Israeli officials slam director over ‘propaganda’ claim
RT | November 29, 2022
Israeli officials tore into their countryman, filmmaker Nadav Lapid, after he condemned popular Indian film The Kashmir Files as “propaganda” and “vulgar” before an audience at the International Film Festival of India in Goa. Lapid had been invited to lead the jury of the festival, which is funded by the government and counts many politicians and other VIPs among its attendees.
“We were all disturbed and shocked by the 15th film, The Kashmir Files, that felt to us like a propaganda, vulgar movie inappropriate for an artistic competitive section of such a prestigious film festival,” Lapid said during the closing ceremony. The film dramatizes the flight of Hindus from Kashmir in the 1990s amid an armed Muslim uprising, and has galvanized Islamophobic sentiment in the country.
“You should be ashamed,” Ambassador Naor Gilon chided Lapid via tweet on Tuesday, accusing the filmmaker of abusing “the trust, respect, and warm hospitality [the International Film Festival of India] have bestowed upon” him.
“It’s insensitive and presumptuous to speak about historic events before deeply studying them and which are an open wound in India because many of those involved are still around and still paying a price,” Gilon continued, suggesting that by publicly casting aspersions on The Kashmir Files’ version of history, Lapid was encouraging Indians to question the Holocaust.
Former ambassador to India Danny Carmon agreed, calling for Lapid to “apologize for the personal comments on historical facts without sensitivity and without knowing what he is talking about.” Consul General of Israel to Midwest India Kobbi Shoshani was quick to reassure local media that Lapid’s words were “not the opinion or the attitude of the government of Israel,” declaring “we completely don’t accept such speeches.”
While Lapid clarified he meant his comment as an artistic rather than personal criticism – “I feel totally comfortable to share openly these feelings here with you on stage since the spirit of the festival can truly accept also a critical discussion, which is essential for art and for life,” he said – that did little to blunt the attacks that came his way, from Indians as well as Israelis.
Lapid was denounced as “a Hindu-hating bigot who whitewashes ethnic cleansing” and as “not less than a Nazi enabler” by Abhinav Prakash, head of the Bharatiya Janata Yuva Morcha youth movement, while Aditya Raj Kaul, executive editor of the TV9 network, questioned whether the filmmaker would “call Holocaust a propaganda [sic]” or say the same about Holocaust films Schindler’s List and The Pianist.
The BBC’s “Big Oil vs The World” documentary failed to provide any evidence to support its alarmist claims
The Daily Sceptic | August 7, 2022
The BBC recently broadcast a three part series entitled “Big Oil vs The World“.
The theme of the three hour documentary was that the oil and gas industry discovered over forty years ago that their product produced large amounts of carbon dioxide and methane and that the increase in these greenhouse gases would lead to climate change.
The documentary alleges that the oil and gas industry deliberately disseminated misinformation in order to prevent or slow down any legislation that would hurt its profit margins.
Many interviews are shown of former employees of the oil and gas industry that have had damascene conversions and now see that they were part of a huge crime against humanity or at least humanity yet to come.
I watched all three hours of this documentary on BBC iPlayer. It was very well done with many clips of hurricane damage, floods, wildfires and industry pumping out pollution.
The music reinforced the sense of doom and horror that these oil and gas company executives put profit ahead of saving the planet.
The trouble is that even though so many people consider the subject of climate change ‘settled science’ not one shred of evidence was put forward in the whole three hours.
One of the climate change experts was asked what his reaction to his predictions coming true was. He said he was angry, yet his predictions were not offered and subsequently it was not demonstrated how they were true.
Graphs and documents with certain phrases highlighted were flashed up but there was no time to evaluate them.
A ‘methane hunter’ declared that she had provided overwhelming evidence to the U.S. regulators but to no avail. During this segment images from thermal cameras were shown which looked very scary but there was no explanation as to what to look for to determine that methane was present.
The Attorney General of Massachusetts was interviewed and it was detailed how Exxon Mobile was going to have to answer in court to the allegations. It was detailed exactly what they were going to accuse the company of and footage of the team discussing the wrongdoings was shown.
That segment finished with the fact that the New York State Attorney General had tried the same thing but Exxon Mobil had won that case. Nothing further was said, no reference to the court documents, nothing to suggest that the company had pulled the wool over the court’s eyes. Nothing.
I would imagine that if I had bothered to complain to the BBC I would receive a response along the lines of them not having to provide evidence because the science is settled, but you have to ask the question, why?
If there is so much evidence and they know that the oil and gas giants have had evidence for four decades, why, in a three hour documentary, can they not produce one single piece of evidence?
How many more decades will we have to live with this constant barrage of doom-mongering before they finally see that the climate changes and there isn’t much we can do about it but continue to adapt and mitigate as we have been?
Patronising, selective, abusive – the vaccine propaganda machine at its worst
By Laura Perrins | TCW Defending Freedom | July 22, 2022
ONE thing I will say about Wednesday night’s BBC programme Unvaccinated is that it had to be seen to believed. It managed to be patronising, ignorant, selective and abusive all at the same time. I doubt if even my extraordinary talents can quite convey the level of vaccine propaganda that the national broadcaster engaged in.
If you did not see it, Unvaccinated (available on iPlayer) was a programme whereby the BBC picked a group of people who have exercised their right to medical choice and bodily autonomy and decided not to be injected with an mNRA ‘vaccine’, and got them together, Big Brother-style, in an attempt to change their minds. They were subject to a regime of gaslighting, ‘heated debate’ and an odd jelly-bean experiment. Along the way to help these poor ignoramuses see the error of their ways were a presenter, The Scientists and some bloke from Full Fact, ‘the UK’s independent fact checking organisation’.
The low point was when a young participant explained how a friend started having seizures days after her first jab. This has devastated her life. Unsurprisingly this made the attendee ‘hesitant’ about receiving the Covid vaccine. The response from the presenter was, How can you be sure it was the vaccine that caused the seizures? Maybe it was something else? Just how is a young girl supposed to prove that a serious side-effect such as a seizure was not caused by the vaccine taken only days earlier? As she rightly pointed out, given the age of the victim, it is highly unlikely that this would have occurred naturally. But it’s not impossible, replied the presenter. Sure, it is not impossible, just like pigs might indeed sprout wings and fly.
This gaslighting came after a lengthy session on how mild side-effects are often imagined. Placebo side-effects were real – namely if you thought you would get a side-effect then you were more likely to experience this side-effect. So, you just imagined that blood clot.
Then there was a discussion on myocarditis – this was when the jelly-beans came out to demonstrate how unlikely it is one would suffer such a side-effect after the vaccine. You are more likely to suffer myocarditis from Covid, we were told. The jelly-bean experiment didn’t seem to convince anyone, and positively enraged one attendee.
Then the Unvaccinated met The Scientists, who explained how they were able to develop the mNRA vaccine in an ‘unprecedented’ time scale: ‘The vaccines that we are using in this country at the moment are quite different from vaccines that we have used in the past.’ (They certainly are.)
They were developed at such breakneck, too-good-to-be-true, never-before-done-in-the-history-of-mankind speed because they got critical information from China. The Scientist explains, ‘We were able to get the code for the spike protein on the virus within a matter of weeks from China, and that code was enough to make the spike protein.’ (I am sure you are fully reassured now, dear reader. The code for the spike protein came from China. So you’re all good.) That didn’t really fill me with confidence, I have to say. (For some very real worries about this rushed vaccine, turn to Paula Jardine’s disturbing report for TCW here.)
The other reason for the high-speed development and rollout was, according to the presenter, who heard it from an academic, good old ‘bureaucracy’, or at least the lack of it. Allegedly, all The Scientists were able to clear their diaries so they could make meetings immediately instead of three months down the line and, ta-dah – the vaccine appears! ‘They got rid of everything else in their diary and this was the priority.’ Praise be.
The gang at Full Fact got a slot to explain all about the trouble with ‘disinformation’ and ‘misinformation’ and all the rest of it.
The biggest elephant in the room was the fact that the virus presents little if any threat to the attendees, who were all young. If the risk of the virus to the attendees isn’t analysed then there is no point in talking about how likely mild or serious the side-effects of the vaccine are.
Much of the programme came down to emotion v The Science and the manipulation of statistics, in particular confusing causation with correlation. It is right we should always be careful of statistics. Ultimately, however, I believe the attendees’ gut instinct is against this vaccine but these days, emotion or instinct is routinely dismissed. Nothing can come above The Science, and The Charts and The Technocrats and The Experts. Sir Roger Scruton defended instinct as an entirely appropriate way upon which to make a decision. It is another word for wisdom and common sense built up over a lifetime of experience. One can apply common sense and wisdom when considering the advice given by an expert, but that advice should not trump the commonsense decision which has to be made by the ordinary person.
Experience tells me that in the face of a virus which presents a tiny risk to me, or indeed anyone, it is best not to be injected with a vaccine developed in record time using an entirely new method and relying on information from communist-run China.
My life experience tells me I have an immune system and I trust that more that the government, Big Pharma, China or indeed the BBC. In fact, when a jury consider a verdict in a criminal trial they are directed to apply their common sense and life experience when considering the evidence and coming to a verdict. If common sense is good enough to convict someone of a criminal offence, it should be good enough when considering whether to have a vaccine.
One of the attendees observed that you have only one life and one body, so you have to be careful what you put into it. That really sums it up. Despite the BBC’s best efforts, I doubt that they will have changed any minds with this programme.
D’Souza’s Mules Left Tracks
By Charlie Johnston | American Thinker | June 20, 2022
Many conservative commentators have noted that Dinesh D’Souza’s documentary, 2000 Mules, offers compelling evidence of large-scale vote fraud. It offers more than this, though. It provides compelling evidence of a massive, centrally coordinated conspiracy to commit vote fraud. Examining several states with different voter laws while focusing on just one form of fraud, the movie found that the method of fraud was executed identically in each of these states. That is prima facie evidence of central organization and management.
From the moment counting was stopped in the dead of night in five Democrat-run swing states on election night, Democrats and the media have treated anyone who questioned election integrity in 2020 like a mob boss treats anyone who threatens to testify against him: shut up, or we will cancel you.
Democrats and the media routinely smear anyone who questions the election results as a conspiracy theorist. They routinely pronounce any evidence that emerges as “debunked.” For the record, “debunked” does not mean “inconvenient to the leftist narrative.” It means “thoroughly investigated and proven to be false.” Almost none of the evidence has been debunked; very little has been officially examined. Leftists treat actual evidence like how a vampire treats a crucifix. There is no reasoned discourse, just a lot of hissing and snarling.
From well before he took office, Donald Trump faced an ongoing administrative coup attempt. First was the long-running Russian collusion hoax, mounted by Hillary Clinton and the Democratic National Committee and abetted by the FBI and intelligence agencies. Federal employees who were, theoretically, subordinate to Trump gleefully worked to undermine his administration. Two baseless impeachments were mounted against him by Democrats who know nothing other than shrieking partisanship anymore. The slow-moving coup finally succeeded on the evening of November 3, 2020, when those five states quit counting ballots to give Democrats time to “fortify” the election. The last real hurdle to thwarting election integrity came on December 11, 2020, when the Supreme Court ruled that Texas and 18 other states lacked standing to complain of massive fraud. How states that conduct honest elections lack standing to complain of states that don’t in an election that affects them all is beyond my understanding. It looked like unconditional institutional surrender to massive fraud to me. All hail the barbarians!
Partisan media outlets began crowing that many courts had “investigated” claims of fraud and found them baseless. Rather, almost all courts refused to even look at any evidence, dismissing almost all claims on procedural, rather than substantive, grounds. Refusing to look at evidence is not an investigation. A trickster can pat mud over a rock to change its shape, but time and tide will wash away the mud, leaving only the rock of truth — and then the fraud is exposed.
D’Souza’s documentary examined only the slice of fraud that involved organized physical ballot-stuffing. It did not touch on compromised voting machines and systems or unconstitutional, administrative election law changes. If the single slice that 2000 Mules so effectively biopsied is filled with the cancer of fraud, it is willful ignorance to believe that everything else was clean.
If the election of 2020 had been fundamentally clean, Democrats and the media should have been the loudest advocates for a thorough and bipartisan investigation of the election to put widespread doubts to rest and own the conservatives. (By bipartisan, I do not mean like the J6 committee, where the Democrats unilaterally appointed all members, including a couple of Republican chumps for show.) Instead, the left hisses and snarls at every piece of evidence brought forth, no matter how compelling. A guilty man tries to suppress every bit of evidence at his trial, never knowing which piece will seal his conviction, while an innocent man tries to get every piece into evidence he can, never knowing which piece will exonerate him. To assess credibility on this, look who is trying to suppress evidence and who is trying to get evidence into the public record.
At this stage, it is hard to credit Democratic and media intransigence to anything innocent. If they are not just stupid, they have become co-conspirators in the only actual insurrection America has seen over the last six years. Understand, this coup was not primarily aimed at Trump and conservative Republicans; it is a coup against the very idea of self-government. Alas, many Republicans may disagree with elements of Democratic methods but agree with them that a self-serving elite class should rule the citizen-serfs they think constitute the American people.
The relentless smears, the constant howls, and the shrieking rage of the leftists are not because they are so offended that the right would challenge them. It is because the mud of massive deception is being washed away to reveal the rock of stark fraud the left mounted to steal an American presidential election. That is genuine insurrection. Confession, repentance, and forfeiture of all offices of public honor or trust by the conspirators could begin to establish American honor and liberty anew. That, of course, will never happen. Power is the left’s only god, and pursuit of it by any means its only liturgy.
Republicans will win by unprecedented margins in November. If they hold the left to account for its depredations against the American system of law and systemic attack on the Bill of Rights, we can begin to crawl out of this hole of despotism. If, instead, the Republicans largely choose to let bygones be bygones, as they have done with the Russian collusion conspirators, there is little hope that America can long survive as anything the founders would recognize. Renewal will come. Americans will not forever submit to be ruled by any class of people — and certainly not to this degenerate class of aspiring despots.
However it comes, D’Souza’s documentary is the seminal moment the tide washed away enough mud that, despite their shrieks and howls, the left can no longer hide the ugly truth of what it did. Massive election fraud in 2020 is a conspiracy, but it is no longer merely a theory.
BBC joins crusade against dissenting academics via propaganda documentaries

Press TV – June 1, 2022
It seems the nefarious Inquisition in Europe, which brutally sought to rid the world of heresy and political rivalry for centuries, has reignited as its new protagonists in the British national broadcaster BBC strive to silence and delegitimize any dissenting viewpoints held by academics.
In a new documentary on BBC Radio 4’s Facts on File, and also in a report based on the documentary by the BBC News, two academics, namely Tim Hayward and Justin Schlosberg, have been falsely accused of supporting and spreading “Russian propaganda” and “misinformation” about Moscow’s military operation in Ukraine that began on February 24, either through their lectures or on Twitter.
Hayward, a professor of environmental political theory at the University of Edinburgh, had re-tweeted a representative of Russia to the United Nations, who stated that the Russian attack on a maternity hospital in Mariupol on March 9 was “fake news.”
“As long as we’re still able to hear two sides of the story we should continue striving to do so,” Hayward said.
While the West condemned Russia for targeting the hospital several times with airstrikes, the Russian foreign ministry strongly rejected the allegation, branding it as “information terrorism” against Moscow.
A few days later and in the House of Commons, legislator Robert Halfon from the Conservative Party denounced Hayward and also Dr. Tara McCormack, a lecturer in international politics at the University of Leicester, who had spoken about “ludicrous disinformation” of both Kiev and Moscow.
Halfon also urged the parliament to “contact these universities directly to stop them acting as useful idiots for” Russian President Vladimir Putin.
Education Secretary Nadhim Zahawi at the same session of the House of Commons described the said academics and the like as people who are “buying” Moscow’s “false narrative” about the war in Ukraine.
“It is a false and dangerous narrative and we will crack down on it hard,” Zahawi said.
The BBC quotes 21-year-old history and politics student Mariangela Alejandro as saying that things in Hayward’s class got “weird” when the professor stepped in the “realm of conspiracy theories about [Syrian President Bashar al] Assad and Russia.”
The British broadcaster even criticized, though implicitly, Hayward for a lecture in which he outlined an argument that the West-backed White Helmets group might have helped fake a chemical attack in Syria years ago. Russia and the Syrian government have stressed that the attack was “staged.”
The White Helmets group, which claims to be a humanitarian NGO, is known for its coordination with terror outfits in Syria to carry out staged chemical attacks in order to falsely incriminate Syrian government forces and fabricate pretexts for military strikes by a US-led military coalition present in Syria since 2014.
On April 14, 2018, the US, Britain, and France carried out a string of airstrikes against Syria over a suspected chemical weapons attack on the city of Douma, located about 10 kilometers northeast of the capital Damascus.
That alleged attack was reported by the White Helmets group, which published videos showing them purportedly treating survivors. Washington and its allies blamed Damascus for the Douma attack, an allegation strongly rejected by the Syrian government.
Hayward used an argument put forward by members of a collective of academics and bloggers he is a member of, known as the Working Group on Syria Propaganda and the Media (WGSPM).
“One narrative says the White Helmets helped rescue victims, provided evidence and gave witness statements about the chemical attack on Douma on 7 April 2018,” Hayward said during the lecture.
However, he added that “the critics say the White Helmets were responsible for staging a false flag event to spur the West to attack the Syrian government. In fact, dispute about this case is still current.”
Hayward told the BBC that he does not teach about Syria, but simply used an example in his class that he was familiar with.
The BBC, however, seems to be eager to lash out at Hayward when it quoted Dr Nader Hashemi, director of the Centre for Middle East Studies at the University of Denver and a visiting scholar at the University of Cambridge, as describing Hayward’s argument about the White Helmets and the staged chemical attack as “a deeply distorted set of teachings.”
Regarding Hayward’s stance on the purported Russian airstrikes against a maternity hospital in Mariupol that says “we should strive to hear both sides”, the BBC drew in Kvitka Perehinets, a Ukrainian student at the University of Edinburgh, who said “there are no two sides” to the conflict and that “The oppressor – in this case, Russia – should not be given the same kind of platform as those who are being oppressed.”
Although the University of Edinburgh claims that its programs are approved by a board of studies, emphasizing its commitment to “academic freedom”, it also stresses that it takes “a strong view… against the spread of misinformation” and encourages students to report concerns.
The university should be notified that one of the primary jobs of “academic freedom” is paving the way for academic research to distinguish true information from “misinformation” and “disinformation.”
However, the UK’s Department for Education (DfE), which is responsible for education in England, inquisitively controls the flow of research in universities, saying it expected “universities’ due diligence processes to consider the reputational, ethical and security risks of false and dangerous narratives, and ensure that students are not misled by views that are clearly false.”
When the academics’ tweets were raised in the Commons, Zahawi said the minister for Higher and Further Education, Michelle Donelan, was “contacting those universities”, a means of pressure on Hayward and the like who think differently from the mainstream in the West.
Another academic pressured by the BBC and the Education system in the UK is professor Schlosberg, who specializes in media and journalism at Birkbeck, University of London.
He has been lambasted for re-tweeting Russian state media questioning what occurred in the Ukrainian city of Bucha, 37 kilometers northwest of the capital Kiev.
Back on April 2, the mayor of Bucha in a video message claimed that 300 people had been killed by the Russian army with some appearing to have been bound by their hands and feet before being shot.
He also presented footage and photographs showing the dead bodies of those allegedly killed or executed by Russian troops, claiming that 280 bodies had been buried in mass graves while nearly 10 others were either unburied or only partially covered by earth. Later on, Kiev claimed a death toll of more than 1000 in the city.
A day later, the Ukrainian government urged major Western powers, including the United States, to impose crippling fresh sanctions on Moscow over what it called a “massacre” in Bucha, a newly liberated town at the time.
The Kremlin strongly rejected any involvement of Russian troops in the so-called massacre, with Russian President Sergei Lavrov stressing that the killings did not occur while Russian soldiers were in the city.
He added that the so-called dead bodies in footage circulating the internet were “staged” and the images of them plus Ukraine’s false version of events had been spread on social media by Kiev and Western countries.
On April 4, Schlosberg tweeted that “Russian troops left on 30th March. No mention of any ‘massacre’ or bodies lining the streets for 4 days.” He also re-tweeted a video of Bucha’s mayor speaking without mentioning a massacre.
The BBC, however, hurriedly stressed in its report that Russian media has been using the video to bolster the idea that the bodies appeared after the Russians had left the city.
It quoted the academic as saying that he had “no idea” regarding what really happened there.
“My only understanding is that I think no-one else really knows what happened. I think there is a very strong likelihood that there were very serious atrocities, almost certainly the vast majority of which were committed by Russia,” Schlosberg further told the BBC.
However, in a string of tweets on Wednesday, he denounced the broadcaster’s “grossly defamatory allegation.”
“Rather than engage with the actual meaning of my tweets, the BBC chose to uncritically endorse obvious manipulation by people who have been actively trying to silence and delegitimize any dissenting viewpoints since the start of” the current operation by Russia in Ukraine, Schlosberg said.
“The manner in which the program achieved this was so cynical and unguarded it beggars belief, even for those of us increasingly skeptical about the BBC’s commitment to basic journalistic standards, let alone its own lofty public service values,” he stressed.
Caught on camera – how Trump was robbed of the 2020 election
By Thomas Lane | TCW Defending Freedom | May 19, 2022
Joe Biden is president of the United States. That is an indisputable fact. But how he got to 1600 Pennsylvania Avenue is questionable.
The statistical anomalies of the 2020 election alone make Biden’s victory seem dubious. Here are a few, of many, examples:
Donald Trump’s campaign rallies filled stadiums with tens of thousands of supporters; Biden’s campaign events – when he left the basement – hardly attracted a dozen. If these candidates were two musicians, and one was selling out arenas while the other was struggling to fill a little pub, which act would a record company executive bet on becoming a gold-record performer?
For the past ten American presidential elections, 19 counties, often referred to as the ‘bellwether counties’, predicted the outcome of the race. In 2020, Donald Trump won 18 of these counties, but Biden won the presidency.
At midnight on election night, vote counting mysteriously stopped in five states – Pennsylvania, Michigan, Wisconsin, Nevada and North Carolina – where Trump had a significant lead over Biden. The next morning, Biden suddenly had more votes than Trump. One is expected to believe that nearly 100 per cent of the votes which arrived during this suspicious pause were for Biden?
Certain that the election was fraught with fraud, Trump and some of his supporters challenged the results of the 2020 election with dozens of lawsuits. But most of the cases were dismissed by judges due to ‘lack of standing’, which is a legal term that states ‘the party has not alleged a sufficient legal interest and injury to participate in the case’.
However, Dinesh D’Souza’s new political documentary, 2,000 Mules, just might give Trump’s lawsuits a leg to stand on.
Using geotracking, a technology which locates the exact position of a person by obtaining data from his or her smartphone or similar devices, Catherine Engelbrecht and Gregg Phillips of True the Vote were able to expose a couple of thousand mules (people who illegally collected and deposited voting ballots) travelling between pro-Biden campaign offices and ballot drop boxes during the final month of the election season.
Engelbrecht and Phillips then obtained security camera footage of the mules stuffing the drop boxes with ballots. The mules’ activity ranged from just a few ballots deposited in several boxes throughout the month, to nearly 300 mules visiting one box and depositing 1,900 ballots (10x the average) in a single day.
In the most compelling scene in the documentary, D’Souza multiplies the number of mules by the number of their drop-box visits, then multiplies that number by the number of ballots deposited by each mule to get a total number of illegal votes. He does this calculation for each swing state where Biden won, then subtracts the number of illegal votes from Biden’s total. Spoiler alert: Mules concludes that Trump won the 2020 election.
D’Souza and his team have done their part: they have exposed the criminals and the crime. Between the geotracking data and the surveillance footage, they have evidence of over 2,000 people committing felonies. However, their hands are tied because they are mere citizens. As D’Souza concludes in the film: ‘It is time for law enforcement to step in.’
Christopher Steele, author of the infamous ‘Trump pee-tape’ dossier, stands by his ludicrous claims in a fawning ABC interview
By Michael McCaffrey | RT | October 18, 2021
Former MI6 man Christipher Steele is the subject of an obscenely vapid ABC documentary, with a contemptible interview by George Stephanopoulos that’s so deferential it’s like watching a first date that should be an interrogation.
Just as MI6 super spy James Bond is back in theatres with No Time to Die, former MI6 agent Christopher Steele is back in the spotlight with the story that refuses to die, in an ABC ‘documentary’ titled Out of the Shadows: The Man Behind the Steele Dossier, now streaming on Hulu.
Steele came to fame as the shadowy force behind the Steele Dossier, the document which was the spark that lit the Trump-Russia collusion fire that was doused in gasoline by obsessive partisan media coverage and numerous, spurious government investigations for the last five years. The dossier claimed that then-candidate Trump was “colluding with Moscow” and that those devious Russians had “kompromat” on Trump in the golden form of a “pee tape.”
Steele’s “coming out of the shadows” consists of him sitting down with George Stephanopoulos and having a cuddle session on fancy sofas in a posh apartment.
Stephanopoulos is the perfect choice for the softball interview since he and Steele have a lot in common – they’ve both worked for the Clintons. Stephanopoulos as adviser to President Bill Clinton and Steele as de facto dirt-finder for Hillary Clinton’s presidential campaign.
ABC tried to stretch the excruciatingly thin gruel of this supposed ‘interview’ into an hour-long documentary by adding talking heads from their own newsroom. They failed, as the end result is a one-hour show that is hilariously shallow and vapid, even by ABC News standards.
Out of the Shadows spends considerably more time rehashing the “history” of Russia, Vladimir Putin and Trump than it does actually talking to Steele. Russia is deemed “a rogue state virus spreading westward with its villainy,” Putin a “KGB killer,” and Trump a “threat to American democracy.” In other words, it’s standard establishment media talking points.
Steele’s background is somewhat explored, but being the ever-diligent super spy that he is, Steele never explicitly states that he worked for MI6. I guess he doesn’t want to blow his cover.
What Steele actually says in this interview is of strikingly minimal impact. Thanks to Stephanopoulos’ anti-journalistic, anti-adversarial, deferential approach, no new ground is broken.
It’s well-known that Steele didn’t just compile the dossier, he actively pushed it to media outlets, in effect working to try and scupper Trump’s election campaign. The fact that he was ostensibly working for Democrats at the time certainly makes it appear as if he was a part of a wider disinformation/interference operation, but of course that’s a topic Stephanopoulos whistles past in this patty-cake chat.
Steele admits to no wrongdoing or error, despite the U.S. intelligence agencies “eviscerating” his findings after thorough investigation, and the FBI labelling him “untrustworthy.”
The issue of the “sources” Steele uses doesn’t get the attention it deserves either, as it’s reported that he only used one “key collector,” but Steele is quick to make clear it was “one collector” but not “one source.” That seems like a distinction without a difference.
As the documentary reports, that one collector was not a person in Moscow, but actually someone in Washington DC whose name is not revealed. The Justice Department Inspector General Michael Horowitz reported this person claimed that the information being given to Steele was “word of mouth and hearsay.” In other words, Steele was acting less as an intelligence expert seeking truth with his dossier than he was being a gossip columnist spreading rumor and innuendo.
Steele’s declaration, “I stand by the work we did, the sources we had, and the professionalism we applied to it,” is as devoid of substance as the rest of the interview.
The most damning aspect comes toward the end, and even that is soft pedaled, when Stephanopoulos asks Steele about both the dossier’s allegation that Trump counsel Michael Cohen went to Prague to meet with Russian intelligence and about the pee tape.
Cohen denies a Prague meeting ever took place, and since he has now flipped against Trump, one would assume he’s telling the truth. But Steele’s resolve remains, as he conjures up a wild scenario where Cohen is still lying because he wants to avoid being charged with treason.
Stephanopoulos, of course, lets this utter lunacy pass almost without notice. He could’ve asked Steele how exactly Cohen got to Prague, since his passport shows no travel to the Czech Republic. Or pressed Steele to provide details or at least a passable explanation for how that meeting could possibly have taken place? But he didn’t, he just smiled and continued playing footsie with Steele.
The ‘pee tape’ is the most salacious accusation in the dossier, and despite it never surfacing and no evidence it exists, Steele still stands by the claim…sort of. He says that the tape “probably does” exist but that he wouldn’t “put 100% certainty on it.”
When Stephanopoulos asks why the tape hasn’t come out, Steele replies that “it hasn’t needed to be released…because I think the Russians felt they’d got pretty good value out of Donald Trump when he was president.”
Look, I loathe Trump, always have and always will, but this sounds like the ravings of someone deeply infected with a ferocious case of Trump Derangement Syndrome, which is maybe why he is still taken seriously by the equally afflicted establishment media.
The more you know about Steele, the more readily apparent it becomes that he’s an absolute charlatan and bullshit artist masquerading as a serious intelligence expert. He’s no James Bond, he’s not even George Smiley. He’s more like a cross between Mr. Bean and Inspector Clouseau, who should, like this vacant and vacuous interview/documentary, be relentlessly ridiculed and righteously disrespected.
Critics love Fauci’s new documentary, but audience hate it and accuse Rotten Tomatoes of ‘hiding’ low score

RT | October 11, 2021
Critics have almost universally praised the new documentary on Dr. Anthony Fauci, but audiences have seemingly hated it, even accusing review aggregator Rotten Tomatoes of trying to hide the movie’s unpopularity.
National Geographic’s ‘Fauci’ has been playing in select cinemas since September 10 and premiered on the Disney Plus streaming service last week. Trailers for the film focus heavily on Fauci and his work combating Covid-19, during which time he has become one of the more controversial figures in American politics.
The film, however, takes a positive look at Fauci and focuses more on tales about the health figure from his family, as well as public figures the infectious disease expert has worked with in the past, such as U2 frontman Bono and former President George W. Bush.
On Rotten Tomatoes, which aggregates reviews from selected critics and then gives a ‘rotten’ or ‘fresh’ score, the film holds a 91% positive rating, based on 30 positive reviews and three negative. The rating from audience members, however, was conspicuously missing from the website until Monday. As of Sunday, only one review, which was negative, had been posted despite the film being out for weeks.
The site was accused of ‘hiding’ the audience score in an effort to spin the movie’s increasingly negative coverage.
On Monday, an audience score did appear, and it showed valleys of difference in opinion from critics to the audience, with users awarding the film a 2% average from over 250 ratings (though it began with a 4% rating that has continually dropped). Despite the average now showing, there is still a lack of actual user reviews on the site, though many users may have chosen to simply drop a rating instead of writing a review.
“Two Americas,” writer Josh Jordan tweeted, including a screenshot of the ‘Tomatometer’ for ‘Fauci’ along with the recently-released comedy special from Dave Chappelle, which has been labeled transphobic by critics, but has been a popular title on Netflix. Critics on Rotten Tomatoes gave the movie a ‘rotten’ score of 33% while audiences awarded a near perfect score.
Fauci critics were quick to mock the film’s near-universal panning from audience members.
The Rotten Tomatoes score for ‘Fauci’ is just the tip of the iceberg when it comes to negative reviews. On IMDB, the movie has a 1.5 rating from over 6000 users.
Trailers for the movie on YouTube haven’t fared much better. One posted by National Geographic has over 100,000 ‘dislikes’ and less than 8000 ‘likes’, as of this writing.
A Disney Plus trailer, on the other hand, has just over 1000 ‘likes’ and over 20,000 ‘dislikes’.
Rotten Tomatoes has been accused of bias in the past, and the company has often chalked up near-universal negative reactions from audiences to trolls’ review-bombing.
In 2019, the company disabled pre-release comments and removed their ‘Want to See’ function – which allowed ratings based on how excited users were for a film – in response to early backlash against franchise pictures accused by critics of going ‘woke’, such as ‘Star Wars: The Last Jedi’ and ‘Captain Marvel’.
Two years before that decision, debate around Rotten Tomatoes and the political influence the audience can have was still a heated debate. Outspoken liberal and comedian Amy Schumer claimed in 2017 that her comedy special ‘The Leather Special’ was review-bombed by the “alt-right” over her comments on Donald Trump and other Republicans (50% critic rating/4% audience). At the time, the site responded again by limiting user functions by removing a five-star system in favor of a positive or negative rating from audiences.
On the opposite end of the spectrum, conservative artists have often pointed to the fact that films aimed at right-leaning audiences often score much lower with critics than audiences as proof the company is more open to ‘certifying’ liberal critics than right-of-center or conservative ones.
Producer John Aglialoro blamed near-universal bad reviews from “hateful” critics on Rotten Tomatoes for his 2011 film ‘Atlas Shrugged: Part I’ struggling to find an audience in theaters (he would go on to produce two sequels covering the last two thirds of Ayn Rand’s influential novel).


