Despite his triple vaccination status, Biden has tested positive for Covid-19. Watch as we revisit Del’s now famous “football analogy,” illustrating “original antigenic sin,” and why the highly vaccinated might be in big trouble.
Neither government regulatory agencies, nor vaccine makers, cared to monitor what the experimental Covid jabs did to women’s cycles. After widespread alarm, the menstruation issues have turned out to be real, and lacking any long-term studies on fertility.
In a speech in the European Parliament earlier this month, German MP Christine Anderson described the coercion of people into taking COVID vaccines as the “biggest crime ever committed on humanity.”
“This vaccine campaign will go down as the biggest scandal in medical history,” Anderson declared, adding “moreover, it will be known as the biggest crime ever committed on humanity.”
The MEP was addressing mass flight cancellations and staff shortages in airports and on planes, asserting that while it is claimed the situation stems from companies not hiring back enough staff after the pandemic, the real reason is that pilots and other staff have refused to get vaccinated.
Anderson further warned that “unscrupulous globalist elites” have used the pandemic for their own ends, asking “What in God’s name have they done with this?”
Addressing “each and every elected representative of people in every western democracy,” Anderson asked “What have you done?”
“You didn’t do your job, and do not tell me you didn’t know,” Anderson further asserted, adding “it is your job to protect the people that you were elected by.”
She continued, “There is so much coming to light, all of the adverse side effects, numerous studies now available, on foetal disfigurements… genetic defects of babies born to women who got vaccinated.”
“What in the hell is going on here?” Anderson urged, vowing “We will do all we can to make sure this is brought to light and ensure the rights of the people to be protected.”
Anderson previously made headlines for slamming the “political elite” for imposing vaccines and vaccine passports using “extortion and manipulation”.
Anderson stated that “In the entire history of mankind there has never been a political elite sincerely concerned about the wellbeing of regular people. What makes any of us think that it is different now?”
It’s difficult for us to appreciate just how incredible it was for those who first witnessed communication from a distance with a disembodied electric ghost. In fact, it was almost impossible for people to understand this type of communication in anything but spiritual terms. Even the word “medium” evokes the specter of contact with the spirit world. . . .
For those with limited bandwidth, CLICK HERE to download a smaller, lower file size version of this episode.
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TRANSCRIPT
Hi, I’m James Corbett of The Corbett Report, and I’m not here right now. . . . I mean, there. With you.
Confused? Well, take a look at this . . .
[Steps aside to reveal James in screen] See? But, in truth, I’m not here either. What you are watching are the ghostly reflections of someone far away. I am not in the room with you, but you can see me. You can hear me. You might not think much about this, but . . . [Snaps fingers, revealing green screen set in studio] . . . it is one of the wonders of our era, and it has shaped the world in ways we can barely comprehend.
VOICEOVER: Media. It surrounds us. We live our lives in it and through it. We structure our lives around it. But it wasn’t always this way. So how did we get here? And where is the media technology that increasingly governs our lives taking us? This is the story of The Media Matrix.
PART 2 – WHAT HATH GOD WROUGHT
There’s a story about the famous Battle of Waterloo in 1815 that is not usually included in the history textbooks.
The story is that John Roworth—a trusted employee of Nathan Rothschild, the English heir of the infamous Rothschild banking family—was at the battlefield that day and, when the battle was decided and it was apparent that Napoleon had been defeated, he raced off on horseback, bearing the news across the English channel. The messenger arrived at his employers’s London office a full 24 hours before the official government courier and Rothschild, always looking for a way to turn a profit, decided to use the news to his advantage. He made a show of selling his shares at the London Stock Exchange and the public, believing the famed stockbroker had received word that Napoleon had won the battle, began selling as well. The stock market plummeted and Rothschild secretly bought up the shares at rock-bottom prices. By the time the news finally reached Londoners that Wellington—not Napoleon—was the victor at Waterloo, the coup was complete: Nathan Rothschild was the richest man in the realm.
This story, like so many historical adventure yarns, has been much decorated in the retelling: John Roworth was not at Waterloo, for one thing, and there was no great market sell-off in the hours before the official news of the battle reached London. But the central part of the tale is true: Nathan Rothschild did receive early news of Napoleon’s defeat and he did “do well” by that information, as Roworth admitted in a letter the month after the incident.
But whatever this story tells us about the world of finance, it tells us something more fundamental about something far more important: power. Knowledge is power, and, as we saw in Part 1 of this series, Gutenberg had brought that power to the masses. With the printing press, knowledge could be copied and spread to the far corners of the globe faster and easier and cheaper than it ever had before . . .
. . . but it still had to be carried. On horseback, on foot, by train, by carrier pigeon. Information was still a physical thing and even the news of Napoleon’s defeat at Waterloo had to be physically transported from one place to another. But did it have to be this way? What if information could be communicated directly by electric current and sent across wires or through the air at the speed of light?
Enter Samuel Morse.
Morse was not a scientist or an experimenter, but a painter. He claimed that the idea for sending messages through electrical wires came to him in a flash of genius on a lengthy ship journey from Europe to America in 1832, and thus that he deserved credit as the sole inventor of the telegraph.
In reality, research along these lines had been going on for nearly a century. The idea of sending electrical messages through wires was first proposed in Scots Magazine in 1753 and it was demonstrated numerous times over the years—most memorably by Francisco Salvá, who in 1795 connected wires to human test subjects, assigned each of them a letter, and instructed them to shout their letter out when they received a shock.
Ignorant of this history, Morse had to rely on real scientists and inventors for his important breakthroughs. Like Professor Leonard Gale, who helped develop the technique of using relays to help the messages travel further than a few hundred yards. And Alfred Vail, a bright young machinist whose improvements to Morse’s crude prototype brought the idea into reality. Many even contend that it was Vail, not Morse, who invented the system of dots and dashes that we know as Morse Code.
Nonetheless, history is written by the winners, and Morse proved to be the winner. Getting the credit, the glory and, more to the point, the patent for the telegraph, Morse received a congressional appropriation of $30,000 to build the first telegraph line from Washington to Baltimore in 1844. He sent the first official telegraph message from the US Capitol to Alfred Vail at a railroad station in Baltimore. The message had been selected by Anne Ellsworth, the daughter of the Patent Commissioner with whom Morse was lodging while he was stationed in Washington. She chose a passage from the Bible fitting of the momentous occasion: “What hath God wrought!”
The passage, from the book of Numbers, is one of praise—rejoicing at the wonders that God had wrought for Israel—and ends with an exclamation mark. But the telegraph message didn’t contain punctuation, and so the press misreported the phrase with a question mark at the end: “What hath God wrought?” The medium had already begun to change the message.
It’s difficult for us to appreciate just how incredible it was for those who first witnessed communication from a distance with a disembodied electric ghost. In fact, it was almost impossible for people to understand this type of communication in anything but spiritual terms. Even the word “medium” evokes the specter of contact with the spirit world.
When the radio was introduced to Saudi Arabia, the country’s conservative Islamic clerics declared it “the devil hiding in a box” and demanded that King Abdulaziz ban the infernal contraption. The king saw the potential use of the radio for the development of the country, but, relying on the clerics for support, he couldn’t outright reject their council.
Instead, the crafty monarch proposed a test: the radio would be brought before him the next day and he would listen to it himself. If what the clerics said was true, then he would ban the devil’s device and behead those responsible for bringing it into the country.
The next day, the radio was brought before the king at the appointed time. But the king had secretly arranged with the radio engineers to make sure the Quran was being read at the hour of the test. Sure enough, when he switched it on and passages from the Quran were heard.
“Can it be that the devil is saying the Quran?” he asked. “Or is it perhaps true that this is not an evil box?” The clerics conceded defeat and the radio was allowed into Saudi Arabia.
We may laugh, but the Saudis were not the first or the last to mistake media technology for devilry. In 1449, Johann Fust—the scion of a wealthy and powerful family in Mainz—lent Gutenberg an enormous sum of money to start producing his famed Bible and confiscated the books from the printer when he couldn’t afford to repay the loan. When Fust later appeared on the streets of Paris, selling multiple copies of Gutenberg’s Bible, the bewildered Parisians—who had never seen printed books before and so couldn’t imagine how so many strangely identical copies of a manuscript could be produced so quickly—arrested him for witchcraft.
The essence of the mass media—its ability to project the voices of people who aren’t there using electronic gadgets and wireless networks—is the essence of magic, bringing to life the scrying mirrors and palantirs of lore. But is this media technology a dark art, or can its powers be used for good?
As the new medium of commercial radio rose in the early decades of the 20th century, listeners had cause to side with the Saudi clerics in their determination that it was, in fact, a devil in a box. Listeners like those who tuned into a strange news report on the Columbia Broadcasting System on the evening of Sunday, October 30, 1938.
ANNOUNCER: Ladies and gentlemen, we interrupt our program of dance music to bring you a special bulletin from the Intercontinental Radio News. At twenty minutes before eight, central time, Professor Farrell of the Mount Jennings Observatory, Chicago, Illinois, reports observing several explosions of incandescent gas, occurring at regular intervals on the planet Mars. The spectroscope indicates the gas to be hydrogen and moving towards the earth with enormous velocity. Professor Pierson of the Observatory at Princeton confirms Farrell’s observation, and describes the phenomenon as (quote) like a jet of blue flame shot from a gun (unquote). We now return you to the music of Ramón Raquello, playing for you in the Meridian Room of the Park Plaza Hotel, situated in downtown New York.
Of course, this wasn’t a news broadcast at all. It was the infamous “Halloween Scare,” Orson Wells’ radio adaptation of The War of the Worlds, which infamously caused panic among some members of the listening audience who were flipping through the dial and mistook the dramatized news “interruptions” for actual reports of a Martian invasion.
It’s become fashionable in recent years to downplay the incident as a myth. There was no real scare, only a few dimwits who got frightened. The newspapers—looking for any excuse to belittle radio, its fast-rising competition for the public’s attention and corporate advertising dollars—ginned up the story and sold the public on a panic that never was.
But there was something to the Halloween Scare. The City Manager of Trenton, New Jersey—mentioned by name in the broadcast—even wrote to the Federal Communications Commission to demand an immediate investigation into the stunt. In response, a team of researchers fanned out, collecting information, conducting interviews and studying reports about the panic to better understand what had happened and what could be learned about this new medium’s ability to influence the public.
The team was from the Princeton Radio Project—a research group founded with a two-year, $67,000 grant from the Rockefeller Foundation to study the effect of radio through the lens of social psychology. The team was led by Hadley Cantril, the old Dartmouth College roommate of Nelson Rockefeller who had written in 1935 that “[r]adio is an altogether novel medium of communication, preeminent as a means of social control and epochal in its influence upon the mental horizons of men.”
Cantril’s report on Wells’ Halloween broadcast, The Invasion from Mars, concluded that such a large-scale media-induced frenzy could happen again “and even on a much more extensive scale.” This was important information for the funders of the Princeton Radio Project; their next major research project was a study of how radio could be used for spreading war propaganda, an increasingly important subject as the world slipped into the maw of World War II.
The question of electronic media’s ability to influence the public became even more important as the radio revolution of the early twentieth century flowed into the television revolution of the mid-twentieth century. Television had actually been ready to roll out as a commercial medium in the 1930s, but the Depression and then the war delayed the mass production of television sets. The first mass-produced commercial television hit the market in 1946, and it soon became one of the most quickly adopted technologies in history to that point, finding its way into the majority of American homes within a decade.
Strangely, as sociologist Robert Putnam documented in his 2000 bestseller, Bowling Alone, the era of television adoption precisely coincides with a severe drop-off in civic engagement among the American public. Could there be a relation? If so, what could it be?
One intriguing possibility comes from research conducted by Herbert Krugman in 1969. Krugman—who would go on to become manager of public opinion research at General Electric in the 1970s—was interested to discover what happens physiologically in the brain of a person watching TV. He taped a single electrode to the back of his test subject’s head and ran the wire to a Grass Model 7 Polygraph, which in turn interfaced with a Honeywell 7600 computer and a CAT 400B computer. He turned on the TV and began monitoring the brain waves of his subject. He found through repeated testing that “within about thirty seconds, the brain-waves switched from predominantly beta waves, indicating alert and conscious attention, to predominantly alpha waves, indicating an unfocused, receptive lack of attention: the state of aimless fantasy and daydreaming below the threshold of consciousness.”
Krugman’s initial findings were confirmed by more extensive and accurate testing: TV rapidly induces an alpha-state consciousness in its viewers, putting them in a daydream state that leaves them less actively focused on their activities and more receptive to suggestion. This dream state combines with the nature of the medium itself to create a perfect tool for disengaging the viewers intellectually, removing them from active participation in their environment and substituting real experience with the simulacrum of experience.
In a word, TV hypnotizes its viewers.
NEIL POSTMAN: To begin with, television is essentially non-linguistic. It presents information mostly in visual images. Although human speech is heard on television and sometimes assumes importance, people mostly watch television. And what they watch are rapidly changing visual images, as many as 1200 different shots every hour. The average length of a shot on network television is 3.5 seconds. The average in a commercial is 2.5 seconds.
Now, this requires very little analytic decoding. In America, television watching is almost wholly a matter of what we would call pattern recognition. What I’m saying here is that the symbolic form of television—its form—does not require any special instruction or learning.
In America, television viewing begins at about the age of 18 months and by 36 months, children begin to understand and respond to television’s imagery. They have favorite characters, sing jingles they hear and ask for products they see advertised.
There’s no need for any preparation or prerequisite training for watching television. It needs no analog to the McGuffey Reader. Watching television requires no skills and develops no skills and that is why there is no such thing as remedial television watching.
As we have seen, it was only a matter of years from the advent of commercial radio as a medium of communication until monopolistic financial interests were funding studies to determine how best to use it to mould the public consciousness. And, it seems, the television—with its brain wave-altering, hypnosis-inducing, cognitive impairment abilities—was designed from the very get-go to be a weapon of control deployed against the viewing public.
But if these media are weapons, if they are being used to direct and shape the public’s attention and, ultimately, their thoughts, it begs some questions: Who is wielding these weapons? And for what purpose?
This is no secret conspiracy. The answer is not difficult to find. TimeWarner and Disney and Comcast NBC Universal and News Corp and Sony and Universal Music Group and the handful of other companies that have consolidated control over the “mediaopoly” of the electronic media are the ones wielding the media weapon. Their boards of directors are public information. Their major shareholders are well known. A tight-knit network of wealthy and powerful people control what is broadcast by the corporate media, and, by extension, wield the media weapon to shape society in their interest.
In Part 1 of this series, we noted how technological advancements in the printing press and the development of new business models for the publishing industry had taken Gutenberg’s revolutionary technology out of the hands of the public and put it into the hands of the few rich industrialists with the capital to afford their own newspaper or book publisher. The Gutenberg conspiracy had led, seemingly inevitably, to the Morgan conspiracy. But that process didn’t end with the electrification of the media; it accelerated.
By the end of the twentieth century, a handful of media companies controlled the vast majority of what Americans read, saw and heard. That this situation was used to control what the public thought about important topics is, by now, obvious to all.
NEWSCASTERS: The sharing of biased and false news has become all too common on social media. More alarming, some media outlets publish these same fake stories — stories that simply aren’t true — without checking facts first. Unfortunately, some members of the media use their platforms to push their own personal bias and agenda to control exactly what people think. This is extremely dangerous to a democracy.
At the dawn of the twenty-first century, this media oligopoly had cemented its control over the public mind. Combined, newspapers, television, movies and radio had the ability to direct people’s thoughts on any given topic, or even what they thought about. The zenith of that era was reached on September 11, 2001, when billions across the globe watched the dramatic events of 9/11 play out on their television screens like a big-budget Hollywood production.
But the media was not done evolving. Technologies were already being rolled out that would once again change the public’s relationship to the media. Technologies that would once again leave people questioning whether the media was a devil hiding in a box, wondering whether this new media was a tool of empowerment or control, and asking the question: What hath God wrought?
The Korean War that began in 1950 is technically ongoing because only an armistice was signed in 1953, rather than a peace treaty. American warmongers argue the United States must spend $8 billion a year to keep 30,000 troops there at a dozen bases until the war ends. This is only because the United States refuses to even discuss an end to the war because it will lose control of South Korea’s military if American Generals leave. In addition, part of the justification for the Pentagon’s massive annual budget is to defend South Korea, and those who profit off the perpetual American presence spend millions of dollars each year to lobby American congressmen to keep their racket going. The South Korean military is five times stronger than the North Korean military, and there are no Russian or Chinese soldiers based in North Korea. South Korea has twice the population and forty times the GDP of decrepit North Korea and has fortified its mountainous border. American troops are not needed there but powerful interests protect the status quo. Withdrawing just half the American troops would save the United States over three billion dollars a year and may allow a formal peace treaty to be signed.
“Thirty-five House Republicans are ‘gravely concerned’ about formally ending the Korean War”; David Choi; Stars and Stripes; December 9, 2021; https://www.stripes.com/theaters/asia…
REINER FUELLMICH INTERVIEWING SONIA ELIJAH CIC SESSION 113 – MYCELIUM 15/07/2022
SONIA ELIJAH ON PFIZER VACCINE SAFETY REPORT
Sonia Elijah – Investigative Journalist and Broadcasterat trialsitenews.com , Has a background in Economics and was a former BBC researcher. Her analysis of the Pfizer Covid vaccine safety report, received worldwide attention.
The Corona Committee was founded on the initiative of attorney and economist Viviane Fischer and attorney Dr. Reiner Fuellmich. It is conducting a review of evidence on the Corona crisis and measures.
In this interview we spoke with Dr. Peter McCullough, an American cardiologist and outspoken critic of the questionable handling of the COVID-19 “pandemic.” He is one of the most notable and credentialed voices speaking out in the United States and is a wealth of information. He was vice chief of internal medicine at Baylor University Medical Center and a professor at Texas A&M University, and one of the largest donors to the school, leading to a scholarship named after him. Upon speaking out the university shamelessly attacked him. He is articulate, balanced and a voice of reason.
In this interview he clarifies the following points:
– PR testing methodology
– Therapeutic Nihilism
– Myocarditis amongst the vaccinated
– Early treatment suppression prior to the pandemic
– Persecution of medical personnel for exercising their licensed authority
– The upside down irrational nature of COVID-19 policies including vaccine mandates
– The efficacy of a global, indiscriminate mass vax campaign, in contrast to vaccination of mainly at-risk patients
According to Kaiser Health News (KHN),1 the COVID-19 pandemic has been a real boon to Pfizer. Not only has it yielded “outsize benefits” in terms of profits, but it has also “given the drugmaker unusual weight in determining U.S. health policy.”
“Based on internal research, the company’s executives have frequently announced the next stage in the fight against the pandemic before government officials have had time to study the issue, annoying many experts in the medical field and leaving some patients unsure whom to trust,” KHN reporter Arthur Allen writes, adding:2
“When last year Bourla suggested that a booster shot would soon be needed, U.S. public health officials later followed, giving the impression that Pfizer was calling the tune.
Some public health experts and scientists worry these decisions were hasty, noting, for example, that although boosters with the mRNA shots produced by Moderna and Pfizer-BioNTech improve antibody protection initially, it generally doesn’t last.
Since January, Bourla has been saying that U.S. adults will probably all need annual booster shots, and senior FDA officials have indicated since April that they agree … The company’s power worries some vaccinologists, who see its growing influence in a realm of medical decision-making traditionally led by independent experts …
When President Biden in September 2021 offered boosters to Americans — not long after [Pfizer CEO Albert] Bourla had recommended them — Dr. Paul Offit, director of the Vaccine Education Center at Children’s Hospital of Philadelphia … wondered, ‘Where’s the evidence you are at risk of serious disease when confronted with COVID if you are vaccinated and under 50?’
Policies on booster recommendations for different groups are complex and shifting, Offit said, but the CDC, rather than Bourla and Pfizer, should be making them. ‘We’re being pushed along,’ he said. ‘The pharmaceutical companies are acting like public health agencies.’”
The fact that a vaccine-pusher like Offit — infamous for claiming a baby can safely tolerate 10,000 vaccines at once3 — is questioning and pushing back against Pfizer’s influence over health policy reveals just how brazen, unethical and potentially dangerous that is.
Massive Profits Made From Useless Products
According to Allen, Pfizer’s revenue in 2021 was $81.3 billion4 — approximately double that of 2020 — and the COVID shot accounted for $36.78 billion5 of that. For comparison, Lipitor, Pfizer’s previous top selling statin, generates roughly $2 billion a year,6 while their strep vaccine, Prevnar 13 rakes in $6 billion a year.7
Its mRNA gene transfer injection against COVID now dominates 70% of the U.S. and European markets, and Paxlovid, Pfizer’s COVID drug, has become a standard treatment choice in hospitals. This, despite researchers finding Paxlovid (molnupiravir) causes severe rebound and supercharges mutations.
In a rational scenario, that finding would have put a stop to its use, but no. In an official health advisory8 to the public, issued May 24, 2022, the U.S. Centers for Disease Control and Prevention first warns that Paxlovid is associated with “recurrence of COVID-19 or ‘COVID-19 rebound,’” and then in the very next sentence stresses in bold print a narrative supporting its use and enriching Pfizer with instructions saying:
“Paxlovid continues to be recommended for early- stage treatment of mild to moderate COVID-19 among persons at high risk for progression to severe disease.”
Allen also notes that, during an investor call, a Pfizer official highlighted reports of Paxlovid’s failure, but spun it into “good news” for investors, as patients may require multiple courses!9 Obviously the objective has long ago shifted from helping humans to raping them for as much profit as possible.
Similarly, while Pfizer’s COVID jab clearly doesn’t prevent infection or spread, and Americans are rejecting the shots in growing numbers — 82.2 million doses had expired and were chucked in the trash as of mid-May 202210 — the U.S. government still went ahead and ordered another 105 million doses at the end of June 2022.
These are intended for a fall booster campaign, at a cost to taxpayers of $3.2 billion.11 The U.S. is actually paying about 50% more for each of these new jab boosters this time around — $30.47 per dose compared to $19.50 per dose paid for the first 100 million doses.
The U.S. government has also promised to purchase another 20 million courses of Paxlovid, at an eye-watering cost of $530 per five-day course. Basically, Pfizer is being financially rewarded for producing products that are useless at best and dangerous at worst, and we’re all paying for it. In case you’re curious, that is another $10.6 billion transferred from U.S. taxpayers to Pfizer.
Future Boosters Won’t Undergo Human Clinical Trials
After you likely thought it couldn’t ever get any worse, KHN also touches on, but doesn’t delve into, the fact that Pfizer suggested they skip human trials as they move forward with jabs that are reformulated for newer variants. If this strikes you as crazy, you’d be right. It’s sheer madness, but the U.S. Food and Drug Administration — a clearly captured agency — has already surreptitiously agreed to this egregious miscarriage of science.
How this wicked scheme, known as the “Future Framework,”12 was adopted by the FDA without formal vote is explained by Toby Rogers, Ph.D. — a political economist whose research focus is on regulatory capture and Big Pharma corruption13 — in the video above. He also explained it in a June 29, 2022, Substack article:14
“Yesterday [June 28], the FDA’s Vaccines and Related Biological Products Advisory Committee approved a bivalent COVID-19 shot with the Wuhan strain and the Omicron variant … Wait, hold up, I thought the FDA was voting on the Future Framework yesterday?
The policy question was whether reformulated COVID-19 shots would be treated as new molecular entities (which they are) in which case they should be subject to formal review or whether reformulated shots would be treated as ‘biologically similar’ to existing Covid-19 shots and be allowed to skip clinical trials altogether.
Apparently the FDA did not have the votes to just pass this as a policy question. If you ask anyone whether reformulated mRNA represents a new molecular entity, well of course it is, so that would require formal regulatory review.
What the FDA did instead was to smuggle the policy question in disguised as a vote about reformulated ‘boosters’ for the fall.
In essence, the FDA just started doing the Future Framework (picking variants willy nilly, skipping clinical trials) and essentially dared the committee members to turn down a booster dose — knowing that all of the VRBPAC members are hand-picked because they’ve never met a vaccine they did not like.
So of course only two people on the committee had the courage to turn down a booster dose — even though it was based on this preposterous process (that was never formally adopted) where there was literally no data at all … By stealth, the FDA replaced a system based on evidence with a system based entirely on belief.”
Countries Held to Ransom
In 2021, secret details of Pfizer’s contracts came to light, showing they are essentially holding countries hostage to nonnegotiable demands for payment in full AND freedom from liability.15
In late February 2021, The Bureau of Investigative Journalism reported16 that Pfizer was demanding countries put up sovereign assets as collateral for expected vaccine injury lawsuits resulting from its COVID-19 jab.
Several countries, including Brazil, Chile, Colombia, the Dominican Republic and Peru, agreed to this demand, putting up bank reserves, military bases and embassy buildings as collateral. In short, theses governments are guaranteeing Pfizer will be compensated for any expenses resulting from injury lawsuits against it, so the company won’t lose a dime if its COVID shot injures people.
Shockingly, these terms are binding even if those injuries are the result of negligent company practices, fraud or malice!
In October that same year, Public Citizen published the secret contracts17,18 between Pfizer and Albania, Brazil, Colombia, Chile, Dominican Republic, the European Commission, Peru, the U.S. and the U.K., further revealing the extent to which these countries handed power over to Pfizer. In almost all scenarios, Pfizer’s interests come first.
For example, government purchasers must acknowledge that the effectiveness and safety of the shots are completely unknown, all while indemnifying Pfizer against any and all financial liability. This is the ultimate corporate maleficence, using their leverage to force the kill shot down these countries’ throats and avoiding any personal responsibility for damages.
Even if Pfizer eventually is convicted of fraud in the U.S. and loses all its liability protection from the COVID jabs because of it, that judgment would not impact these foreign contracts. These countries sold their souls to Pfizer and have absolutely no recourse but to pay even if the shots kill everyone.
The contracts for at least four countries also secure Pfizer’s intellectual property rights even if the company is found to have stolen intellectual property rights of others. In such case, the government purchaser becomes the liable party. As explained by Public Citizen :19
“For example, if another vaccine maker sued Pfizer for patent infringement in Colombia, the contract requires the Colombian government to foot the bill. Pfizer also explicitly says that it does not guarantee that its product does not violate third-party IP, or that it needs additional licenses.
Pfizer takes no responsibility in these contracts for its potential infringement of intellectual property. In a sense, Pfizer has secured an IP waiver for itself. But internationally, Pfizer is fighting similar efforts to waive IP barriers for all manufacturers.”
Equally shocking is that countries are forced to follow through on their vaccine orders even if other drugs or treatments emerge that can prevent, treat or cure COVID-19.20 Is it any wonder, then, that governments around the world have suppressed the use of safe and effective outpatient drugs like hydroxychloroquine and ivermectin?
If these drugs were allowed to be used and could be proven to work, the COVID injections would be completely unnecessary and their emergency use authorization would disappear, yet governments are on the hook for hundreds of millions of doses.
Pfizer Has ‘Habitual Offender’ Track Record
The fact that Pfizer has behaved like a criminal who works out a cover story for a planned murder before committing it is not surprising, considering its history. Pfizer, has been sued in multiple venues over unethical behavior, including unethical drug testing and illegal marketing practices.21
In his 2010 paper,22 “Tough on Crime? Pfizer and the CIHR,” Robert G. Evans, Ph.D., Emeritus Professor at Vancouver School of Economics, described Pfizer as “a ‘habitual offender,’ persistently engaging in illegal and corrupt marketing practices, bribing physicians and suppressing adverse trial results.”
Between 2002 and 2010 alone, Pfizer and its subsidiaries were fined $3 billion in criminal convictions, civil penalties and jury awards. They are recurrent criminal felons. None of these convictions has deterred their nefarious behavior.
In 2011, Pfizer agreed to pay another $14.5 million to settle federal charges of illegal marketing,23 and in 2014 they settled federal charges relating to improper marketing of the kidney transplant drug Rapamune to the tune of $35 million,24 as well as $75 million to settle charges relating to its testing of a new broad spectrum antibiotic on critically ill Nigerian children.
As reported by the Independent25 at the time, Pfizer sent a team of doctors into Nigeria in the midst of a meningitis epidemic. For two weeks, the team set up right next to a medical station run by Doctors Without Borders and began dispensing the experimental drug, Trovan. Of the 200 children picked, half got the experimental drug and the other half the already licensed antibiotic Rocephin.
Eleven of the children treated by the Pfizer team died, and many others suffered side effects such as brain damage and organ failure. Pfizer denied wrongdoing. According to the company, only five of the children given Trovan died, compared to six who received Rocephin, so their drug was not to blame.
The problem was they never told the parents that their children were being given an experimental drug. What’s more, while Pfizer produced a permission letter from a Nigerian ethics committee, the letter turned out to have been backdated. The ethics committee itself wasn’t set up until a year after the trial had already taken place. Pfizer’s rap sheet also includes bribery, environmental violations, labor and worker safety violations and more.26
Wolves in Sheep’s Clothing
Now, despite Pfizer being one of the least ethical drug companies, we’re told to trust them with our very lives, and the lives of our precious children. They’re going to put out booster shots this fall that have undergone absolutely no testing whatsoever, and we’re to simply throw caution to the wind because Pfizer — which has no liability whatsoever — says so.
In 2014, Pfizer faced a surge of lawsuits that accused it of hiding known side effects of its anticholesterol drug Lipitor.27 They got off scot-free that time, as a federal judge dismissed thousands of cases alleging the drug caused Type 2 diabetes.28,29 But at least they had liability and could be sued.
When it comes to the COVID jabs, injured patients and family members of those killed by it won’t even have the ability to sue for damages, as governments around the world have indemnified them completely, and it looks as though they might not even be liable even if they’re found guilty of fraud. But we will have to see what the courts rule on that one. Still, that any nation would agree to a contract like that is just mindboggling.
It’s hard to tell who’s more deserving of punishment — Pfizer or the equally captured federal agencies, the FDA and the CDC, that go along with them and do nothing to protect the lives of the youngest members of our society. Clearly, it’s up to us to protect ourselves and our loved ones, because wolves in sheep’s clothing are ruling the roost — they’re making all the decisions, and captured agencies are simply doing their bidding.
Media. It surrounds us. We live our lives in it and through it. We structure our lives around it. But it wasn’t always this way. So how did we get here? And where is the media technology that increasingly governs our lives taking us? This is the story of The Media Matrix.
In the beginning, there was the word. The spoken word, that is.
This word, the written word, didn’t come along for countless generations.
And this word, the printed word, didn’t come along for thousands of years after that.
In fact, we’ve only had the movable type printing press for about 600 years, but without it our world would be unrecognizable.
From the Renaissance to the Reformation, from the fall of feudalism to the rise of capitalism, from the Scientific Revolution to the Industrial Revolution, from the way we order our thoughts to what we choose to think about, nothing survived the printing revolution intact.
Our world is the world that the printing press has created.
And that world started with this. [Holds up mirror.]
VOICEOVER: Media. It surrounds us. We live our lives in it and through it. We structure our lives around it. But it wasn’t always this way. So how did we get here? And where is the media technology that increasingly governs our lives taking us? This is the story of The Media Matrix.
PART ONE: THE GUTENBERG CONSPIRACY
You see, in the Middle Ages, mirrors—especially curved mirrors—were fiendishly difficult to make.
And pilgrim badges—elaborately designed lead or pewter plates with a curved mirror in the middle—were even more difficult to make. But in fifteenth-century Germany, they were in hot demand.
It all goes back to the year 800, when Emperor Charlemagne gifted four holy relics from Jerusalem to the Cathedral in Aachen in modern-day Germany: the swaddling clothes and loin cloth of Jesus, Mary’s robe, and the cloth that held John the Baptist’s decapitated head. The relics were thought to have miraculous restorative powers. And so, after the Black Death of 1349, they were removed from the Cathedral’s golden shrine and put on display for the public once every seven years, attracting tens of thousands of pilgrims from across Christendom.
Soon, the belief developed that a curved mirror could be held up to the relics to capture their miraculous powers and bring them back to the pilgrims’ home in whatever far-flung land they hailed from.
Now, the mirror was not a mirror like the ones we’re used to today. It was a pilgrim badge and it was one of the few mass-manufactured items of the Middle Ages. They were lucrative products to make. So lucrative, in fact, that the goldsmiths and stamp cutters of Aachen couldn’t keep up with the demand.
Enter Johannes Gutenberg. Born around the turn of the fifteenth-century to a wealthy family in Mainz, in modern-day Germany, Gutenberg—whose father was a companion of the ecclesiastical mint—had a background in goldsmithing, coinmaking and metalwork.
Arriving in Strasbourg in 1434, he thought to put his skills to work on a profitable venture: creating badges for the next Aachen Pilgrimage in 1439. There was only one problem: he didn’t have the capital to make the badges himself. So he entered into a cooperative with three business partners, each of whom ponied up a portion of the money required for Gutenberg to start producing the mirrors.
But just as the pilgrimage approached and it looked like the inventor was going to make a tidy profit for himself and his business partners, the Black Death struck again. An outbreak of the plague ravaged the Upper Rhine Valley in 1438, postponing the pilgrimage by a year. Gutenberg had already produced a number of the mirrors, but his capital was running out. And so he set his sights on a new venture—one so audacious, so revolutionary that he made his partners sign a contract swearing them to secrecy before he would let them in on it.
In fact, so secret was this project that the only reason we know anything at all about it is because one of the business partners died and his brother tried to take his place in the cooperative. But after the surviving partners refused to let him in on the plot, the would-be co-conspirator sued Gutenberg in Strasbourg court.
The court documents that survive are themselves cryptic—referring to the “adventure and art” of “the work” that Gutenberg and his partners were engaged in, but never specifying what that work was, exactly. We know that it involved presses fastened with screws and engraved “forms” supplied by a local goldsmith, that some quantity of metal had been purchased for the venture, that the work was expected to take five years and—above all—that the object of this undertaking be kept a secret.
Gutenberg and his partners had quite literally entered into a conspiracy.
And that conspiracy, resulted in this. Now this may not look like much to you . . . and you’d be right. This is a pencil sharpener. But the Gutenberg movable type printing press that it’s modeled after? Now that truly was a work of art. In fact, there’s a solid argument to be made that it was one of the most important inventions in human history.
There were many existing ideas and technologies that went into Gutenberg’s creation: the screw press, the manufacture of paper, the idea of woodblock printing, the development of ink. But it took years of careful experimentation to solve the puzzle of how to create a perfect print every time.
At first glance, it seems straightforward. The type is arranged in a rectangular container and then beaten with ink balls. The paper is placed in a leather-covered frame called a “tympan” and covered by a frisket. The tympan is then laid on the type and fed into a screw press, which is turned to press the type onto the paper.
Simple, right? Hardly.
In fact, every part of the printing process involved years of laborious experimentation: finding the right paper to print on, finding the right moisture levels for the paper to absorb the ink, finding the right way to dry the paper, finding an ink that wouldn’t run off the metal type, finding the right alloy for casting the type, and on and on and on. Each problem tested the limits of medieval technology and the limits of Gutenberg’s own skill and ingenuity.
And the result was nothing short of a revolution.
How so?
Here, look at this manuscript. What do you see?
If you lived before Gutenberg, you saw a page of text. A totality. A clump of information. But Gutenberg saw something different. His core insight was that a page of text was not a thing in itself, but a collection of letters that could be broken apart and rearranged into any other collection of letters.
From that deceptively simple observation came this. The printed page. Mechanically produced, perfectly identical characters that could be arranged into any configuration the printer desires to create any text imaginable.
And that insight birthed the modern world.
It birthed the era of mass communication. Pre-Gutenberg, there were no books, no pamphlets, no newspapers. In fact, in the 50 years before Gutenberg, all the scribes in all of Europe struggled to produce 20,000 laboriously hand-copied manuscripts. In the 50 years after Gutenberg? The printers that sprung up around the continent churned out 12 million printed books.
It birthed mass manufacture. Beyond pilgrim badges, there were very few mass-produced items in medieval life. Clothes, tools, shelter, manuscripts—everything was handmade. The book accustomed the medieval mind to the idea of identical, mechanically produced objects. And the printing press—with its mechanically perfect type—prefigured the advances of industrial production.
It birthed the Scientific Revolution. The widespread publication of data, the collection of knowledge in widely available reference books, the ability to exactly reproduce illustrations—things that we take completely for granted today—were a revelation when they appeared in the fifteenth-century and created the conditions for the rise of the empirical method.
It birthed the Reformation. We all know it was Luther and his 95 theses nailed to the church door that launched the Reformation, but it was the printing press that allowed Luther’s ideas to spread so far, so fast. (And, bonus fact: Those theses were addressed to the Archbishop of Mainz, birthplace of Gutenberg’s press.)
The printing press even birthed the nation-state.
INTERVIEWER: Yes, now how would you describe the the impact of the invention of the printing press? Give us some instances of what happened as a consequence of this
MARSHALL MCLUHAN: It created almost overnight what we call a nationalism, what in effect was a public. The old manuscript forms were not sufficiently powerful instruments of technology to create publics in the sense that print was able to do. Unified, homogeneous reading publics.
Everything that we prize in our Western world in matters of individualism, separatism and of a unique point of view and private judgment; all those factors are highly favored by the printed word and not really favored by other forms of culture like radio or earlier even by manuscript.
But this stepping up of the fragmented, the private—the individual, the private judgment, the point of view—all in fact our whole vocabularies underwent huge change with the arrival of such technology.
The world that Gutenberg was born into was this world: the real world. If you learned anything at all about this world, you probably learned it from experience, or at least from someone who had that experience.
But the world that Gutenberg left behind was a world of mass communication. Books were no longer a rare and valuable thing, and it was increasingly likely that your information about the world came from someone you never met, someone who may have been long dead.
The movable type printing press didn’t just change the way people communicated; it changed what they communicated about.
In a very real sense, the printing press invented “the news.”
Before Gutenberg, “the news” was whatever you managed to gather from your neighbours, what you learned from travelers passing through your village, what you heard the town crier yelling through the streets or, at best, what you yourself read in the occasional proclamation or edict from the authorities.
But after the printing press, the news was for the first time collected, organized, printed on a regular basis and distributed far and wide.
In 1605, the world’s first newspaper was published in Strasbourg—the same city where Gutenberg was making his mirrors for the Aachen pilgrimage a century-and-a-half prior—and soon everyone and their dog was printing a newsletter or a pamphlet or a newspaper or a tract. And these ideas were spreading around the world like they never had before.
For the first time, someone could be reading the exact same news as someone in the next town over . . .
JAMES EVAN PILATO OF MEDIAMONARCHY.COM: . . . or someone on the other side of the planet . . .
. . . at the exact same time.
The printing press united people like never before and the result was an explosion in the spread of ideas, the likes of which would not be experienced again for centuries.
But not everyone was excited about this free flow of information. Entrenched power structures of medieval society—the crown, the church, the feudal lords—had persisted for centuries by controlling information and suppressing dissent. But as the barriers to new ideas collapsed, so did the old feudal order.
It’s no surprise, then, that wherever the printing press traveled, wherever the new cadre of printers and booksellers set up shop, the censors were not far behind. When Lutheran books began appearing in England in 1520, Cardinal Wolsey was quick to declare that anyone caught with the texts would be subject to heresy laws. Not to be outdone, King Henry VIII’s proclamation “Prohibiting Erroneous Books and Bible Translations” of 1530 afforded him the power to try readers of these “blasphemous and pestiferous” books in his own dreaded Star Chamber.
Parliament dissolved the Star Chamber in 1641, but they weren’t about to give up censorship of the press. They just wanted to take the power for themselves, and that’s exactly what they did. The Licensing Order of 1643 outlawed the printing, binding, or sale of books, except by persons licensed under authority of Parliament.
This prompted John Milton to write the Areopagitica, still recognized today as one of the most influential and passionate defenses of freedom of speech in history:
“Who kills a man kills a reasonable creature, God’s image; but he who destroys a good book, kills reason itself, kills the image of God, as it were in the eye.”
But even the loftiest language of Milton had little effect in swaying the censors. The Licensing Order was not overturned for half-a-century, when the Parliament chose not to renew the act.
Those in positions of power had good reason to fear the printing press. Gutenberg’s invention turned their world on its head. Suddenly, people who had been kept apart and largely in ignorance of the world around them had been brought into a community of readers; a gigantic societal conversation began, empowering radicals who sought to overturn the order that had existed for centuries and helping them to spread their dangerous new ideas faster and farther than they ever could have with pen and paper.
Perhaps it’s no surprise, then, that these new ideas would come to their dramatic fruition in one of the most literate places on the planet: colonial America.
By the end of the 18th century, literacy rates in the colonies were upwards of ninety percent, and there were 180 newspapers being published on the Eastern Seaboard, twice as many as in England, a country with twice the population.
The colonists’ appetite for books and learning was celebrated far and wide. In 1772, the Reverend Jacob Duché wrote of the colonies: “Almost every man is a reader. [. . .] The poorest laborer upon the shores of the Delaware thinks himself entitled to deliver his sentiment in matters of religion or politics with as much freedom as the gentlemen or scholar [. . .] such is the prevailing taste for books of every kind.”
Just four years later, in 1776, Thomas Paine would publish Common Sense, a 47-page pamphlet that was to take those colonies by storm. In the first three months of its publication, a staggering 120,000 copies of the book had been sold; by the end of the year, it had sold 500,000 copies, or one pamphlet for every five men, women and children in the colonies. To put that in perspective, adjusted for population, Common Sense would be the thirteenth best-selling book of all time.
But this wasn’t any ordinary bestseller. This was a revolution.
At the beginning of 1776, before Common Sense, the average colonists believed themselves to be Englishmen engaged in a civil war; after Common Sense, they were revolutionaries engaged in a War for Independence. And that war was waged on the power of the printed word. That is the power of print.
The pen may be mightier than the sword, but the printing press is mightier than entire armies.
By the end of the nineteenth century, a new creature had emerged to capitalize on this new instrument of power: the press baron.
In America, William Randolph Hearst . . . that is, William Randolph Hearst inherited the San Francisco Examiner from his wealthy father, built it up into the biggest paper in town and plowed the profits into the purchase of the New York Journal. With the Journal and a growing number of dailies across the country under his belt, Hearst became a full-fledged press baron, taking on Joseph Pulitzer’s New York World in a circulation war, pioneering the eye-catching layouts and sensational stories that would come to define his brand of yellow journalism, and helping to gin up support for the Spanish-American War, among many other dubious causes.
In England, Alfred Harmsworth picked up the yellow journalism idea from Hearst and Pulitzer and used it to build his own press empire around The Daily Mail. From a lower caste of British society, Harmsworth found himself in the center of political power in Britain, using his influence to gin up public hatred of the Huns ahead of World War I, becoming director of propaganda for the government in 1918 and earning himself the title of Lord Northcliffe in the process.
In a sense, the Lord Northcliffes and the William Randolph Hearsts and the other press barons of that era were the end stage of the Gutenberg Revolution. The invention that had given a voice to the masses and started a conversation that would topple institutions, dethrone monarchs and reorder empires had now catapulted people at the fringes of power into its very heart. With the power of the press, these men were able to sway the minds of entire nations of people.
Naturally, the old tension between the ruling elite and the masses, empowered by the press, was still there. But censorship hadn’t proven to be an effective tool for keeping the masses in ignorance. There had to be another way.
That way, it turned out, was another conspiracy.
On February 9, 1917, Oscar Callaway, a US Representative from Texas’ 12th District, exposed that conspiracy in the Congressional record:
“In March, 1915, the J. P. Morgan interests, the steel, ship-building, and powder interests, and their subsidiary organizations, got together 12 men high up in the newspaper world and employed them to select the most influential newspapers in the United States and sufficient number of them to control generally the policy of the daily press of the United States. [. . .] They found it was only necessary to purchase the control of 25 of the greatest papers. The 25 papers were agreed upon; emissaries were sent to purchase the policy, national and international, of these papers; an agreement was reached; the policy of the papers was bought, to be paid for by the month; an editor was furnished for each paper to properly supervise and edit information regarding the questions of preparedness, militarism, financial policies, and other things of national and international nature considered vital to the interests of the purchasers.”
The news was extraordinary, but it almost didn’t get reported at all. Callaway had not been given time to make his charges on the floor of the House; instead, they were “buried in the Record.” It wasn’t until another congressman demanded a full congressional investigation into the charges that the newspapers even bothered to cover the story at all.
Perhaps it is no surprise that the Gutenberg conspiracy ended up here, at the Morgan conspiracy. That a revolutionary step toward freeing man from the bonds of ignorance was met with a revolutionary counteraction designed to place those chains around him all the more tightly. That, at the zenith of the print revolution, the oligarchy finally found a way to control the free flow of information.
Ironic, then, that within the space of a few short years, the print revolution that Gutenberg had started was about to be overturned by another technology.
Internment of civilian nationals belonging to opposing sides was carried out in varying degrees by all belligerent powers in World War Two. It was also the fate of those servicemen who found themselves in a neutral country.
At the outbreak of war there were around 80,000 potential enemy aliens in Britain who, it was feared, could be spies, or willing to assist Britain’s enemies in the event of an invasion. All Germans and Austrians over the age of 16 were called before special tribunals and were divided into one of three groups… continue
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