Chávez Haters Not “Limited by Truth, Reality or Common Sense”
By Dan Beeton | CEPR Americas Blog | February 26, 2013
A new op-ed in the Guardian by Ricardo Hausmann portrays a dystopian fictional Venezuela, one in which the Venezuelan government has run the economy into the ground despite abundant oil wealth, but yet its charismatic president continues to be re-elected through some sort of sinister trickery.
Sound familiar? It should: it’s the same tired story repeated in the U.S. and U.K. media almost every day, but in this case Hausmann was apparently given free rein to present his own set of “facts.” It isn’t surprising that Hausmann would write something so divorced from reality; he went to elaborate lengths to invent a conspiracy theory about supposed fraud in Venezuela’s 2004 recall referendum by relying on fake exit polls. An independent panel of statisticians selected by the Carter Center determined that Hausmann and his colleague Roberto Rigobón had in fact found no evidence of fraud. [PDF]
But let’s get back to Hausmann’s latest Guardian piece, starting with the economy. Hausmann writes, “Since 1999, the year [Chávez] took over the presidency, Venezuela has had the lowest average GDP growth rate and the highest inflation of any Latin American country except Haiti.”
The source for this “lowest average GDP growth rate” to which Hausmann links is a highly opinionated BBC article which in turn quotes a colleague of Hausmann’s from the Center for International Development at Harvard University who has a Bachelor of Arts degree in economics. Had Hausmann consulted official government data, or growth numbers for the region from the IMF, he would have found a very different set of facts.
In fact, Brazil, Mexico, El Salvador, Guatemala, Jamaica, Nicaragua, Paraguay, Uruguay, and other countries all had lower average GDP growth than did Venezuela since 1999, according to IMF data.
Hausmann’s next sentence reads: “[Venezuela] has also seen a fivefold increase in assassinations to arguably the highest murder rate in the world.”
Why does Hausmann want to “argue” the case for Venezuela having the “highest murder rate” in the world? Because the U.N. keeps track of such figures, and at 91 per hundred thousand, post-coup Honduras’ homicide rate is about twice as high as Venezuela’s; El Salvador’s is also much higher.
Hausmann then makes the usual claims about Chávez “eliminat[ing] checks and balances” and describes – without providing any evidence – “a very large civilian army of political activists that are handsomely compensated by the state for their party work.” Such distortions of Venezuela’s democracy belittle both the many elections in which voters have overwhelmingly chosen pro-Chávez legislators and state and local officials, and the bottom-up nature of much of the transformative processes occurring in Venezuela. Hausmann then claims that Chávez “dominate[s] the airwaves,” even though Venezuelan state television has a 5.4 percent audience share while more than 94 percent of the TV seen by Venezuelans is not pro-government.
As Hausmann himself writes, “in choosing your narrative, be creative. Don’t be limited by truth, reality or common sense. …Whenever you fail, blame a conspiracy.” Hausmann has provided an excellent demonstration of the former with his Guardian op-ed, just as his post-recall referendum fantasy stories were a great example of the latter.
Related articles
- World Bank and IMF Forecasts Follow Predictable Pattern for Haiti, Venezuela
- There is an alternative: what Venezuela can teach us about the banking sector
- Venezuela’s Economy Grows by 5.5 Percent in 2012
- Economic BS in Rich Countries is Reinforced by BS about Venezuela
- The Achievements of Hugo Chavez
- Venezuela Among the Most Positive Countries, Gallup Says
Reporting on Romer’s Charter Cities: How the Media Sanitize Honduras’s Brutal Regime
By Keane Bhatt | NACLA | February 19, 2013
On the evening of Saturday, September 22, human rights lawyer Antonio Trejo stepped outside a wedding ceremony to take a phone call. Standing in the church parking lot of a suburb of Tegucigalpa, Honduras, he was shot six times by unknown assailants. Despite his requests, he had been granted no police protection in the face of death threats; Trejo had believed he would be targeted by wealthy landowners over his outspoken advocacy on behalf of small farmers seeking to reclaim seized territories.1 In his death, Trejo joined dozens of fallen peasant leaders whom he had defended, as well as murdered opposition candidates, LGBT activists, journalists, and indigenous residents. All were victims of the violence and impunity that has reigned in Honduras since the 2009 coup d’état against its democratically elected and left-leaning president, Manuel Zelaya.
Earlier that day, Trejo had appeared on television, denouncing the powerful interests behind the government’s push for ciudades modelos—swaths of land to be ceded to international investors and developed into autonomous cities, replete with their own police forces, taxes, labor codes, trade rules, and legal systems. He had helped prepare motions declaring the proposal unconstitutional.
This concept of “charter cities” has been promoted for a couple of years by Paul Romer, a University of Chicago–trained economist teaching at New York University. He described his brainchild in a co-authored op-ed as “an effort to build on the success of existing special zones based around the export-processing maquila industry.” A “new city on an undeveloped site, free of vested interests” could bypass the “inefficient rules” that hinder “peace, growth and development” worldwide, he argued. With new and stable institutions, the charter city could become an “attractive place for would-be residents and investors.”2
The international press swooned over Romer’s revolutionary idea: Foreign Policy magazine named him one of its Top 100 Global Thinkers of 2010 for “developing the world’s quickest shortcut to economic development”;3 that same year, The Atlantic dedicated a 5,400-word paean to Romer and his “urban oases of technocratic sanity,” which held the promise that “struggling nations could attract investment and jobs; private capital would flood in and foreign aid would not be needed.”
But the applicability of Romer’s radical vision in Honduras always depended on the enthusiasm of the authoritarian, post-coup government of Porfirio Lobo. Lobo owes his presidency to the sham elections of 2009, which took place under the U.S.-backed de facto military government that overthrew Zelaya and were marred by violent repression and media censorship. With the exceptions of the U.S.-financed International Republican Institute and National Democratic Institute, international observers boycotted the electoral charade that foisted Lobo into power.
Romer’s lofty theories also remained utterly detached from the brutal nature of the collaborating government. “Setting up the rule of law” from scratch in a new city, he contended, would be an antidote to “weak governance” (weak in no small part due to Lobo’s appointment of coup perpetrators to high-level government positions).4 In a co-authored paper, Romer also mischaracterized his allies, the “elected leaders in Honduras,” as earnest in their intent to end a “cycle of insecurity and instability that stokes fear and erodes trust.”5 (Romer offered no comment when Lobo designated Juan Carlos “El Tigre” Bonilla, accused of past ties to death squads, as the national chief of police.)6
Even on its own terms, Romer’s development theory is disconnected from reality. He has repeatedly invoked Hong Kong as the sunny inspiration for the remaking of Honduras: “In a sense, Britain inadvertently, through its actions in Hong Kong, did more to reduce world poverty than all the aid programs that we’ve undertaken in the last century,” he claimed.7 Romer neglected to add that the city developed as a hub for the largest narcotrafficking operation in world history, through which Britain inflicted untold misery on the Chinese mainland. Britain dealt a humiliating military defeat to China (which had attempted to prohibit illegal British opium from entering its borders), took over Hong Kong, and forced China to abandon its tariff controls in 1842. Given that Hong Kong was one of the spoils of a drug war, and that its inhabitants were permitted democratic elections only 152 years after its incorporation into an empire, Romer’s dream for Honduras could just as easily be considered a nightmare.
Romer’s focus on good rule making is similarly fanciful; his effort to change the rules that engender poverty conspicuously excludes the international legal privileges that allow undemocratic leaders to sell a country’s resources and borrow in its name (he wrote positively of a trade agreement that Lobo struck with Canada this summer).8 Romer also approved of the legal architecture that “gives the United States administrative control in perpetuity over a piece of sovereign Cuban territory, Guantanamo Bay,” through a 1901 treaty that he failed to mention was ratified by a militarily occupied Cuba. Whether Romer knows it or not, his endorsement of power politics is clear: Investor-owned cities would be safe from future efforts by governments to repossess sovereign territory, because “Cuba respects the treaty with the United States, even as they complain bitterly about it.”9
Romer rebutted criticisms that his idea smacks of neocolonialism: “There are some things that it shares with the previous colonial enterprises,” he admitted, “but there’s this fundamental difference: at every stage, there’s an absolute commitment to freedom of choice on the part of the societies and the individuals that are involved.”10 Which choices are available to individuals living under a coercive, illegitimate government is a question left unanswered, and the adulating press could not be bothered to probe further.
After all, it would be impolite to reveal Romer’s close cooperation with a government whose security forces—many of whom are personally vetted, armed, and trained by the United States—killed unarmed students Rafael Vargas, 22, and Carlos Pineda, 24, as well as pregnant indigenous Miskitu women Juana Jackson Ambrosia and Candelaria Trapp Nelson, among others.11 Indeed, the Committee of Families of the Detained and Disappeared of Honduras observed that more than 10,000 official complaints have been filed against Honduras’s military and police since the coup. Such unsavory details might have chastened The Atlantic’s ebullient portrait of the “elegant, bespectacled, geekishly curious” professor, and would have tarnished President Obama, who praised Lobo for his “strong commitment to democracy” while providing his brutal security apparatus with $50 million in aid last year.12
In their coverage of Romer’s charter cities, the media have almost entirely excised the innumerable human rights violations occurring under the undemocratic Honduran regime. The New York Times is a case in point. About a week after Amnesty International, Human Rights Watch, the Inter-American Commission on Human Rights, and even the U.S. State Department were compelled to release statements of condemnation over Antonio Trejo’s assassination, Times reporter Elisabeth Malkin fawned over Romer’s idea while ignoring the killing of one of its most prominent critics. (Romer himself offered no public statement in the wake of Trejo’s death-squad-style killing.) Charter cities promised to “simply sweep aside the corruption, the self-interested elites, and the distorted economic rules that stifle growth in many poor countries,” asserted the imperturbable Malkin. She added with uncommon journalistic authority, “Nobody disputes that impoverished, violent Honduras needs some kind of shock therapy.”13
This is not the first instance in which the Times has glossed over inconvenient facts to laud shock therapy, a doctrine of massive privatization and investor-friendly deregulation developed at the University of Chicago.14 Many years after Chile’s coup government pushed through a rash of measures designed by economist Milton Friedman and his acolytes, the Chicago Boys, the Times reported that “Chile has built the most successful economy in Latin America, and one of the vital underpinnings of that growth was the open economic environment created by the former military dictator, Gen. Augusto Pinochet.”15 Leaving aside Pinochet’s torture and murder of tens of thousands of dissidents, Chile’s per capita gross domestic product was practically unchanged 13 years after the coup; Pinochet’s “free-market” experiment also ended with re-nationalizations in banking and copper extraction, the institution of capital controls, and continuous state support for Chile’s exports.16
Following in this dubious tradition of portraying a reactionary societal experiment as a formula for prosperity, the Times’ first piece on Honduran charter cities appeared in its Sunday magazine in May 2012. Author Adam Davidson, co-creator and host of National Public Radio’s Planet Money program, considered charter cities a “ridiculously big idea” for fixing an “economic system that kept nearly two-thirds of [Honduras’s] people in grim poverty.” Davidson related the story of Octavio Sánchez, Lobo’s chief of staff, who met with Romer to develop a “secure place to do business—somewhere that money is safe from corrupt political cronyism or the occasional coup.”17 Davidson, however, scrupulously avoided Sánchez’s own role as an apologist for the 2009 military overthrow of Zelaya. Days after Zelaya’s ouster, Sánchez advised Christian Science Monitor readers not to “believe the coup myth,” and in an Orwellian flourish, the Harvard Law graduate declared that “the arrest of President Zelaya represents the triumph of the rule of law.”18
In November, Planet Money provided an obsequious follow-up on Romer and Sánchez’s collaboration, scrubbing any mention of the 2009 coup and Lobo’s emergence from it, and portraying Sánchez as an idealistic dreamer. “Instead of fighting to do two, three or four reforms during the life of a government,” Sánchez asked, “why don’t you just do all of those reforms at once in a really small space? And that’s why this idea was appealing. It’s really the possibility of turning everything around.”19
Planet Money’s co-hosts unwittingly conveyed the fundamental obstacle to shock therapy: “Paul Romer has this killer idea and no real country to try it in; Octavio has the same idea, but no way to sell it to his people.” They acknowledged that even with “a government that’s ready to go,” the “people in Honduras” viewed Romer’s plan as “basically Yankee imperialism.” The episode concluded by explaining the apparent collapse of the charter cities initiative, resulting partly from the post-coup government’s lack of transparency (Romer was “stunned”), as well as a Honduran Supreme Court ruling in October that found charter cities unconstitutional. Romer remains unfazed, the hosts said. He has a promising lead in North Africa—another opportunity to answer “one of the oldest problems in economics: how to make poor countries less poor.”
Regardless of what Romer and his media sycophants think of the charter city’s (questionable) efficacy, their deafening silence on its antidemocratic implications and Honduras’s human rights abuses is unconscionable. In this insulated world, Honduran victims of economic hardship and state terror, and their own proposals to solve poverty, remain invisible. Pinochet, the original administrator of shock therapy, distilled the insouciance of today’s intellectual and media culture when, in 1979, he remarked, “I trust the people all right; but they’re not yet ready.”20
Keane Bhatt is a regular contributor to the MALA section of NACLA Report and the creator of the Manufacturing Contempt blog on the NACLA Website.
1. Alberto Arce, “Slain Honduran lawyer Complained of Death Threats,” Associated Press, September 25, 2012.
2. Paul Romer and Octavio Sánchez, “Urban Prosperity in the RED,” The Globe and Mail: April 25, 2012.
3. “The FP Top 100 Global Thinkers,” Foreign Policy, November 26, 2012. Sebastian Mallaby, “The Politically Incorrect Guide to Ending Poverty,” The Atlantic, July/August 2012.
4. Romer and Sánchez, “Urban Prosperity.” Dana Frank, “Honduras: Which Side Is the US On?,” The Nation, May 22, 2012.
5. Brandon Fuller and Paul Romer, “Success and the City: How Charter Cities Could Transform the Developing World,” Macdonald-Laurier Institute, April 2012.
6. Katherine Corcoran and Martha Mendoza, “New Honduras Top Cop Once Investigated in Killings,” Associated Press, June 1, 2012.
7. Sebastian Mallaby, “Politically Incorrect Guide.”
8. Romer and Sánchez, “Urban Prosperity.”
9. Can “Charter Cities” Change the World? A Q&A With Paul Romer,” Freakonomics.com, September 29, 2009.
10. Jacob Goldstein and Chana Joffe-Walt, “Episode 415: Can a Poor Country Start Over?” NPR’s Planet Money, November 9, 2012.
11. Javier C. Hernandez, “An Academic Turns Grief Into a Crime-Fighting Tool,” The New York Times, February 24, 2012; Annie Bird and Alexander Main, “Collateral Damage of a Drug War,” Center for Economic and Policy Research and Rights Action, August 2012.
12. U.S. Office of the Press Secretary, “Remarks by President Obama and President Lobo of Honduras Before Bilateral Meeting,” whitehouse.gov, October 5, 2011; Dana Frank, “Honduras.”
13. Elisabeth Malkin, “Plan for Charter City to Fight Honduras Poverty Loses Its Initiator,” The New York Times, September 30, 2012
14. Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism (Metropolitan Books, 2007).
15. Nathaniel C. Nash, “Terrorism Jolts a Prospering Chile,” The New York Times, April 9, 1991.
16. Paul Krugman, “Fantasies of the Chicago Boys,” The Conscience of a Liberal (blog), The New York Times, March 3, 2010.
17. Adam Davidson, “Who Wants to Buy Honduras?,” The New York Times Magazine, May 8, 2012.
18. Octavio Sánchez, “A ‘Coup’ in Honduras? Nonsense,” The Christian Science Monitor, July 2, 2009.
19. Goldstein and Joffe-Walt, “Can a Poor Country.”
20. John B. Oakes, “Pinochet in No Rush”, The New York Times, May 3, 1979.
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- Honduras: Murdered Lawyer’s Brother Killed in Aguán (alethonews.wordpress.com)
- NPR Examines One Side of Honduran “Model Cities” Debate (alethonews.wordpress.com)
- IMF Ignores Proven Alternatives With Recommendations to Honduras (alethonews.wordpress.com)
- Killings Continue in Bajo Aguán as New Report Documents Abuses by U.S.-Trained Honduran Special Forces Unit (alethonews.wordpress.com)
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‘Noble Savages’: Chagnon’s new book triggers resignation and protests
Survival for Tribal Peoples | February 26, 2013
Davi Kopenawa, Yanomami spokesperson and shaman, has spoken out against Napoleon Chagnon’s new book ‘Noble Savages’.
© Fiona Watson/Survival
A new book by controversial American anthropologist Napoleon Chagnon has triggered a wave of protests among experts and Yanomami Indians:
- Marshall Sahlins, ‘the world’s most respected anthropologist alive today’, has resigned from the US National Academy of Sciences in protest at Chagnon’s election to the Academy. Sahlins previously wrote a devastating critique of Chagnon’s work in the Washington Post.
- Davi Kopenawa, a spokesman for Brazil’s Yanomami and President of the Yanomami association Hutukara, has spoken out about Chagnon’s work: ‘[Chagnon] said about us, ‘The Yanomami are savages!’ He teaches false things to young students. ‘Look, the Yanomami kill each other because of women.’ He keeps on saying this. But what do his leaders do? I believe that some years ago his leader waged a huge war – they killed thousands of children, they killed thousands of girls and boys. These big men killed almost everything. These are the fierce people, the true fierce people. They throw bombs, fire machine guns and finish off with the Earth. We don’t do this…’
- A large group of anthropologists who have each worked with the Yanomami for many years have issued a statement challenging Chagnon’s assessment of the tribe as ‘fierce’ and ‘violent’. They describe the Yanomami as ‘generally peaceable.’
- Survival International’s Director Stephen Corry has said, ’Chagnon’s work is frequently used by writers, such as Jared Diamond and Steven Pinker, who want to portray tribal peoples as ‘brutal savages’ – far more violent than ‘us’. But none of them acknowledge that his central findings about Yanomami ‘violence’ have long been discredited.’
Napoleon Chagnon’s autobiography ‘Noble Savages: My Life Among Two Dangerous Tribes – the Yanomamö and the Anthropologists’, has just been published. His 1968 book ‘Yanomamö: The Fierce People’ portrayed the Yanomami as ‘sly, aggressive and intimidating’, and claimed they ‘live in a state of chronic warfare’. It is still a standard work in undergraduate anthropology.
The Yanomami live in Brazil and Venezuela and are the largest relatively isolated tribe in South America. Their territory is protected by law, but illegal goldminers and ranchers continue to invade their land, destroying their forest and spreading diseases which in the 1980s killed one out of five Brazilian Yanomami.
Napoleon Chagnon’s view that the Yanomami are ‘sly, aggressive and intimidating’ and that they ‘live in a state of chronic warfare’ has been widely discredited.
© Fiona Watson/Survival
Chagnon’s work has had far-reaching consequences for the rights of the Yanomami. In the late 1970s, Brazil’s military dictatorship, which was refusing to demarcate the Yanomami territory, was clearly influenced by the characterization of the Yanomami as hostile to each other and in the 1990s, the UK government refused funding for an education project with the Yanomami, saying that any project with the tribe should work on ‘reducing violence’.
Most recently, Chagnon’s work was cited in Jared Diamond’s highly controversial book ‘The World Until Yesterday’, in which he states that most tribal peoples, including the Yanomami, are ’trapped in cycles of violence and warfare’ and calls for the imposition of state control in order to bring them peace.
Survival International’s Director Stephen Corry said today, ‘The greatest tragedy in this story is that the real Yanomami have largely been written out of it, as the media have chosen to focus only on the salacious details of the debate that rages between anthropologists or on Chagnon’s disputed characterizations. In fact, Yanomamö: The Fierce People had disastrous repercussions both for the Yanomami and tribal peoples in general. There’s no doubt it’s been used against them and it has brought the 19th century myth of the ‘Brutal Savage’ back into mainstream thinking.’
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Oscar Prints the Legend: Argo’s Upcoming Academy Award and the Failure of Truth
By Nima Shirazi | Wide Asleep in America | February 23, 2013
One year ago, after his breathtakingly beautiful Iranian drama, “A Separation,” won the Academy Award for Best Foreign Film, writer/director Asghar Farhadi delivered the best acceptance speech of the night.
“[A]t the time when talk of war, intimidation, and aggression is exchanged between politicians,” he said, Iran was finally being honored for “her glorious culture, a rich and ancient culture that has been hidden under the heavy dust of politics.” Farhadi dedicated the Oscar “to the people of my country, a people who respect all cultures and civilizations and despise hostility and resentment.”
Such grace and eloquence will surely not be on display this Sunday, when Ben Affleck, flanked by his co-producers George Clooney and Grant Heslov, takes home the evening’s top prize, the Best Picture Oscar, for his critically-acclaimed and heavily decorated paean to the CIA and American innocence, “Argo.”
Over the past 12 months, rarely a week – let alone month – went by without new predictions of an ever-imminent Iranian nuclear weapon and ever-looming threats of an American or Israeli military attack. Come October 2012, into the fray marched “Argo,” a decontextualized, ahistorical “true story” of Orientalist proportion, subjecting audiences to two hours of American victimization and bearded barbarians, culminating in popped champagne corks and rippling stars-and-stripes celebrating our heroism and triumph and their frustration and defeat. Salon‘s Andrew O’Hehir aptly described the film as “a propaganda fable,” explaining as others have that essentially none of its edge-of-your-seat thrills or most memorable moments ever happened. O’Hehir sums up:
The Americans never resisted the idea of playing a film crew, which is the source of much agitation in the movie. (In fact, the “house guests” chose that cover story themselves, from a group of three options the CIA had prepared.) They were not almost lynched by a mob of crazy Iranians in Tehran’s Grand Bazaar, because they never went there. There was no last-minute cancellation, and then un-cancellation, of the group’s tickets by the Carter administration. (The wife of Canadian ambassador Ken Taylor had personally gone to the airport and purchased tickets ahead of time, for three different outbound flights.) The group underwent no interrogation at the airport about their imaginary movie, nor were they detained at the gate while a member of Iran’s Revolutionary Guard telephoned their phony office back in Burbank. There was no last-second chase on the runway of Mehrabad Airport, with wild-eyed, bearded militants with Kalashnikovs trying to shoot out the tires of a Swissair jet.
One of the actual diplomats, Mark Lijek, noted that the CIA’s fake movie “cover story was never tested and in some ways proved irrelevant to the escape.” The departure of the six Americans from Tehran was actually mundane and uneventful. “If asked, we were going to say we were leaving Iran to return when it was safer,” Lijek recalled, “But no one ever asked!…The truth is the immigration officers barely looked at us and we were processed out in the regular way. We got on the flight to Zurich and then we were taken to the US ambassador’s residence in Berne. It was that straightforward.”
Furthermore, Jimmy Carter has even acknowledged that “90% of the contributions to the ideas and the consummation of the plan was Canadian [while] the movie gives almost full credit to the American CIA… Ben Affleck’s character in the film was only in Tehran a day and a half and the real hero in my opinion was Ken Taylor, who was the Canadian ambassador who orchestrated the entire process.”
O’Hehir perfectly articulates the film’s true crime, its deliberate exploitation of “its basis in history and its mode of detailed realism to create something that is entirely mythological.” Not only is it “a trite cavalcade of action-movie clichés and expository dialogue,” but “[i]t’s also a propaganda movie in the truest sense, one that claims to be innocent of all ideology.”
Such an assessment is confirmed by Ben Affleck’s own comments about the film. In describing “Argo” to Bill O’Reilly, Affleck boasted, “You know, it was such a great story. For one thing, it’s a thriller. It’s actually comedy with the Hollywood satire. It’s a complicated CIA movie, it’s a political movie. And it’s all true.” He told Rolling Stone that, when conceiving his directorial approach, he knew he “absolutely had to preserve the central integrity and truth of the story.”
“It’s OK to embellish, it’s OK to compress, as long as you don’t fundamentally change the nature of the story and of what happened,” Affleck has remarked, even going so far as to tell reporters at Argo’s BFI London Film Festival premier, “This movie is about this story that took place, and it’s true, and I go to pains to contextualize it and to try to be even-handed in a way that just means we’re taking a cold, hard look at the facts.”
In an interview with The Huffington Post, Affleck went so far as to say, “I tried to make a movie that is absolutely just factual. And that’s another reason why I tried to be as true to the story as possible — because I didn’t want it to be used by either side. I didn’t want it to be politicized internationally or domestically in a partisan way. I just wanted to tell a story that was about the facts as I understood them.”
For Affleck, these facts apparently don’t include understanding why the American Embassy in Tehran was overrun and occupied on November 4, 1979. “There was no rhyme or reason to this action,” Affleck has insisted, claiming that the takeover “wasn’t about us,” that is, the American government (despite the fact that his own film is introduced by a fleeting – though frequently inaccurate1 – review of American complicity in the Shah’s dictatorship).
Wrong, Ben. One reason was the fear of another CIA-engineered coup d’etat like the one perpetrated in 1953 from the very same Embassy. Another reason was the admission of the deposed Shah into the United States for medical treatment and asylum rather than extradition to Iran to face charge and trial for his quarter century of crimes against the Iranian people, bankrolled and supported by the U.S. government. One doesn’t have to agree with the reasons, of course, but they certainly existed.
Just as George H.W. Bush once bellowed after a U.S. Navy warship blew an Iranian passenger airliner out of the sky over the Persian Gulf, killing 290 Iranian civilians, “I’ll never apologize for the United States of America. Ever. I don’t care what the facts are.” Affleck appears inclined to agree.
If nothing else, “Argo” is an exercise in American exceptionalism – perhaps the most dangerous fiction that permeates our entire society and sense of identity. It reinvents history in order to mine a tale of triumph from an unmitigated defeat. The hostage crisis, which lasted 444 days and destroyed an American presidency, was a failure and an embarrassment for Americans. The United States government and media has spent the last three decades tirelessly exacting revenge on Iran for what happened.
“Argo” recasts revolutionary Iranians as the hapless victims of American cunning and deception. White Americans are hunted, harried and, ultimately courageous and free. Iranians are maniacal, menacing and, in the end, infantile and foolish. The fanatical fundamentalists fail while America wins. USA -1, Iran – 0. Yet, “Argo” obscures the unfortunate truth that, as those six diplomats were boarding a plane bound for Switzerland on January 28, 1980, their 52 compatriots would have to wait an entire year before making it home, not as the result of a daring rescue attempt, but after a diplomatic agreement was reached.
Reflecting on the most troubled episodes in American history is a time-honored cinematic tradition. There’s a reason why the best Vietnam movies are full of pain, anger, anguish and war crimes. By contrast, “Argo” is American catharsis porn; pure Hollywood hubris. It is pro-American propaganda devoid of introspection, pathos or humility and meant to assuage our hurt feelings. In “Argo,” no lessons are learned by revisiting the consequences of America’s support for the Pahlavi monarchy or its creation and training of SAVAK, the Shah’s vicious secret police.
On June 11, 1979, months before the hostage crisis began, the New York Times published an article by writer and historian A.J. Langguth which recounted revelations relayed by a former American intelligence official regarding the CIA’s close relationship with SAVAK. The agency had “sent an operative to teach interrogation methods to SAVAK” including “instructions in torture, and the techniques were copied from the Nazis.” Langguth wrestled with the news, trying to figure out why this had not been widely reported. He came to the following conclusion:
We – and I mean we as Americans – don’t believe it. We can read the accusations, even examine the evidence and find it irrefutable. But, in our hearts, we cannot believe that Americans have gone abroad to spread the use of torture.
We can believe that public officials with reputations for brilliance can be arrogant, blind or stupid. Anything but evil. And when the cumulative proof becomes overwhelming that our representatives in the C.I.A. or the Agency for International Development police program did in fact teach torture, we excuse ourselves by vilifying the individual men.
Similarly, at a time when the CIA is waging an illegal, immoral, unregulated and always expanding drone execution program, the previous administration’s CIA kidnappers and torturers are protected from prosecution by the current administration, and leaked State Department cables reveal orders for U.S. diplomats to spy on United Nations officials, it is surreal that such homage is being paid to that very same organization by the so-called liberals of the Tinsel Town elite.
Upon winning his Best Director Golden Globe last month, Ben Affleck obsequiously praised the “clandestine service as well as the foreign service that is making sacrifices on behalf of the American people everyday [and] our troops serving over seas, I want to thank them very much,” a statement echoed almost identically by co-producer Grant Heslov when “Argo” later won Best Drama.
This comes as no surprise, considering Affleck had previously described “Argo” as “a tribute” to the “extraordinary, honorable people at the CIA” during an interview on Fox News.
The relationship between Hollywood and the military and intelligence arms of the U.S. government have long been cozy. “When the CIA or the Pentagon says, ‘We’ll help you, if you play ball with us,’ that’s favoring one form of speech over another. It becomes propaganda,” David Robb, author of “Operation Hollywood: How the Pentagon Shapes and Censors the Movies” told The Los Angeles Times. “The danger for filmmakers is that their product — entertainment and information — ends up being government spin.”
Awarding “Argo” the Best Picture Oscar is like Barack Obama winning a Nobel Peace Prize: an undeserved accolade fawningly bestowed upon a dubious recipient based on a transparent fiction; an award for what never was and never would be and a decision so willfully naïve and grotesque it discredits whatever relevance and prestige the proceedings might still have had.*
So this Sunday night, when “Argo” has won that coveted golden statuette, it will be clear that we have yet again been blinded by the heavy dust of politics and our American mantra of hostility and resentment will continue to inform our decisions, dragging us closer and closer to the abyss.
***** ***** *****
* Yes, in this analogy, the equivalent of Henry Kissinger is obviously 2004’s dismal “Crash.”
*****
1 The introduction of “Argo” is a dazzingly sloppy few minutes of caricatured history of Iran, full of Orientalist images of violent ancient Persians (harems and all), which gets many basic facts wrong. In fact, it is shocking this intro made it to release as written and recorded.
Here are some of the problems:
1. The voiceover narration says, “In 1950, the people of Iran elected Mohammad Mossadegh, the secular democrat, Prime Minister. He nationalized British and U.S. petroleum holdings, returning Iran’s oil to its people.”
Mossadegh was elected to the Majlis (Iranian Parliament) in 1944. He did not become Prime Minister until April 1951 and was not “elected by the people of Iran.” Rather, he was appointed to the position by the representatives of the Majlis.
Also, the United States did not have petroleum interests in Iran at the time.
2. After briefly describing the 1953 coup, the narrator says Britain and the United States “installed Reza Pahlavi as Shah.”
Wow. First, the Shah’s name was not Reza Pahlavi. That is his father’s (and son’s) name. Furthermore, Mohammad Reza Pahlavi was not installed as Shah since he had already been Shah of Iran since September 1941, after Britain and the Soviet Union invaded and occupied Iran and forced the abdication of his father, Reza Shah Pahlavi.
During the coup in 1953, the Shah fled to Baghdad, then Rome. After Mossadegh had been forced out, the Shah returned to the Peacock Throne.
This is not difficult information to come by, and yet the screenwriter and director of “Argo” didn’t bother looking it up. And guess what? Ben Affleck actually majored in Middle East Studies in college. Unsurprisingly, he didn’t graduate.
The rest of the brief intro, while mentioning the torture of SAVAK, glosses over the causes of the revolution, but lingers on the violence that followed. As it ends, the words “Based on a True Story” appear on the screen. The first live action moment we see in “Argo” is of an American flag being burned.
Such is Affleck’s insistence that “Argo” is “not a political movie.”
Still, as Kevin B. Lee wrote in Slate last month, “This opening may very well be the reason why critics have given the film credit for being insightful and progressive—because nothing that follows comes close, and the rest of the movie actually undoes what this opening achieves.”
He continues,
Instead of keeping its eye on the big picture of revolutionary Iran, the film settles into a retrograde “white Americans in peril” storyline. It recasts those oppressed Iranians as a raging, zombie-like horde, the same dark-faced demons from countless other movies— still a surefire dramatic device for instilling fear in an American audience. After the opening makes a big fuss about how Iranians were victimized for decades, the film marginalizes them from their own story, shunting them into the role of villains. Yet this irony is overshadowed by a larger one: The heroes of the film, the CIA, helped create this mess in the first place. And their triumph is executed through one more ruse at the expense of the ever-dupable Iranians to cap off three decades of deception and manipulation.
And brilliantly concludes,
Looking at the runaway success of this film, it seems as if critics and audiences alike lack the historical knowledge to recognize a self-serving perversion of an unflattering past, or the cultural acumen to see the utterly ersatz nature of the enterprise: A cast of stock characters and situations, and a series of increasingly contrived narrow escapes from third world mobs who, predictably, are never quite smart enough to catch up with the Americans. We can delight all we like in this cinematic recycling act, but the fact remains that we are no longer living in a world where we can get away with films like this—not if we want to be in a position to deal with a world that is rising to meet us. The movies we endorse need to rise to the occasion of reflecting a new global reality, using a newer set of storytelling tools than this reheated excuse for a historical geopolitical thriller.
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When You’re Cutting Social Security, ‘Wealthy’ Begins at $25K
By Jim Naureckas | FAIR | February 21, 2013
Here’s a proposal for Social Security that was on the New York Times‘ op-ed page yesterday (2/20/13):
The top third of beneficiaries (by lifetime income) [would] receive no annual cost-of-living adjustment in retirement. The middle third would get half of today’s adjustment, and the bottom third would receive the same annual increase they do now. Such a reform…would reduce Social Security spending by more than a tenth over a decade and fix the program’s long-term financing.
This is part of Paul Ryan adviser Yuval Levin‘s attempt to find “common ground” on the entitlement issue: “Both sides should agree at least to spend less money on the wealthy.” So who are these “wealthy” people who would be getting a benefit cut equal to the rate of inflation every year? According to the SSA, about 34 percent of people over 65 have family incomes of $50,000.
Now, you can argue about what “wealthy” is, but I think you would find pretty widespread agreement on what wealthy isn’t: $50,000 a year. If you sent the New York Times an op-ed outlining your plan to balance the budget by raising taxes on “wealthy” people who make 50k a year or more, it would be put in the same pile that gets the submissions about Elvis’s UFO diet. But when you’re talking about cutting entitlements, if you want to call those people “wealthy,” that’s perfectly reasonable.
But wait! Those aren’t the only people who are getting too much from the government and need to have their benefits cut–the middle third of the elderly are also “wealthy” and need their benefits cut–but by only half the rate of inflation per year. The ones making more than $50,000 must be the super-wealthy, the regular wealthy make…between $25,000 and $50,000, roughly.
For comparison purposes, the poverty line for a family of four is $23,350. Talk about a shrinking middle class!
This idea of “means testing” as a painless way to solve the supposed entitlement crisis is very popular among wealthy pundits. It’s not hard to understand why. One of the principles Levin suggests we should all be able to agree on is “give less to the wealthy rather than take more from them.”
OK, so let’s say you’re wealthy–not Levin’s pretend wealthy, but truly super-rich, in the top 0.01 percent of income. Average income in this group is about $24 million a year. So you can easily afford to give up their whole Social Security paycheck. If you’ve paid in the maximum possible amount and retire at 66, that’s $2,513 a month–or $30,582 a year. You have sacrificed for your country.
But let’s say that instead of taking away your Social Security check, we tax your income–which comes entirely in the form of investment income, since you’re a wealthy retiree–at the rate for regular income rather than at the special lower fat-cat rate. So instead of paying (very roughly) $4.8 million in federal income tax, you’ll be paying about $9.5 million.
Now, you can surely afford to live on $14.5 million a year rather than $19.2 million–just as you can afford to give up your Social Security check. Somehow, though, making the latter sacrifice is probably going to seem more appealing.
And the thing is, there aren’t that many really wealthy people who won’t miss their Social Security checks–so in order to save any appreciable amount of money, you have to take a substantial chunk away from people who actually aren’t very wealthy at all. That’s a principle we can all agree on. All of us making $24 million a year, anyway.
Hollywood’s Imperial Propaganda
By JOE GIAMBRONE | CounterPunch | February 20, 2013
Hollywood likes to pretend that things aren’t political when they are. It’s that bi-partisan nationalist myth that if both corporate parties agree to cheer for the empire, then everyone cheers for the empire. It’s gotten so bad now that races like the Oscars and the Writer’s Guild screenwriting award are tight contests between one CIA propaganda film and another CIA propaganda film. The first one helps to demonize Iranians and set up the next World War scenario, while the second film fraudulently promotes the effectiveness of state-sanctioned torture crimes.
If there ever was a time for loud disgust and rejection of the Hollywood / Military-Industrial-Complex, this would seem to be it (contact@oscars.org). Naomi Wolf made a comparison of Zero Dark Thirty’s creators Bigelow and Boal to Nazi filmmaker Leni Riefenstahl (Triumph of the Will). That, to me, seems inappropriately offensive to Leni Riefenstahl. The good German filmmaker never promoted torture through deception. Nor was Triumph a call to war. The film was simply an expression of German patriotism and strength, rebirth from the ashes of World War I. The current insidious crop of propaganda, as in the CIA’s leaking of fictional scenes about locating Osama Bin Laden through torture extraction, are arguably more damaging and less defensible than Riefenstahl’s upfront and blatant homage to Hitler’s leadership.
The Zero Dark Thirty scandal should be common knowledge by now, but here is what the Senate Select Committee on Intelligence wrote to Sony Pictures about it:
“We believe the film is grossly inaccurate and misleading in its suggestion that torture resulted in information that led to the location of Usama bin Laden… Instead, the CIA learned of the existence of the courier, his true name and location through means unrelated to the CIA detention and interrogation program.”
The filmmakers had every opportunity to explore the issue more fully, instead of relying on the “firsthand accounts” of the torturers themselves, and/or their allies within the Central Intelligence Agency. Notably, torturers are felons and war criminals. Those who know about their crimes and help cover them up are guilty of conspiracy to torture. Thus, these self-serving fairy tales that illegal torture led to the desired results (bin Laden) are tangled up with the motivation to protect war criminals from prosecution. Not only does this claim of successful torture help insulate the guilty from legal prosecution, it also helps to promote further criminal acts of torture in the future.
Once this red flag issue was raised by the Senate, the filmmakers could have taken a second look at what they had put up on screens and reassessed the veracity of their material and the way it was being sold to the world. Instead they doubled down. Bigelow and Boal want it both ways, extraordinary access to CIA storytellers for a documentary-like “factual” telling of the bin Laden execution, but they also want license to claim that it’s just a movie and can therefore take all the liberties they please.
Jessica Chastain, who plays a state-employed torturer/murderer, who also allegedly located Osama bin Laden, said:
“I’m afraid to get called in front of a Senate committee… In my opinion, this is a very accurate film… I think it’s important to note the film is not a documentary.”
In a nutshell, that’s the Zero Dark Thirty defense. It’s a highly sourced “very accurate film,” but we can take all the liberties we like because it’s not a documentary, and so if we made up a case for torture based on the lies of professional liars in the CIA, then oops.
Mark Boal went so far as to mock the Senate Intelligence Committee, at the NY Film Critic’s Circle:
“In case anyone is asking, we stand by the film… Apparently, the French government will be investigating Les Mis.”
Any controversy over the picture seems to help its box office, as more uninformed people hear about it. The filmmakers themselves suffer no penalty as a result of misleading a large number of people on torture, to accept torture, to accept a secretive criminal state that tortures with impunity.
Kathryn Bigelow’s wrapped-in-the-flag defense of the film:
“Bin Laden… was defeated by ordinary Americans who fought bravely even as they sometimes crossed moral lines, who labored greatly and intently, who gave all of themselves in both victory and defeat, in life and in death, for the defense of this nation.” (emphasis in original)
Nice propaganda trick at the end equating those who “gave all of themselves” and “death” with the individuals who “sometimes crossed moral lines.” Everyone’s dirty; you see. All heroes are torturers; so it’s okay.
Bigelow’s half-assed response to getting called out by the Senate for putting false torture results into her film, is to say:
“Torture was, however, as we all know, employed in the early years of the hunt. That doesn’t mean it was the key to finding Bin Laden. It means it is a part of the story we couldn’t ignore. War, obviously, isn’t pretty, and we were not interested in portraying this military action as free of moral consequences.” (emphasis added)
Ignore? By her reasoning, because the Central Intelligence Agency tortured people, she was required to fit it into the plot somehow, whether it was relevant to the investigation or not. That’s her excuse. No matter that the scenes are fabrications, and the actual clues about bin Laden’s courier came from elsewhere (electronic surveillance, human intelligence, foreign services).
Bigelow told Charlie Rose, when asked the same question about the torture: “Well I think it’s important to tell a true story.” Unfortunately, when confronted with the Senate investigation, truth quickly takes a back seat.
The truth Bigelow now clings to is that, “Experts disagree sharply on the facts and particulars of the intelligence hunt, and doubtlessly that debate will continue.” To Kathryn Bigelow, the fact that the so-called “experts” she has sided with are torturer criminals with a vested interest in her portrayal of their crimes never occurs to her. She can dismiss the entire matter as a “debate.” Perhaps she no longer finds it “important to tell a true story?”
Kathryn Bigelow, America’s Leni Riefenstahl, claims that Zero Dark Thirty tells “a true story,” even when confronted by evidence that it is a lie. She is unapologetic and completely divorced from the real world damage her propaganda encourages. If this film takes home the Best Picture Oscar, it should serve as the cherry on top of a brutal, deceptive, decrepit and immoral empire, and signal this reality to the rest of the world. If this is allegedly the “best” of America, then we are truly finished.
As for Ben Affleck’s Argo, its sins aren’t so readily apparent. Both films show wonderful Central Intelligence “heroes” acting to further US interests and take care of imperial problems. The Argo scenario is a rescue, however, instead of a hit. The problem is that Iran, a country thrown into a bloodthirsty dictatorship after its nascent democracy was murdered by the very same CIA in 1953, is now the bad guy. There are clearly two sides, and the film takes sides with the people who destroyed democracy in Iran and propped up an illegitimate monarch in order to control its oil and its refineries. When this despotic monarch whose secret police disappeared, tortured and murdered the political opposition – with the help and training of the CIA – is overthrown, we are supposed to overlook all that, because America is always good. We rescue our people. We risk our lives, and we come up with elaborate creative plans to help our people. We are heroic and triumphant vs. the inferior wild-eyed Persians and Arabs of the world.
Now I do believe there’s a real story there, and the situation is ripe for telling, but an extreme sensitivity to the political context would be required.
“… [T]he Iran we see in the [Argo] news clips and the Iran we see dramatized are all on the same superficial level: incomprehensible, out-of-control hordes with nary an individual or rational thought expressed.
… But we never go behind-the-scenes at this revolution. (Instead, Affleck and screenwriter Chris Terrio’s tempering historical introduction is soon outweighed by the visceral power of mobs storming walls, chador-clad women toting rifles, and banshees screaming into news cameras.)
… The problem is that viewers … aren’t going to walk out of [Argo] muttering “gee, it’s more complicated than I thought.” Instead, they’ll leave with their fears and prejudices reaffirmed: that Middle Easterners create terror, that Americans must be the world’s policemen, and that Iranians cannot be trusted because they hate America.
… Argo almost completely ignores individual Iranians; its portrait of an entire culture is neither refined nor sophisticated; and it does reinforce a simplistic, Manichean perspective.”
Enough said?
So why are Argo and Zero Dark Thirty receiving all these awards? Are the awarding bodies so full of hyper-patriots who believe pro-American films can deceive and demonize with impunity, that they want to send an unequivocal message of support for these practices?
Is hyper-nationalist propaganda in vogue now?
With the ascendancy of Barack Obama, there is no longer a moral anti-war voice of any significant size in America. Obama, the smooth talker, has soothed away morality, ethics, law and rights. The empire is beyond reproach because Obama runs it. So the liberal center/left says nothing. Nothing but empty blather and ignorant praise of the Democrats. Murder is being codified in secret as we speak. Bush’s wars are being publicly scaled down, only to ramp up new covert wars of conquest across Africa. Nothing substantial has changed since George W., only the style.
There was a time when no one trusted the CIA. Far from heroes, they were the prime suspects in the assassination of president John F. Kennedy, and presidential candidate Robert Kennedy. CIA support of terrorists was well known, if not loudly opposed. This agency has sponsored Cuban exiles to commit acts of terrorism inside Cuba. Its Phoenix Program kidnapped and murdered Vietnamese villagers by the thousands, torturing and killing them for alleged communist sympathies. The CIA overthrew democracies from Iran to Gutemala to Chile, and was instrumental in waging a terror war against Nicaragua by employing drug-running mercenary terrorists called “Contras.” When the Church Committee investigated the agency in the mid-70s, lots of dirty laundry was aired. The agency was reined in for a time. Assassination was made technically illegal.
In the 1980s, the CIA fought a proxy war against the Soviet Union in Afghanistan by funneling money and arms to radical Islamic Jihadists – like Osama bin Laden – and creating an intelligence/military monster in Pakistan, known as the ISI. With untold billions of dollars of US tax money, plus Saudi oil money, the Pakistanis were propped up as a central hub for militant groups to operate throughout the region. Pakistan is where Osama bin Laden allegedly ended up living for the last decade of his life, half a mile from the Pakistani military academy.
The CIA today is instrumental in the blitzkrieg of terror across Syria. It funnels arms and money to radical Islamic Jihadists, exactly as it did in Afghanistan in the 1980s. In 2011 it participated in the Libyan Crime Against the Peace doing much the same type of activity on behalf of the Libyan Islamic Fighting Group, a group that helped take over that nation despite being included on the US State Department’s Terrorist List! The LIFG has sent its fighters over to Syria, after the fall of Qadaffi, to assist in the genocidal guerrilla war against the Syrian state, as well as civilians. The CIA assists in these activities.
But of course those victims aren’t Americans. So none of that counts.
“…Is it healthy for us to hold up images of Cold War CIA agents as selfless do-gooders?” –Jennifer Epps
Joe Giambrone is a filmmaker and author of Hell of a Deal: A Supernatural Satire. He edits The Political Film Blog, which welcomes submissions. polfilmblog at gmail.
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Reporting Ahead of Ecuadorean Elections Fits a Familiar Narrative
By Dan Beeton | CEPR Americas Blog | February 17, 2013
International media reporting ahead of Ecuador’s elections today has sounded familiar themes, understating the achievements of the Rafael Correa government and attributing Ecuador’s recent economic and social progress to “luck” or happenstance, and high oil prices. Correa is depicted as an enemy of press freedom, despite the fact that Ecuadorean media is uncensored and the majority of it opposes the government; and despite his granting of political asylum to Julian Assange. He is also depicted as a member of Latin America’s “bad left” who has ambitions of regional leadership should “bad left” leader Hugo Chávez succumb to illness or otherwise be unable to continue in office.
A common theme in press accounts is that the Correa administration’s social programs are “funded by the country’s oil proceeds.” While some reporting has gone deeper and noted that “Correa has taken on big business and media groups, imposing new contracts on oil companies and renegotiating the country’s debt while touting his poverty reduction efforts,” others have not. “High prices for oil exports resulted in higher revenues which the government invested in social programs and public infrastructure,” the Christian Science Monitor reported in a Friday article. The New York Times’ William Neuman presented a contradictory picture of the economic importance of Ecuador’s petroleum sector, writing that “Ecuador is the smallest oil producer in the Organization of the Petroleum Exporting Countries, yet oil sales account for about half of the country’s income from exports and about a third of all tax revenues, according to the United States Energy Information Administration,” just before stating in the next paragraph that “Mr. Correa has taken advantage of high oil prices to put money into social programs, earning him immense popularity, especially among the country’s poor.”
Petroleum exports have been important to Ecuador’s economy for a long time; this did not suddenly come about with Correa. While Correa was favored by high oil prices during most of his six years in office, the collapse of oil prices in 2008 was a major blow to the economy. Also, an important change during Correa’s first term has been the Ecuadorean government’s relationship with foreign oil companies. Correa notably has driven a much harder bargain than his predecessors, “imposing a windfall profits tax for concessions made to companies for the exploitation of domestic natural resources” that “raised over $500 million for the government in 2010,” as our latest paper notes. A raft of financial and regulatory reforms have also put a considerable amount of revenue in the government’s coffers, contributing to the increase from 27 percent of GDP in 2006 to more than 40 percent in 2012. Stimulus spending – 5 percent of GDP in 2009 – boosted the economy and allowed Ecuador to get through the global recession with minimal damage, losing only about 1.3 percent of GDP during three quarters of recession, despite being one of the hardest hit countries in the hemisphere by external shocks. Non-petroleum sectors such as construction, commerce and services have also been important drivers of growth in recent years, including in 2011, when Ecuador had some of the highest real GDP growth in the region at 7.8 percent, second only to Argentina in South America.
As we have pointed out, this additional revenue has in turn allowed the Correa government to ramp up social spending in ways that are significantly improving Ecuadoreans’ living standards. While much news coverage has reported that state spending has boosted Correa’s popularity and may explain his huge lead (some 20 – 50 percentage points, according to polls) over his opponents coming into the election, some reporting has characterized this – as with last year’s election coverage of Venezuela’s state spending– as a form of vote-buying. “Public policies and subsidies are needed to temporarily keep certain sectors content,” the Christian Science Monitor quotes an analyst as saying. “[T]hey also give him votes.” The Associated Press described this as state “largesse,” a term that Merriam-Webster’s dictionary defines as “liberal giving (as of money) to or as if to an inferior; also: something so given.” The media seems at times to forget that the purpose of economic development is to raise peoples’ living standards.
The New York Times presented Ecuador’s recent economic progress by using a passive voice: “[Correa] has governed during a period of relative prosperity,” which not only understates the impact of the Correa administration’s policies but also the challenges presented over the past several years – most notably the global recession, which collapsed not only oil prices but remittances, on which Ecuador was also heavily dependent.
Some reporting has understated some of the ways in which the government’s policies have impacted Ecuadoreans’ lives. For example, the Associated Press reported that “The bulk of [Correa’s] backers are poor and lower-middle class Ecuadoreans who in 2010 represented 37 and 40 percent, respectively, of the country’s population according to the World Bank.” Bloomberg’s Nathan Gill, meanwhile, wrote:
As the head of a nation where about one in three of its 15.4 million citizens live in poverty, Correa defaulted on $3.2 billion of bonds in 2008 and pushed through laws nationalizing the country’s oil reserves during his first two terms in office. While the moves provided short-term gains, the 49-year-old Correa, an ally of Venezuela’s Hugo Chavez, is now paying the cost with stagnant crude output and declines in private investment needed to boost slumping growth.
In fact, as we noted in our new paper, “The national poverty rate fell to 27.3 percent as of December 2012, 27 percent below its level in 2006,” (before Correa came to office). (The New York Times’ Neuman noted this accomplishment: “In a country of 14.6 million people, about 28 percent lived in poverty in 2011, down from 37 percent in 2006, the year before Mr. Correa took office, according to World Bank data.”)
Nor are Ecuador’s recent gains “short term,” as Gill described them. The data shows sustained progress on reducing unemployment and poverty, for example.
Other common themes include that Correa has clamped down on freedom of press. Such statements are often ironically followed by mention of Correa’s granting of political asylum to Wikileaks founder Julian Assange, such as in the Christian Science Monitor sub-header “President Correa has been criticized internationally for limiting press freedoms and granting Julian Assange asylum in Ecuador’s London embassy.” Readers of AFP might be led to believe Assange was granted asylum in order to “irritat[e] the United States …after the anti-privacy group released tens of thousands of secret US military and diplomatic reports.”
Press coverage has emphasized that Correa is “an ally of Venezuela’s Hugo Chavez,” rather than a friend or “ally” of Brazilian President Dilma Rousseff, for example. This meme positions Correa as “part of a group of leftist presidents in the region that include Mr. Chávez in Venezuela and Evo Morales in Bolivia,” also known as the “bad left” in Washington policy circles and among media commentators. (Brazil has always been considered part of the “good left,” despite the Brazilian government’s longstanding support for Chávez, Morales and other “bad left” leaders and opposition to various U.S. government projects and policies.)
Another theme has been whether Correa seeks to be – or has the potential to be – a “successor” to the “ailing” Hugo Chávez in a “regional leadership role.” The New York Times’ Neuman wrote on Friday that “[A new four-year term] may also give Mr. Correa a chance to raise his international profile. With the ailing president of Venezuela, Hugo Chávez, sidelined by cancer, Mr. Correa is arguably the most vocal leftist leader in the region.” No evidence for Correa’s supposed regional leadership ambitions is presented, other than that “He made international headlines last year when he defied Britain by granting asylum to Julian Assange, the founder of WikiLeaks.”
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- Ecuador’s Correa breezes to 2nd re-election (businessweek.com)


