remember is this:23

“The tyranny is 100% dependent on the ignorance of the public. The solution is therefore to inform the people around us. Once people know what is really happening, they will stop complying and start resisting.”

Sources and References

May 23, 2022 Posted by | Civil Liberties, Deception, Film Review, Science and Pseudo-Science, Timeless or most popular, Video | , , , , , , | Leave a comment

Caught on camera – how Trump was robbed of the 2020 election

By Thomas Lane | TCW Defending Freedom | May 19, 2022

Joe Biden is president of the United States. That is an indisputable fact. But how he got to 1600 Pennsylvania Avenue is questionable.

The statistical anomalies of the 2020 election alone make Biden’s victory seem dubious. Here are a few, of many, examples:

Donald Trump’s campaign rallies filled stadiums with tens of thousands of supporters; Biden’s campaign events – when he left the basement – hardly attracted a dozen. If these candidates were two musicians, and one was selling out arenas while the other was struggling to fill a little pub, which act would a record company executive bet on becoming a gold-record performer?

For the past ten American presidential elections, 19 counties, often referred to as the ‘bellwether counties’, predicted the outcome of the race. In 2020, Donald Trump won 18 of these counties, but Biden won the presidency.

At midnight on election night, vote counting mysteriously stopped in five states – Pennsylvania, Michigan, Wisconsin, Nevada and North Carolina – where Trump had a significant lead over Biden. The next morning, Biden suddenly had more votes than Trump. One is expected to believe that nearly 100 per cent of the votes which arrived during this suspicious pause were for Biden?

Certain that the election was fraught with fraud, Trump and some of his supporters challenged the results of the 2020 election with dozens of lawsuits. But most of the cases were dismissed by judges due to ‘lack of standing’, which is a legal term that states ‘the party has not alleged a sufficient legal interest and injury to participate in the case’.

However, Dinesh D’Souza’s new political documentary, 2,000 Mules, just might give Trump’s lawsuits a leg to stand on.

Using geotracking, a technology which locates the exact position of a person by obtaining data from his or her smartphone or similar devices, Catherine Engelbrecht and Gregg Phillips of True the Vote were able to expose a couple of thousand mules (people who illegally collected and deposited voting ballots) travelling between pro-Biden campaign offices and ballot drop boxes during the final month of the election season.

Engelbrecht and Phillips then obtained security camera footage of the mules stuffing the drop boxes with ballots. The mules’ activity ranged from just a few ballots deposited in several boxes throughout the month, to nearly 300 mules visiting one box and depositing 1,900 ballots (10x the average) in a single day.

In the most compelling scene in the documentary, D’Souza multiplies the number of mules by the number of their drop-box visits, then multiplies that number by the number of ballots deposited by each mule to get a total number of illegal votes. He does this calculation for each swing state where Biden won, then subtracts the number of illegal votes from Biden’s total. Spoiler alert: Mules concludes that Trump won the 2020 election.

D’Souza and his team have done their part: they have exposed the criminals and the crime. Between the geotracking data and the surveillance footage, they have evidence of over 2,000 people committing felonies. However, their hands are tied because they are mere citizens. As D’Souza concludes in the film: ‘It is time for law enforcement to step in.’

May 20, 2022 Posted by | Civil Liberties, Film Review | , | Leave a comment

The “Israel Lobby”: Facts and Myths

Swiss Policy Research 

Updated: March 2022
LanguagesEnglish / German

High-quality documentaries and reports on the role of the “Israel Lobby” in politics and the media.

Note: This compendium does not advocate anti-Jewish or anti-Israel positions.

General/Politics

  1. 🎥 The Lobby — USA (Investigative documentary, Al Jazeera, 180 min., 2018; more)
  2. 📰 Israel and Internet Censorship (Alison Weir, The Ron Unz Review, 2018; video)
  3. 🎥 Netanyahu at US Congress: 23 standing ovations (The Telegraph, 2015; more)
  4. 📰 The Israel Lobby – A Partial List (The Council For The National Interest, 2012)
  5. 🎥 Defamation: The Movie (Yoav Shamir, First Run Features, 90 min., 2009; Wiki)
  6. 📖 Persecution, Privilege, and Power: 30 Articles (Mark Green, editor, 2007; archive)
  7. 🎥 The Israel Lobby in the United States (VPRO Documentary, 50 minutes, 2007)
  8. 📖 The Israel Lobby (Professors Mearsheimer & Walt, treatise, LRB, 2006; Wiki)
  9. 🎥 “Antisemitism: It’s a trick, we always use it.” (Shulamit Aloni, DN, 2002; more)
  10. 📰 Antisemitism: The IHRA definition controversy (MEE, 2021; moremore)
  11. 📰 AIPAC and the Foreign Agents Registration Act (Forward, 2018; more)
  12. 📖 They Dare to Speak Out (Congressman Paul Findley, 1985/2003; archive)

US Presidents

  1. 📰 Trump as Cyrus (Laurent Guyénot, The Unz Review, 2020; more)
  2. 📰 Trump and Russia: The Countless Israeli Connections (Haaretz, 2018)
  3. 📰 Sheldon Adelson: Top US Political Donor (Whitney Webb, MPN, 2018; more)
  4. 📰 “Meet Joe Biden’s whole big Jewish mishpocha” (Times of Israel, 2020; more)
  5. 📰 “US Jews contribute half of all donations to the Democratic Party” (JPost, 2016)
  6. 📰 “The Jewish billionaire who cost Hillary her presidency” (Haaretz, 2016)
  7. 📰 Obama, the Iran Deal, and the Israel Lobby (Tablet Magazine, 2015; more)
  8. 🎥 Ben Rhodes on the Israel Lobby in the US (Interview, FMEP, 45 min., 2021)
  9. 🎥 Ronald Reagan – A Custom Made President (Wichita Films, 50 min., 2015; more)
  10. 📰 George W. Bush: Who are the Neoconservatives? (Guyénot; VoltaireNet, 2013)
  11. 📰 Israeli Assassinations and American Presidents (Weir, AntiWar, 2012; more)
  12. 📰 “Israel blackmailed Bill Clinton with Monica Tapes” (New York Post, 1999)
  13. 📰 New Tapes Reveal Depth of Nixon’s Anti-Semitism (WaPo, 1999; moremore)

Great Britain

  1. 🎥 The Lobby in Britain (Investigative documentary, Al Jazeera, 90 min., 2017)
  2. 📰 Third of British cabinet funded by Israel or pro-Israel lobby groups (DM, 2021)
  3. 📰 “The Israelis think they control the Foreign Office. And they do!” (DM, 2021)
  4. 📰 “After Corbyn, Israel Lobby Turns Guns on British Academia” (CN, 2021)
  5. 📰 “We ‘slaughtered’ Jeremy Corbyn, says Israel lobbyist” (EI, 2020; more)
  6. 📰 “US pro-Israel groups boosting UK anti-Muslim extremists” (ToI, 2019)

Media/Hollywood

  1. 📰 “Who said Jews run Hollywood?” (Lisa Klug, Times of Israel, 2016)
  2. 📰 “Jews Do Control The Media” (Elad Nehorai, The Times of Israel, 2012)
  3. 📰 Do Jews run Hollywood? (Joel Stein, Los Angeles Times, 2008)
  4. 📰 Do Jews dominate in American Media? (Philip Weiss, Mondoweiss, 2008)
  5. 🎥 Hollywoodism: Jews, Movies, and the American Dream (Jacobovici, 100 min., 1998)
  6. 📰 Hollywood producer Arnon Milchan reveals past as Israeli spy (Guardian, 2013; more)
  7. 🖼 Jewish executives and journalists in US media (Reddit, archived, 2018)
  8. 📰 15 Popular Internet Companies and Their Founders (SML, 2019; Facebook)
  9. 📰 Anti-Defamation League, tech firms team to fight online hate (CNet, 2017)
  10. 🌐 Alleged Jewish ‘Control’ of the American Motion Picture Industry (ADL, 1999)

Finance/Banking

  1. 📰 America’s Top 20 Billionaires Who Support Israel (Abra Forman, BIN, 2015)
  2. 🖼 America’s Richest Hedge Fund Managers (Jewish Contributions, 2020)
  3. 📰 Jews on the Forbes 200 List (Jewish Virtual Library, 2015; more)
  4. 📰 The World’s 50 Richest Jews (parts twothreefourfive; Jerusalem Post, 2010)
  5. 📰 The Jewish Story Behind the US Federal Reserve (Lowenstein, Forward, 2015)
  6. 📰 “When a Jewish Fed chief was novel” (Jewish Telegraphic Agency, 2013; more)
  7. 🌐 Jewish “Control” of the FED: A Classic Antisemitic Myth (ADL)

Intelligence, Assassinations, Terrorism

  1. 🎥 Israel and the Assassinations of The Kennedy Brothers (Guyénot, 90 min., 2020; more)
  2. 📰 Mossad Assassinations (Ron Unz, book review, The Unz Review, 2020)
  3. 📰 Mega Group, Maxwells and Mossad (Whitney Webb, Mint Press, 2019; more)
  4. 📰 Israel’s Role in Global Cyber-Election Meddling (Wayne Madsen, MPN, 2018; more)
  5. 🎥 Solving 9/11 (Christopher Bollyn, presentation, 60 minutes, 2015; book)
  6. 📰 The Israeli Connection to 9/11 (Overview, Biblioteca Pleyades, 2010)
  7. 📰 The 2001 Anthrax Letter Mystery: Solved (Robert Pate, 2009; moremore)
  8. 📰 The SITE Intelligence Group, ISIS and Al Qaeda (James Tracy, 2014; more)
  9. 📰 Israel’s Use of False Flags in Global Terrorism (Michael Piper, AFP, 2013)
  10. 📰 The Anti-Defamation League Spy Scandal (Counterpunch, 2013; more)
  11. 🎥 Israel and the Bomb: A Radioactive Taboo (Pohlmann, Arte, 50 min., 2012)
  12. 📰 The Jonathan Pollard Spy Case (Jeffrey T. Richelson, NSA/GWU, 2012; more)
  13. 🎥 USS Liberty: Dead in the Water (BBC Documentary, 70 min., 2002; more)
  14. 📰 CIA, Mossad links to German La Belle disco bombing (WSWS, 1998; video)
  15. 🎥 A lecture by Mossad whistleblower Victor Ostrovsky (C-SPAN, 60 min., 1995)
  16. 📰 The 1954 Lavon Affair (Leonard Weiss, Bulletin of the Atomic Scientists, 2016)
  17. 📰 Operation Opera (1979): Mossad sabotage in France (Haaretz, 2021; video)
  18. 🎥 The Little Drummer Girl (Film based on novel by John le Carré, 1984; book)

Mafia, Organized Crime

  1. 📖 The Jewish Mafia (Hervé Ryssen, 2008/2018; interview)
  2. 📰 The Judeo-Russian Mafia (Johnson, Barnes Review, 2006)
  3. 📰 Mafia Jews: Inside a Genuine Cabal (Jewish Forward, 2006)
  4. 📖 The Supermob (Gus Russo, Bloomsbury USA, 2006; archive)
  5. 📰 History and origin of Bronfman family wealth (Frank Parlato, 2018)
  6. 🎥 Trump’s Ties to the Russian-Jewish Mafia (Blackstone, 2019; more)
  7. 🎥 Ronald Reagan – A Custom Made President (Wichita Films, 2015; more)

Russia, USSR, Communism

  1. 📰 Russia bows to the ‘rule of the seven bankers’ (Irish Times, 1998; more)
  2. 📰 The Russians Called Them ‘The Oligarch Yids’ (Haaretz, 2002; more)
  3. 📰 From Rags to Riches: Jewish Oligarchs in Russia (Goldman, EEJA, 2000)
  4. 📰 Was the Russian Revolution Jewish? (Jerusalem Post, 2017; more)
  5. 🎥 The Jews, Communism and the Russian Revolution (Ryssen, 80 min., 2017)
  6. 📰 “Stalin’s Jews” (Sever Plocker, YNet News, 2006)
  7. 📰 The Jewish Role in the Bolshevik Revolution (Mark Weber, IHR, 1994)
  8. 📰 Solzhenitsyn breaks last taboo of the revolution (Guardian, 2003; more)

World Wars (excl. Holocaust revisionism)

  1. 📰 The Forgotten Truth about the Balfour Declaration (Kramer, Mosaic, 2017)
  2. 🎥 Balfour at 100: Interview with Lord Rothschild (Weizmann Institute, 2017)
  3. 📖 “Against Our Better Judgement” (Alison Weir, CNI, 2014; video/lecture)
  4. 📰 “The Jewish Hand in the World Wars” (Dalton, Unz Review, 2013; part 2)
  5. 📰 “The Jewish Declaration of War on Nazi Germany” (Johnson, TBR, 2001)
  6. 📰 “Too many Jews at Nuremberg” (Ami Eden, Jewish Telegraphic Agency, 2007)
  7. 📰 Frankfurt School: The Jewish Intellectuals Who Made the 60’s (ANU, 2019; more)
  8. 📖 “The Holocaust Industry” (Norman Finkelstein, Verso Books, 2000; archive)
  9. 🌐 Holocaust denial: Prosecutions and convictions (Wikipedia)

Migration, Multiculturalism, Nationalism

  1. 📰 “White supremacists and Israeli immigration policy” (Times of Israel, 2021)
  2. 📰 “Domestic Extremism Committee Run By ADL and SPLC” (Unz Review, 2021)
  3. 📰 “DHS installs new leadership at its intelligence arm” (Politico, 2021; more)
  4. 📰 “Critical Race Theory, US Schools, and the Attorney General” (Forbes, 2021)
  5. 📰 “US pro-Israel groups boosting UK anti-Muslim extremists” (ToI, 2019; more)
  6. 📰 The ADL in American Society (Ron Unz, The Unz Review, 2018; more)
  7. 📰 “The Jews Who Run the ‘Alt-Right’ Media” (Jon Swinn, NV, 2018; more)
  8. 📰 “The ‘Alt-Right’, Jews, and Israel.” (The Jewish Forward, 2017; more)
  9. 📖 Jewish Involvement in Shaping American Immigration Policy (MacDonald, 1998)
  10. 📰 “Rabbi Baruch Efrati: Islamization of Europe a good thing” (YNet, 2012)
  11. 🎥 Barbara Lerner Spectre on European multiculturalism  (IBA News, 2010)
  12. 📰 “Sephardi leader Yosef: Non-Jews exist to serve Jews” (JTA, 2010)
  13. 🎥 “Israelis: Do you see non-Jews as equal to you?” (The Ask Project, 2020)
  14. 🌐 Advisory Board on Domestic Terrorism & White Supremacy (AJC)

Historical Aspects

  1. 🎥 The origins of Ashkenazi Jews and Yiddish (Eran Elhaik, 2019; more)
  2. 📖 “The Invention of the Jewish People” (Shlomo Sand, 2009; more)
  3. 📖 The Culture of Critique (Kevin MacDonald, Praeger, 1998/2013)
  4. 📖 Essays on Jewish Power (Laurent Guyénot, 2020; more)
  5. 🌐 Khazar hypothesis of Ashkenazi ancestry (Wikipedia)

Science and Culture

  1. 🌐 Jewish Contributions (JewishContributions.com)
  2. 🌐 Jewish Nobel Prize Laureates (Jewish Virtual Library; more)
  3. 📖 The Super Achievers (Ronald Gerstl, 2020; more)
  4. 📖 The Golden Age of Jewish Achievement (Steven Pease, 2009; more)
  5. 📖 The Jewish Century (Yuri Slezkine, Princeton University Press, 2006)

March 10, 2022 Posted by | Book Review, Ethnic Cleansing, Racism, Zionism, Film Review, Timeless or most popular, Video, Wars for Israel | , , | Leave a comment

The Super Hero Film Era: How Political Dissent Is Neutralised

The Dave Cullen Show – Computing Forever | September 23, 2021

BitChute: https://www.bitchute.com/channel/thedavecullenshow/
Gab: https://gab.ai/DaveCullen
Minds.com: https://www.minds.com/davecullen

January 20, 2022 Posted by | Civil Liberties, Film Review, Mainstream Media, Warmongering, Timeless or most popular, Video | , | Leave a comment

Christopher Steele, author of the infamous ‘Trump pee-tape’ dossier, stands by his ludicrous claims in a fawning ABC interview

By Michael McCaffrey | RT | October 18, 2021

Former MI6 man Christipher Steele is the subject of an obscenely vapid ABC documentary, with a contemptible interview by George Stephanopoulos that’s so deferential it’s like watching a first date that should be an interrogation.

Just as MI6 super spy James Bond is back in theatres with No Time to Die, former MI6 agent Christopher Steele is back in the spotlight with the story that refuses to die, in an ABC ‘documentary’ titled Out of the Shadows: The Man Behind the Steele Dossier, now streaming on Hulu.

Steele came to fame as the shadowy force behind the Steele Dossier, the document which was the spark that lit the Trump-Russia collusion fire that was doused in gasoline by obsessive partisan media coverage and numerous, spurious government investigations for the last five years. The dossier claimed that then-candidate Trump was “colluding with Moscow” and that those devious Russians had “kompromat” on Trump in the golden form of a “pee tape.”

Steele’s “coming out of the shadows” consists of him sitting down with George Stephanopoulos and having a cuddle session on fancy sofas in a posh apartment.

Stephanopoulos is the perfect choice for the softball interview since he and Steele have a lot in common – they’ve both worked for the Clintons. Stephanopoulos as adviser to President Bill Clinton and Steele as de facto dirt-finder for Hillary Clinton’s presidential campaign.

ABC tried to stretch the excruciatingly thin gruel of this supposed ‘interview’ into an hour-long documentary by adding talking heads from their own newsroom. They failed, as the end result is a one-hour show that is hilariously shallow and vapid, even by ABC News standards.

Out of the Shadows spends considerably more time rehashing the “history” of Russia, Vladimir Putin and Trump than it does actually talking to Steele. Russia is deemed “a rogue state virus spreading westward with its villainy,” Putin a “KGB killer,” and Trump a “threat to American democracy.” In other words, it’s standard establishment media talking points.

Steele’s background is somewhat explored, but being the ever-diligent super spy that he is, Steele never explicitly states that he worked for MI6. I guess he doesn’t want to blow his cover.

What Steele actually says in this interview is of strikingly minimal impact. Thanks to Stephanopoulos’ anti-journalistic, anti-adversarial, deferential approach, no new ground is broken.

It’s well-known that Steele didn’t just compile the dossier, he actively pushed it to media outlets, in effect working to try and scupper Trump’s election campaign. The fact that he was ostensibly working for Democrats at the time certainly makes it appear as if he was a part of a wider disinformation/interference operation, but of course that’s a topic Stephanopoulos whistles past in this patty-cake chat.

Steele admits to no wrongdoing or error, despite the U.S. intelligence agencies “eviscerating” his findings after thorough investigation, and the FBI labelling him “untrustworthy.”

The issue of the “sources” Steele uses doesn’t get the attention it deserves either, as it’s reported that he only used one “key collector,” but Steele is quick to make clear it was “one collector” but not “one source.” That seems like a distinction without a difference.

As the documentary reports, that one collector was not a person in Moscow, but actually someone in Washington DC whose name is not revealed. The Justice Department Inspector General Michael Horowitz reported this person claimed that the information being given to Steele was “word of mouth and hearsay.” In other words, Steele was acting less as an intelligence expert seeking truth with his dossier than he was being a gossip columnist spreading rumor and innuendo.

Steele’s declaration, “I stand by the work we did, the sources we had, and the professionalism we applied to it,” is as devoid of substance as the rest of the interview.

The most damning aspect comes toward the end, and even that is soft pedaled, when Stephanopoulos asks Steele about both the dossier’s allegation that Trump counsel Michael Cohen went to Prague to meet with Russian intelligence and about the pee tape.

Cohen denies a Prague meeting ever took place, and since he has now flipped against Trump, one would assume he’s telling the truth. But Steele’s resolve remains, as he conjures up a wild scenario where Cohen is still lying because he wants to avoid being charged with treason.

Stephanopoulos, of course, lets this utter lunacy pass almost without notice. He could’ve asked Steele how exactly Cohen got to Prague, since his passport shows no travel to the Czech Republic. Or pressed Steele to provide details or at least a passable explanation for how that meeting could possibly have taken place? But he didn’t, he just smiled and continued playing footsie with Steele.

The ‘pee tape’ is the most salacious accusation in the dossier, and despite it never surfacing and no evidence it exists, Steele still stands by the claim…sort of. He says that the tape “probably does” exist but that he wouldn’t “put 100% certainty on it.”

When Stephanopoulos asks why the tape hasn’t come out, Steele replies that “it hasn’t needed to be released…because I think the Russians felt they’d got pretty good value out of Donald Trump when he was president.”

Look, I loathe Trump, always have and always will, but this sounds like the ravings of someone deeply infected with a ferocious case of Trump Derangement Syndrome, which is maybe why he is still taken seriously by the equally afflicted establishment media.

The more you know about Steele, the more readily apparent it becomes that he’s an absolute charlatan and bullshit artist masquerading as a serious intelligence expert. He’s no James Bond, he’s not even George Smiley. He’s more like a cross between Mr. Bean and Inspector Clouseau, who should, like this vacant and vacuous interview/documentary, be relentlessly ridiculed and righteously disrespected.

October 20, 2021 Posted by | Deception, Film Review | , , , | Leave a comment

Critics love Fauci’s new documentary, but audience hate it and accuse Rotten Tomatoes of ‘hiding’ low score

RT | October 11, 2021

Critics have almost universally praised the new documentary on Dr. Anthony Fauci, but audiences have seemingly hated it, even accusing review aggregator Rotten Tomatoes of trying to hide the movie’s unpopularity.

National Geographic’s ‘Fauci’ has been playing in select cinemas since September 10 and premiered on the Disney Plus streaming service last week. Trailers for the film focus heavily on Fauci and his work combating Covid-19, during which time he has become one of the more controversial figures in American politics.

The film, however, takes a positive look at Fauci and focuses more on tales about the health figure from his family, as well as public figures the infectious disease expert has worked with in the past, such as U2 frontman Bono and former President George W. Bush.

On Rotten Tomatoes, which aggregates reviews from selected critics and then gives a ‘rotten’ or ‘fresh’ score, the film holds a 91% positive rating, based on 30 positive reviews and three negative. The rating from audience members, however, was conspicuously missing from the website until Monday. As of Sunday, only one review, which was negative, had been posted despite the film being out for weeks.

The site was accused of ‘hiding’ the audience score in an effort to spin the movie’s increasingly negative coverage.

On Monday, an audience score did appear, and it showed valleys of difference in opinion from critics to the audience, with users awarding the film a 2% average from over 250 ratings (though it began with a 4% rating that has continually dropped). Despite the average now showing, there is still a lack of actual user reviews on the site, though many users may have chosen to simply drop a rating instead of writing a review.

“Two Americas,” writer Josh Jordan tweeted, including a screenshot of the ‘Tomatometer’ for ‘Fauci’ along with the recently-released comedy special from Dave Chappelle, which has been labeled transphobic by critics, but has been a popular title on Netflix. Critics on Rotten Tomatoes gave the movie a ‘rotten’ score of 33% while audiences awarded a near perfect score.

Fauci critics were quick to mock the film’s near-universal panning from audience members.

The Rotten Tomatoes score for ‘Fauci’ is just the tip of the iceberg when it comes to negative reviews. On IMDB, the movie has a 1.5 rating from over 6000 users.

Trailers for the movie on YouTube haven’t fared much better. One posted by National Geographic has over 100,000 ‘dislikes’ and less than 8000 ‘likes’, as of this writing.

A Disney Plus trailer, on the other hand, has just over 1000 ‘likes’ and over 20,000 ‘dislikes’.

Rotten Tomatoes has been accused of bias in the past, and the company has often chalked up near-universal negative reactions from audiences to trolls’ review-bombing.

In 2019, the company disabled pre-release comments and removed their ‘Want to See’ function – which allowed ratings based on how excited users were for a film – in response to early backlash against franchise pictures accused by critics of going ‘woke’, such as ‘Star Wars: The Last Jedi’ and ‘Captain Marvel’.

Two years before that decision, debate around Rotten Tomatoes and the political influence the audience can have was still a heated debate. Outspoken liberal and comedian Amy Schumer claimed in 2017 that her comedy special ‘The Leather Special’ was review-bombed by the “alt-right” over her comments on Donald Trump and other Republicans (50% critic rating/4% audience). At the time, the site responded again by limiting user functions by removing a five-star system in favor of a positive or negative rating from audiences.

On the opposite end of the spectrum, conservative artists have often pointed to the fact that films aimed at right-leaning audiences often score much lower with critics than audiences as proof the company is more open to ‘certifying’ liberal critics than right-of-center or conservative ones.

Producer John Aglialoro blamed near-universal bad reviews from “hateful” critics  on Rotten Tomatoes for his 2011 film ‘Atlas Shrugged: Part I’ struggling to find an audience in theaters (he would go on to produce two sequels covering the last two thirds of Ayn Rand’s influential novel).

October 12, 2021 Posted by | Film Review, Mainstream Media, Warmongering, Science and Pseudo-Science | , , , | Leave a comment

A Message To Fauci: You Are In No Position To Dictate The “Greater Good”

By Brandon Smith | Alt-Market | October 6, 2021

How does a fraud like Anthony Fauci find himself in the highest paid position in US bureaucracy? Well, Fauci’s career is a rather shocking testament to the reality of our government and our era – The more corrupt you are the more favors and promotions you will receive.

Fauci is well known as a shameless opportunist among many within the medical research community. For example, the creator of the Polymerase Chain Reaction (PCR) Test, Kary Mullis, had nothing but disdain for Fauci. Mullis was an interesting figure who valued scientific honesty above all else. He often warned that his PCR test could be exploited to inflate infection numbers by identifying remnants of a virus in a person’s body without distinguishing whether or not they are actually “infected” (sick). Sadly, his test is now being used in this exact manner today to exaggerate infection rates of the covid-19 virus.

In interviews Mullis has referred to Anthony Fauci as a “liar”, arguing that he is a bureaucrat that “doesn’t know anything about anything”. Mullis noted that people like Fauci have an agenda that is outside of the public good, and that they have no problem misrepresenting the science to the populace to achieve their goals. It should also be noted that YouTube has made it their mission to consistently erase any traces of the Mullis interviews mentioning Fauci from their website.

It is also not surprising that Fauci’s rampant fear mongering over AIDS in the 1980’s has gone mostly unmentioned by the mainstream media. His claim that 1 in 5 heterosexual Americans would be dead from AIDS by 1990 has been summarily memory-holed and the guy is treated like a scientific genius by the journalistic community in 2021.

If there is any justice in this world then Fauci should really go down in history as one of the primary initiators of the Covid pandemic, being that he was a director of the NIAD and the National Institutes of Health (NIH) while overseeing the funding of Gain of Function research on corona-viruses at the Wuhan Lab in China. This is the same research that Fauci blatantly lied about to congress on multiple occasions. And, the Wuhan lab is the same lab that evidence suggests was the ground zero source of the Covid-19 outbreak.

It is important to note that it was Fauci and the NIH that LIFTED the ban on gain of function research on deadly viruses in 2017, and it was well known around this time that the Level 4 Wuhan lab in China was not secure.

If anyone is responsible for global covid deaths, it is Fauci, the Chinese government and anyone else involved in that gain of function research which is primarily used to WEAPONIZE viruses under the guise of creating “therapeutics.” Gain of function research was originally banned under the Biological Weapons Convention which went into effect in 1975, unless it was being used for therapeutics. Now ALL gain of function research that is revealed publicly is labeled as therapeutics even if it is actually designed to produce biological weapons. This is sometimes referred to as “dual use research.”

The prevailing narrative continues to be that even if the virus came from the Wuhan lab then it was surely an accident. I continue to believe according to the available evidence that Covid-19 was deliberately released in order to create a global crisis which could then be exploited by the establishment to introduce extreme controls over the populace to the point of medical totalitarianism. But of course, there is no smoking gun to prove this, only common sense.

If we take the notorious Event 201 into account things get a little weird. Event 201 was a war game held by the World Economic Forum and the Bill and Melinda Gates Foundation. Its claimed purpose was to simulate the effects of a deadly coronavirus pandemic “spread by animals” to humans and to develop the policies governments and their corporate partners should employ to deal with it. Interestingly, this simulation was held in October of 2019, only two months before the REAL THING happened. Nearly every policy suggested by the participants of Event 201 has now been adopted by most governments, including the social media censorship campaign against anyone that questions the origins of the virus and the safety of the experimental mRNA vaccines.


Anthony Fauci and friends….

WEF founder Klaus Schwab was quick to announce at the start of the pandemic that Covid-19 was the “perfect opportunity” to launch the “Great Reset”, which is a globalist plan to completely erase free market systems and replace them with a highly centralized socialist framework. The WEF envisions a world in which carbon related power is banned, all financial transactions become digital and are monitored and controlled by central authorities, and they have even suggested that one day people will “own nothing and be happy”. This is a reference to the so-called “shared economy” of the future, where the concept of personal property is abolished and all people will live in communal housing collectives where necessities are rationed or rented out to them by the government.

Something must have went wrong with covid, however, because the Event 201 death estimates for such a virus were around 65 million within the first year of the outbreak. This of course never happened with Covid-19. So, the resistance to the mandates has been high, or much higher apparently than the globalists expected. They have been forced to engage in an endless fear campaign for the past 18 months over a virus with a mere 0.26% median death rate. It is a virus that well over 99.7% of all people will survive and it has an extremely low chance of long term effects on those who do actually end up hospitalized. In the majority of states the hospitalization rates are between 10-35 people for every 100,000 people infected.

These numbers come from the CDC and the medical establishment at large, yet they are ignored by propagandists like Fauci, just as Fauci has continued to ignore natural immunity as a factor in covid mandates. It might seem bizarre to almost any scientist, doctor and virologist not paid by the government, but Fauci has argued that natural immunity should be ignored when compared to vaccination. Multiple studies from around the world now show that natural immunity is up to 27 times more effective at preventing covid infection than the vaccines, but those with natural immunity are considered a threat to others under the new mandates unless they are also vaxxed.

This simply makes no sense from a scientific perspective until you realize that the mandates are not about science, they are about authoritarianism. Fauci is the US front man for a campaign of medical tyranny being imposed in every nation; this is why he does not care about natural immunity. The idea of it is inconvenient to his narrative, so he pretends it is inconsequential.

It is perhaps ironic that Fauci himself is becoming inconsequential as he is slowly fading away from the media limelight. I have noticed that ever since the NIH gain of function information was released to the public Fauci has been in the media less prominently. A documentary produced by National Geographic and soon to be distributed by Disney+ portrays the conman as a misunderstood savior and is sure to be a trash fire. That said, it does represent a clear last-ditch effort to save the man’s false reputation.

There is a good reason for all of this. Fauci’s distaste for personal freedom has been well documented and is making him extremely unpopular. He even recently argued on CNN in favor of vaccine mandates using this perverse position:

“There comes a time when you do have to give up what you consider your individual right of making your own decision for the greater good of society.”

Fauci and his globalist ilk can be distilled down to this single mantra: Do as you are told for the greater good. But who gets to determine what the “greater good” is? Isn’t it disturbing that it’s always the same elitists that end up in that position? I know that leftists in particular love the idea of the vaccine mandates and worship Fauci, and they say we skeptics should “listen to the science”, but Fauci is not a scientist, he’s a door-to-door salesman, and as I’ve noted above the REAL science does not support the arguments for forced vaccinations or lockdowns.

Hell, I keep asking the same questions on the mandates in these articles and not a single leftist or pro-vax proponent has come up with a valid or logical response, but out of morbid curiosity I would love to see Fauci give his answers:

1) Covid has a median death rate of only 0.26%, so why should we take ANY risk on an experimental mRNA vaccine with no long term testing to prove its safety?

2) Why not give support to the 0.26% of people actually at risk from dying due to covid instead of spending billions of dollars on Big Pharma producing a rushed vaccine that you plan to force on the 99.7% of people who are not at risk?

3) In majority vaccinated countries like Israel, over 60% of covid hospitalizations are fully vaccinated people. The exponential rise of fully vaccinated patients in multiple nations suggests that the vaccines do not work. Why should we take a vaccine that has been proven not to be effective?

4) If you believe the vaccines actually do work despite all evidence to the contrary, then why should vaccinated people fear anything from unvaccinated people? How are we a threat to them?

5) If the vaccines don’t work, then doesn’t this mean the mandates are pointless and the people that are most safe are the people with natural immunity? Shouldn’t we be applauding the naturally immune and encouraging treatment instead of useless vaccination?

6) Since the vaccines actually don’t work according to the data, isn’t it time to stop blindly dismissing treatments like Ivermectin and focus on trials and studies that research these alternatives? Why the vitriolic propaganda campaign to label Ivermectin nothing more than “horse paste” when it is actually a long used Nobel Prize winning treatment for human ailments? Is it because the experimental covid vaccines would lose their emergency authorization status under the FDA if effective treatments exist?

7) Why are government funded scientists so keen on defending Big Pharma to the point of ignoring all data that contradicts their claims? Are you just embarrassed of being wrong, or are you corrupt?

8) Who decided you are qualified to determine what constitutes the “greater good?”

Globalists and errand boys like Fauci will never be able to answer these questions without twisting the narrative. They will say “What about the 700,000 dead in the US?” to play on the idea that the freedom minded lack empathy for their fellow man. Of course, around 40% of those deaths are patients from nursing homes with preexisting conditions, so we have no idea if they died from covid or from their previous ailments. Also, millions of people die every year from a plethora of communicable diseases including the flu and pneumonia, and we never tried to lock down the entire country and crush people’s civil rights because of this.

If we maintained a running tally of flu and pneumonia deaths year after year as we are doing with covid, then the ever increasing number of bodies would seem just as forbidding. Society cannot function when it is preoccupied with death.

Yes, around 0.26% of people die from covid, but life goes on for everyone else. Our freedoms are more important than your irrational fears. Our freedoms are more important than globalist agendas for centralization. Our freedoms ARE the greater good. Without them our society dies, and as our society dies millions more people will die from the inevitable collapse and tyranny that will follow; far more than will ever die from covid.

This is why nothing Fauci says has any relevance to us. He is so transparent in his corruption that he might as well be invisible. We will continue to ignore his declarations and admonitions and we will continue to fight back against the vaccine passports and restrictions. When all is said and done, if Fauci, Biden and other globalist puppets try to use force to impose their agenda upon us then there will come a day very soon when they will be held accountable for their crimes against humanity, and then they will wish they were invisible.

You can contact Brandon Smith at: brandon@alt-market.com

October 9, 2021 Posted by | Civil Liberties, Deception, Film Review, Science and Pseudo-Science, Timeless or most popular, War Crimes | , , , | Leave a comment

Fauci Flop? New Documentary About COVID Czar Fails To Disclose Box Office Results

BY Tyler Durden – Zero Hedge – September26, 2021

A new documentary called “Fauci,” released by National Geographic Documentary Films two weeks ago, honors Dr. Anthony Fauci’s work to combat the HIV/AIDS epidemic and COVID-19 pandemic. Since the release two weeks ago, there’s been no data on ticket sales by major film sites, according to Just The News.

The new documentary was released in theaters across York, Los Angeles, San Francisco, D.C., and New Orleans on Sept. 10. No major film site, including RottenTomatoes.com, Boxoffice Pro, IMDB.com, and BoxOfficeMojo.com, has calculated ticket sales or earnings for the film.

The documentary “follows the renowned infectious disease specialist’s work in two health crises: AIDS and the coronavirus pandemic. Dr. Fauci agreed to participate as long as it didn’t interfere with his work,” NYT tweeted.

Shawn Robbins, the chief analyst with Boxoffice Pro, said it’s “incredibly uncommon” for a major studio not to release box office earnings.

“Niche distributors often lack the proper resources for data reporting. That may or may not be the case with this particular documentary,” said Robbins. He said it’s too early to suggest “Fauci” has become a flop at theaters, but time will tell.

Just The News said the film had one condition before seeing it: patrons of the theater had to show their vaccine cards.

On IMDB, the documentary has a 2.2 rating out of 10. About 80% of the reviews rate it as a 1 star.

IMDB users criticized the documentary as establishment-backed propaganda. Here’s one review:

Hilarious how this movie uses George Bush, and Susan Rice, to ascribe credibility for Dr. Fauci 😂 Bush’s false “Weapons of Mass Destruction” Iraq War, and Susan Rice’s “Benghazi” debacle speak for themselves.

The movie does indeed humanize Fauci with stories about his family. He said they are being harassed because of his work. So what do they do? They put their images and information in the movie….😧

Then along comes Bono’s interview. I’m still trying to figure out what a singer really has to do with any of this.

It has interesting interviews, but is a very one sided movie. It’s mostly politicos trying to dig out poor ole Dr. Fauci from the avalanche of his massive PR nightmare. He’s 80 years old, maybe just maybe it’s time to relax and retire.

The mystery remains why National Geographic continues to withhold the box office earnings of Fauci, but the poor reviews at IMBD suggest the flick might have been a flop, and that is why.

September 26, 2021 Posted by | Film Review | , , | Leave a comment

BBC submarine drama is anti-Russian propaganda machine in action

By Johanna Ross | September 25, 2021

The scene: a British nuclear submarine. A detective has been sent to investigate the death of a sailor. When she asks the Naval Commander why there needs to be so much secrecy, as Britain is not at war, he responds ‘That is an illusion. We have always been at war’.

The series, entitled ‘Vigil’ is the BBC’s most watched drama of the year, and has been well publicised, attracting an audience of 10.2 million over its first week. It depicts a fight with an illusive, ruthless adversary that successfully manages to infiltrate a UK submarine to ‘knock out Britain’s nuclear deterrent’, killing British citizens in the process. The murder weapon of choice is a nerve agent; can you guess who the enemy is yet?

Of course it’s Russia. Nuclear submarines, nerve agent, a treacherous opponent; from the opening sequence with video footage of Vladimir Putin and Dmitry Medvedev projected onto a submarine, the audience is under no illusion as to who this adversary is. Nowadays, the British public almost expects it to be Russia.

For years now the UK population has been schooled on ‘evil Russia’ across all media platforms – from the news to TV dramas to films – with the line between fiction and reality becoming increasingly blurred. One of the most Googled questions about the ‘Vigil’ drama series is ‘is it real?’ This is hardly surprising given the sheer volume of anti-Russian content, with cinema often dramatising real life events and vice versa.

Take the Skripal case, for instance. The apparent poisoning with ‘Novichok’ of the former spy Sergei Skripal and his daughter took place just a few months after a British/American TV series ‘Strike Back’ was released, in which a ‘rogue Russian biochemist‘ was working on a substance of the very same name. That was probably the first time that western audiences had ever heard the word ‘Novichok’, and yet, by extraordinary coincidence, it was to appear on our TV screens just a few months later, in the news.  The finger of blame was immediately pointed at Moscow, just as preparations were being made for Russia to host the 2018 world cup. The timing could not have been worse for the Kremlin, and yet it helped Britain considerably in its bid to discredit Russia in its hosting of the sporting event.

TV and cinema being used by governments as instruments to sway and foster public opinion is nothing new. In the book ‘Propaganda and empire: the manipulation of British public opinion, 1880-1960’ John M MacKenzie explores the plethora of ways the British government promoted imperialism throughout the empire’s existence, not only through cinema, but using everything from cigarette cards to school textbooks. During the war, the British Ministry of Information also pumped out films with instructive government messaging under the direction of Humphrey Jennings. These documentaries were more about what to do and what not to do, promoting slogans such as ‘grow your own’ and ‘make do and mend’ to aid the war effort on the home front.

The ‘Vigil’ drama obviously had a considerable budget. And its political function is twofold; it highlights the ‘threat’ from Russia, and the question of the Trident’s future in an independent Scotland. By playing up the idea of a real, imminent danger from Russia, it persuades the viewer of the importance of retaining Britain’s nuclear deterrent. As tensions grow between East and West, and Boris Johnson pursues his ‘Global Britain’ strategy, we will no doubt see more programmes emphasising Britain’s military strength countering Russia and let’s not forget, China. Sadly, such manipulation of the population doesn’t encourage understanding between peoples and instead, fosters division and discrimination. At best it is Britain using Russia as a scapegoat to bolster its sense of national pride; at worse, it is laying the groundwork for a future conflict with Russia.

Johanna Ross is a journalist based in Edinburgh, Scotland.

September 25, 2021 Posted by | Book Review, Film Review, Mainstream Media, Warmongering, Russophobia | , | Leave a comment

New Israeli Film Paints Sympathetic Picture of Jewish Terrorists Who Tried to Murder Millions

By Eric Striker | National Justice | September 8, 2021

An upcoming Israeli film that sympathetically portrays a group of Jewish terrorists who attempted to murder millions of German civilians by poisoning their water supply is enjoying uncritical publicity in Zionist media.

The film, “Plan A,” is based on a true story that director Yoav Paz extensively researched through recently unveiled testimony as well as the book Li Nakam Veshilem (Vengeance and Retribution are Mine) by historian Dina Porat.

Following the end of the second world war, a group of approximately 50 Jews led by communist partisan and Israeli national poet Abba Kovner formed a group called “Nakam,” or “the avengers.”

The group concocted a scheme to infiltrate post-war Europe and kill millions of German citizens by adding arsenic to their drinking water — a plot they called “Plan A.” Were that to fail, they had a “Plan B” where they would poison German soldiers held in Allied prisoner of war camps. According to Kovner’s testimony, the future first president of Israel Chaim Weizmann aided his organization in the operation.

“Plan A” failed when British security forces intercepted members of Nakam and they were forced to throw their supply of poison overboard of their ships. Individuals in the Zionist movement also believed that a terrorist attack of such a magnitude would’ve caused diplomatic problems for the soon to be founded Zionist state and may have tipped the British off.

Eventually they succeeded in partially achieving “Plan B.” They infiltrated the American run Langwasser internment camp and were able to poison thousands of captive German soldiers by putting arsenic in their bread. While many were seriously ill, the New York Times claimed at the time that there were no known deaths, though this incident has no been closely investigated. The criminals in question were thwarted in their other operations but released after a few months.

According to Paz and his brother and co-writer Doran, the point of their movie is not to examine “right and wrong” or “black and white,” but instead to make Jewish viewers sympathize with the Nakam’s mindset and actions.

Stephen Applebaum at Jewish News appears to come away with the message the directors were trying to convey, “Putting yourself in the shoes of the Avengers today is a queasy sensation. Their suffering and loss is made palpable in the film, but so is the suffering, loss and horror they planned to inflict on millions. What would you have done? Hopefully, none of us will ever need to find out.”

Though “Plan A” is in English and has a relatively well-known cast, including German actor August Diehl and “Bladerunner 2049’s” Sylvia Hoeks, there are not many reviews for the upcoming feature set to debut in America and Europe on September 13th.

Cath Clarke at The Guardian is so far the single exception, but she focuses on the film’s technical failures rather than the dark message suggesting that Jews should consider indiscriminately killing people from ethnic groups they have grievances or grudges against. A film promoting such a dangerous message in any other racial and historical context would’ve undoubtedly garnered much more controversy.

September 9, 2021 Posted by | Ethnic Cleansing, Racism, Zionism, Film Review, Timeless or most popular, War Crimes | , | Leave a comment

Pentagon documents reveal DOD bullies forcing movie and TV producers to accept their ‘assistance’

By Tom Secker | RT | August 5, 2021

For the first time, the US military’s central office for dealing with Hollywood has re-leased internal reports on its operations, revealing how the Department of Defense strong-armed the industry to achieve its propaganda goals.

The reports were obtained via a Freedom of Information Act request and offer a rare glimpse inside the DOD’s main entertainment liaison offices at the Pentagon, which oversees the individual branch offices in Los Angeles run by the Army, Navy, Air Force and others. The reports cover approximately two years of activities and illustrate just how aggressive the DOD can be when dealing with film and TV producers, as well as their involvement with some of the biggest-name filmmakers in Hollywood.

The sheer range of products mentioned in the documents as having gained assistance from the US military is staggering, from Navy-assisted episodes of Cake Boss and the Great Food Truck Race to the Disney sci-fi fantasy A Wrinkle in Time. Numerous other films are listed, including blockbusters like Captain MarvelTop Gun: Maverick and Transformers: The Last Knight.

On Captain Marvel the DOD and US Air Force provided research trips to military bases, filming access at several military locations, and extensive promotional help including an Air Force recruitment campaign that tied into the film. The documents also reveal how the two co-directors of the movie, Anna Boden and Ryan Fleck, paid a visit to the Pentagon just before the film’s release.

One document notes, “During their visit they attended office calls and had lunch with Air Force leaders. They also participated in a professional development session” for Air Force and DOD public affairs officers, showing just how integrated the military-Hollywood relationship has become.

The files also confirm the military’s support on the final season of Homeland, though only after the “major problems noted in scripts” were resolved by the showrunner making “significant edits to the problematic areas.” The result was a show that preempted the false story that the Russian government had been funding Taliban insurgents in Afghanistan, and played up fears about what will happen when the US finally withdraws from the country.

The Pentagon also worked on smaller films such as The 15:17 to Paris, a Clint Eastwood-directed retelling of how three Americans, including two servicemen, tackled a gunman on a train from Amsterdam to Paris in 2015. One entry in the reports records how they received “a long list of things that the film makers hope to obtain from us” but the DOD only approved support after ensuring that they could “create enough military portrayal to justify use of our assets.”

Beefing up the military’s presence in films, and the role of military characters in the unfolding storylines, is a key aim of the DOD’s Hollywood offices, but they don’t always get what they want. Christopher Nolan approached them about providing Osprey and Chinook aircraft for use in Tenet, and the National Guard and Air Force “indicated interest if military characterizations are rewritten emphasizing military mission.”

A few weeks later, it seems that Nolan simply stopped responding to the military’s phone calls, with one update commenting, “Likely cause is that producer/director were reluctant to make changes needed to gain DOD support.” This echoes what happened on Interstellar, Nolan’s previous sci-fi epic. Reports from the Navy’s Hollywood office record how he approached them about potential support, but the relationship broke down after he refused to share his script with Navy officials, having clearly learned from the extensive rewrites the military demanded on Man of Steel.

At the other end of the Hollywood scale is Tom Hanks, who has worked with different US government agencies throughout his career, from the CIA on Charlie Wilson’s War to Homeland Security on The Terminal, as well as several military-supported productions. Hanks’ name comes up multiple times in the documents, as the DOD provided help to his historical war film Greyhound, as well as his forthcoming post-apocalyptic drama Finch.

The strict criteria that the military apply when deciding whether to support a production results in a high number of rejections, which can have the effect of killing a movie or TV show. Among the rejections detailed in the documents are “documentaries about Vladimir Putin and about the trials at Guantanamo Bay” and a film about the Bermuda Triangle, where the DOD were “Not impressed by the quality of the writing nor the story itself.” Neither the Bermuda Triangle film nor the Gitmo documentary appear to have been made.

Other movies that were turned down include Tom Clancy’s Without Remorse as well as Rob Reiner’s Shock and Awe, in the latter case because “premise is how the WH & DoD (mainly the WH) claimed that Bin Laden and Hussein conspired to create the 9/11 attacks, and fabricated evidence of Saddam collecting materials to fabricate nuclear weapons to use against the U.S. and its allies.”

Likewise, a feature-length documentary about Operation Eagle Claw – the failed attempt by US special forces to rescue some of the hostages held in Iran – was turned down after their request was forwarded to the Undersecretary of Defense for Policy, highlighting how high-up policy wonks are sometimes part of the decision-making process. This documentary also appears to have fallen by the wayside, unable to be produced due to the Pentagon’s censorious approach to pop culture.

However, the most egregious censorship revealed by the new documents came on the 2019 CBS drama series The Code, about Marine Corps lawyers prosecuting and defending cases brought under the Uniform Code of Military Justice. The Code was initially made without any military input, because the producers wanted to explore topics of which the DOD wouldn’t approve.

In the opening episodes the cases handled by the lawyers include a Marine-turned-congressman who is accused of murdering an Iraqi civilian execution-style, and the fallout from a Marine killing a Spanish citizen while drunk driving. Meanwhile, the widow of a murdered Marine decides to sue the Corps and challenge the Ferris Doctrine – a law that prevents people from suing the US military based on events that happened while on active duty.

These are precisely the sort of storylines that the DOD routinely removes from scripts for shows they support, such as NCIS and Hawaii Five-0. The documents record how on an NCIS: New Orleans episode they “Took issue with the latest NCIS NOLA script, in which a team of former U.S. Army rangers are portrayed as ‘killers for hire’.” An update days later reports that, “Filmmakers responded by saying they are working to remove all references to killers having been affiliated with U.S. Army Rangers.”

But this wasn’t possible on The Code, because the producers resisted numerous efforts by the military to get involved and have influence over the scripts. As the reports detail, “The showrunner turned down several offers of assistance by the Marine Corps Entertainment office during production.” An investigation by Task & Purpose found that the Marines kept trying to insert themselves into the production of The Code, but as one official put it, they were “essentially told to f-ck off” by the showrunners.

The documents go on to note that – somehow – Marine Corps leadership got hold of the early episodes of The Code before they’d aired. They were “displeased enough that they communicated what they saw as serious shortcomings in the depiction of the Marines.” The Corps imposed themselves on the production, and as a result, “CBS Television has indicated a desire to correct the problems in future episodes by accepting DoD assistance.”

The upshot of this was that the show took a turn and abandoned the controversial storylines of its earlier episodes, including the lawsuit around the Ferris Doctrine – though the suit is abandoned not due to pressure from the military brass, but so that the widow can embark on a romantic relationship with one of the key witnesses.

A few months later The Code was cancelled, having given up on the only thing that made it stand out in a crowded marketplace of criminal and legal procedurals. In essence, the DOD sabotaged a TV show because they didn’t like its politics.

While the likes of Christopher Nolan are powerful enough to sometimes resist the military’s overtures and manipulations, the DOD’s hostile takeover of Hollywood is gathering pace due to these aggressive, domineering tactics.

Tom Secker is a British-based investigative journalist, author and podcaster. You can follow his work via his Spy Culture site and his podcast ClandesTime.

August 5, 2021 Posted by | Film Review, Mainstream Media, Warmongering, Militarism, Timeless or most popular | | Leave a comment

Authoritarians Drunk on Power: It Is Time to Recalibrate the Government

By John W. Whitehead & Nisha Whitehead | The Rutherford Institute | July 27, 2021

It is time to recalibrate the government.

For years now, we have suffered the injustices, cruelties, corruption and abuse of an entrenched government bureaucracy that has no regard for the Constitution or the rights of the citizenry.

By “government,” I’m not referring to the highly partisan, two-party bureaucracy of the Republicans and Democrats. Rather, I’m referring to “government” with a capital “G,” the entrenched Deep State that is unaffected by elections, unaltered by populist movements, and has set itself beyond the reach of the law.

We are overdue for a systemic check on the government’s overreaches and power grabs.

We have lingered too long in this strange twilight zone where ego trumps justice, propaganda perverts truth, and imperial presidents—empowered to indulge their authoritarian tendencies by legalistic courts, corrupt legislatures and a disinterested, distracted populace—rule by fiat rather than by the rule of law.

This COVID-19 pandemic has provided the government with the perfect excuse to lay claim to a long laundry list of terrifying lockdown powers (at both the federal and state level) that override the Constitution: the ability to suspend the Constitution, indefinitely detain American citizens, bypass the courts, quarantine whole communities or segments of the population, override the First Amendment by outlawing religious gatherings and assemblies of more than a few people, shut down entire industries and manipulate the economy, muzzle dissidents, reshape financial markets, create a digital currency (and thus further restrict the use of cash), determine who should live or die, and impose health mandates on large segments of the population.

These kinds of crises tend to bring out the authoritarian tendencies in government.

That’s no surprise: power corrupts, and absolute power corrupts absolutely.

Where we find ourselves now is in the unenviable position of needing to rein in all three branches of government—the Executive, the Judicial, and the Legislative—that have exceeded their authority and grown drunk on power.

So what we can do to wrest back control over a runaway government and an imperial presidency?

It won’t be easy.

We are the unwitting victims of a system so corrupt that those who stand up for the rule of law and aspire to transparency in government are in the minority. This corruption is so vast it spans all branches of government: from the power-hungry agencies under the executive branch and the corporate puppets within the legislative branch to a judiciary that is, more often than not, elitist and biased towards government entities and corporations.

The predators of the police state are wreaking havoc on our freedoms, our communities, and our lives. The government doesn’t listen to the citizenry, it refuses to abide by the Constitution, which is our rule of law, and it treats the citizenry as a source of funding and little else.

In other words, the American police state is alive and well and flourishing.

We have arrived at the dystopian future depicted in the 2005 film V for Vendetta, which is no future at all.

Set in the year 2020, V for Vendetta provides an eerie glimpse into a parallel universe in which a government-engineered virus wreaks havoc on the world. Capitalizing on the people’s fear, a totalitarian government comes to power that knows all, sees all, controls everything and promises safety and security above all.

Concentration camps (jails, private prisons and detention facilities) have been established to house political prisoners and others deemed to be enemies of the state. Executions of undesirables (extremists, troublemakers and the like) are common, while other enemies of the state are made to “disappear.” Populist uprisings and protests are met with extreme force. The television networks are controlled by the government with the purpose of perpetuating the regime. And most of the population is hooked into an entertainment mode and are clueless.

Sounds painfully familiar, doesn’t it?

In V for Vendetta, as in my new novel The Erik Blair Diaries, it takes an act of terrorism for the people to finally mobilize and stand up to the government’s tyranny: in Vendetta, V the film’s masked crusader blows up the seat of government, while in Erik Blair, freedom fighters plot to unmask the Deep State.

These acts of desperation and outright anarchy are what happens when a parasitical government muzzles the citizenry, fences them in, herds them, brands them, whips them into submission, forces them to ante up the sweat of their brows while giving them little in return, and then provides them with little to no outlet for voicing their discontent: people get desperate, citizens lose hope, and lawful, nonviolent resistance gives way to unlawful, violent resistance.

This way lies madness.

Then again, this madness may be unavoidable unless we can wrest back control over our runaway government starting at the local level.

How to do this? It’s not rocket science.

There is no 10-step plan. If there were a 10-step plan, however, the first step would be as follows: turn off the televisions, tune out the politicians, and do your part to stand up for freedom principles in your own communities.

Stand up for your own rights, of course, but more importantly, stand up for the rights of those with whom you might disagree. Defend freedom at all costs. Defend justice at all costs. Make no exceptions based on race, religion, creed, politics, immigration status, sexual orientation, etc. Vote like Americans, for a change, not Republicans or Democrats.

Most of all, use your power—and there is power in our numbers—to nullify anything and everything the government does that undermines the freedom principles on which this nation was founded.

Don’t play semantics. Don’t justify. Don’t politicize it. If it carries even a whiff of tyranny, oppose it. Demand that your representatives in government cut you a better deal, one that abides by the Constitution and doesn’t just attempt to sidestep it.

That’s their job: make them do it.

As I make clear in my book Battlefield America: The War on the American People, all freedoms hang together. They fall together, as well.

The police state does not discriminate. Eventually, we will all suffer the same fate.


Constitutional attorney and author John W. Whitehead is founder and president The Rutherford Institute. His books Battlefield America: The War on the American People and A Government of Wolves: The Emerging American Police State are available at www.amazon.com. He can be contacted at johnw@rutherford.org. Nisha Whitehead is the Executive Director of The Rutherford Institute. Information about The Rutherford Institute is available at www.rutherford.org.

July 28, 2021 Posted by | Book Review, Civil Liberties, Film Review | , | Leave a comment